Playing with Fire


Book Description

European sculptors of the Neoclassical period often modelled their works in clay before producing finished pieces in marble. This book offers a comprehensive overview of Neoclassical terracotta models by European artists, featuring the works of0. Pajou, Houdon, and Canova, among many others.







Six French Poets


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Prince Or Chauffeur?


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Catalogue des objets d'art et d'ameublement des XVIe, XVIIe et XVIIIe siècles, faïences italiennes, de Bernard Palissy et autres., précieuse salière en faience de Saint Porchaire, sculptures en marbre, en terre cuite, en bois et en ivoire, cheminmée monumentale en pierre, porcelaines de Sèvres, de Saxe, de Chine et du Japon, vitraux, orfèvrerie, matières précieuses, quelques tabelaux anciens, bronzes d'art et d'ameublement, magnifique mobilier en tapisserie de Beauvais, meubles en bois sculpté du XVIe siècle, tapisseries remarquables des Gobelins et de Beauvais, panneaux d ela savonnerie, meubles et tentures en tapisserie au point, beaux lustres en cristal de roche, meubles dépendant de la succession de Mme d'Yvon


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The Man who was Greenmantle


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Catalogue des objets d'art et d'ameublement. Sculptures par Houdon, Clodion, etc.; Très-belles pendules, grands candélabres, flambeaux, bras, chenets, etc. en bronze doré du temps de Louis XVI; Pendule en vieux Sèvres; Porcelaines diverses; Faïences; Bronzes d'art; Belle horloge Louis XIV en marqueterie; Sièges en tapisserie; Beaux meubles des époques XIV, Louis XV et Louis XVI. Très-belles tapisseries. Tableaux anciens et modernes. Aquarelles. Dépendant de la succession de feu Madame la Comtesse de Montesquiou-Fezensac...


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The Return of Curiosity


Book Description

The Spy Museum, the Vacuum Cleaner Museum, the National Mustard Museum—not to mention the Art Institute, the Museum of Modern Art, and the Getty Center: museums have never been more robust, curating just about everything there is and assuming a new prominence in public life. The Return of Curiosity explores museums in the modern age, offering a fresh perspective on some of our most important cultural institutions and the vital function they serve as stewards of human and natural history. Reflecting on art galleries, science and history institutions, and collections all around the world, Nicholas Thomas argues that, in times marked by incredible insecurity and turbulence, museums help us sustain and enrich society. Moreover, they stimulate us to think in new ways about our world, compelling our curiosity and showing us the importance of understanding one another. Thomas looks at museums not simply as storehouses of old things but as the products of meaningful relationships between curators, the public, history, and culture. These relationships, he shows, don’t always go smoothly, but they do always offer new insights into the many ways we value—and try to preserve—the world we live in. The result is a refreshing and hopeful look at museums as a cultural force, one that, by gathering together paintings, tropical birds, antiques, or even our own bodies, offers an illuminating reflection of who we are.