Catalogue of the Exhibition of Paintings by Charles Walter Stetson


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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The United States Catalog


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Catalogue of the Exhibition of Fine Arts


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This richly illustrated catalogue is a must-have for any art lover or collector. Featuring the works of some of the most talented artists of the time, this book is a testament to the beauty and power of the visual arts. Whether you're looking to add to your own collection or simply explore the breadth of artistic expression, this catalogue is an essential resource. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Looking at Matisse and Picasso


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Published to accompany the exhibition held at MoMA QNS, New York, 13 February - 19 May 2003, this book features a selection from the exhibition catalogue, as well as essays on the relationship between both the artists and their work.







Gabriel de Saint-Aubin


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Gabriel de Saint-Aubin, born in 1724, never left his native Paris. He studied at the prestigious Royal Academy but failed to win the coveted Prix de Rome. He is often said to have reacted to this disappointment by throwing aside all hopes of a traditional artistic career and hastening out into the thoroughfares of Paris to sketch everything in sight, living an errant, bohemian existence and succumbing increasingly to an obsession with drawing. But despite his personal eccentricities he was employed as an illustrator all his life.




Bibliotheca Osleriana


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During his tenure as the Regius Professor of Medicine at Oxford from 1905-1919, Sir William Osler amassed a considerable library on the history of medicine and science. A Canadian native, Osler had studied at McGill University and decided to leave his collection of 7,600 items to its Faculty of Medicine. A catalogue, the Bibliotheca Osleriana, was compiled - a labour of love that took ten years to complete and involved W.W. Francis, R.H. Hill, and Archibald Malloch. Osler himself laid down the broad outlines of the catalogue and wrote many of the annotations.




Catalogue of an Exhibition of Selected Works of the Poets Laureate of England


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Sale Catalogues


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