Manuscript Illumination in the Modern Age


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How medieval manuscripts were understood in the 19th and 20th centuries is the basis for this volume co-written by four art historians; Hindman (Northwestern U.), Michael Camille (U. of Chicago), Rowan Watson (Victoria and Albert Museum), and Nina Rowe (Block Museum, Northwestern U.). The attitudes




French Book-plates


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Les Tragiques...


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The Skeptic's Walk


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This is a Divine Comedy or Pilgrim's Progress for the post-religious age. Finding himself on a quest through the forest of life towards the general rendez-vous at the end, our hero journeys first on the path of religion and faith, then the path of the philosophers where debate and ideas reign, and finally the path of worldly pursuits and pleasure. Along the way he dodges inquisitors, raging fanatics, insane philosophers, faithless lovers, and scheming social climbers. Truly a neglected classic. As Diderot said, "even if you are not amused, you may still benefit from it."This third edition was revised in 2018.




Almahide


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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Harvard University Houghton Library N029846 In fact by Madelène de Scudéry. In three parts, each of three books, but disposed in four sections each having separate pagination and register, as follows: part I; part II; part III, book 1; and part III, books 2 and 3. London: printed by J. M. for Thomas Dring, 1702. [2],225, [1];267, [1];107, [1];76p.; 2°