The English Catalogue of Books [annual]


Book Description

Vols. for 1898-1968 include a directory of publishers.










The New Cambridge Bibliography of English Literature: Volume 1, 600-1660


Book Description

More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.




Catalogue


Book Description




Lists and Catalogues in Ancient Literature and Beyond


Book Description

Lists and catalogues have been en vogue in philosophy, cultural, media and literary studies for more than a decade. These explorations of enumerative modes, however, have not yet had the impact on classical scholarship that they deserve. While they routinely take (a limited set of) ancient models as their starting point, there is no comparably comprehensive study that focuses on antiquity; conversely, studies on lists and catalogues in Classics remain largely limited to individual texts, and – with some notable exceptions – offer little in terms of explicit theorising. The present volume is an attempt to close this gap and foster the dialogue between the recent theoretical re-appraisal of enumerative modes and scholarship on ancient cultures. The 16 contributions to the volume juxtapose literary forms of enumeration with an abundance of ancient non-, sub- or para-literary practices of listing and cataloguing. In their different approaches to this vast and heterogenous corpus, they offer a sense of the hermeneutic, epistemic and methodological challenges with which the study of enumeration is faced, and elucidate how pragmatics, materiality, performativity and aesthetics are mediated in lists and catalogues.










A Guide to English Literature


Book Description

At first glance A Guide to English Literature may seem to be no more than a short bibliography of English literature with perhaps rather more extensive--and certainly more outspoken--comments on the principal editions, commentaries, biographies, and critical works than bibliographies usually provide. But it is something more: this guide contains long "inter-chapters" that provide reinterpretations of the principal periods of English literature in the light of modern research, as well as two final sections summarizing in unusual detail the literary criticism that exists in English and recent scholarship in the field. The purpose of this book, then, is to provide the reader with convenient access to a disciplined study of the texts themselves. This guide proposes itself as a new kind of literary history. The conventional history of literature has often tended to become a substitute for the reading of the literature it describes: the better the history, the greater the temptation to substitute it. The present combination of reading lists and inter-chapters cannot be a substitute for anything else. Meaningless as literature in themselves, they nevertheless provide the necessary preliminary information to meaningful reading. Since oddities of arrangement derive from these assumptions, the authors are not arranged alphabetically. Instead there are chronological compartments--with the divisions circa 1500, 1650, and 1800--in which authors succeed each other in the order of their births. This pioneering handbook is primarily a bibliographical laborsaving device. It is meant mostly for students and the general reader in that it stops where original research by the reader is expected to begin. However, the last chapter on literary scholarship is devoted specifically to the research specialist and provides indispensable equipment for the reader. There is also a general section on literary criticism which will be of use to all. F.W. Bateson (1901-1978) was University Lecturer in English Literature at Oxford and a Fellow and Tutor of Corpus Christi College. Founder and editor of the periodical Essays in Criticism, he is also editor of the four-volume Cambridge Bibliography of English Literature and the author of a number of critical studies of English poetry and drama.




The Catalogue of Shipwrecked Books


Book Description

This impeccably researched and “adventure-packed” (The Washington Post) account of the obsessive quest by Christopher Columbus’s son to create the greatest library in the world is “the stuff of Hollywood blockbusters” (NPR) and offers a vivid picture of Europe on the verge of becoming modern. At the peak of the Age of Exploration, Hernando Colón sailed with his father Christopher Columbus on his final voyage to the New World, a journey that ended in disaster, bloody mutiny, and shipwreck. After Columbus’s death in 1506, eighteen-year-old Hernando sought to continue—and surpass—his father’s campaign to explore the boundaries of the known world by building a library that would collect everything ever printed: a vast holding organized by summaries and catalogues; really, the first ever database for the exploding diversity of written matter as the printing press proliferated across Europe. Hernando traveled extensively and obsessively amassed his collection based on the groundbreaking conviction that a library of universal knowledge should include “all books, in all languages and on all subjects,” even material often dismissed: ballads, erotica, news pamphlets, almanacs, popular images, romances, fables. The loss of part of his collection to another maritime disaster in 1522, set off the final scramble to complete this sublime project, a race against time to realize a vision of near-impossible perfection. “Magnificent…a thrill on almost every page” (The New York Times Book Review), The Catalogue of Shipwrecked Books is a window into sixteenth-century Europe’s information revolution, and a reflection of the passion and intrigues that lie beneath our own insatiable desires to bring order to the world today.