The Luck of Barry Lyndon


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Old Days in Diplomacy


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Fonthill Recovered


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Fonthill, in Wiltshire, is traditionally associated with the writer and collector William Beckford who built his Gothic fantasy house called Fonthill Abbey at the end of the eighteenth century. The collapse of the Abbey’s tower in 1825 transformed the name Fonthill into a symbol for overarching ambition and folly, a sublime ruin. Fonthill is, however, much more than the story of one man’s excesses. Beckford’s Abbey is only one of several important houses to be built on the estate since the early sixteenth century, all of them eventually consumed by fire or deliberately demolished, and all of them oddly forgotten by historians. Little now remains: a tower, a stable block, a kitchen range, some dressed stone, an indentation in a field. Fonthill Recovered draws on histories of art and architecture, politics and economics to explore the rich cultural history of this famous Wiltshire estate. The first half of the book traces the occupation of Fonthill from the Bronze Age to the twenty-first century. Some of the owners surpassed Beckford in terms of their wealth, their collections, their political power and even, in one case, their sexual misdemeanours. They include Charles I’s Chancellor of the Exchequer, and the richest commoner in the nineteenth century. The second half of the book consists of essays on specific topics, filling out such crucial areas as the complex history of the designed landscape, the sources of the Beckfords’ wealth and their collections, and one essay that features the most recent appearance of the Abbey in a video game.




The Stately Homes of England


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European Post-medieval Tapestries and Related Hangings in the Metropolitan Museum of Art


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Tapestry making flourished in the major centers of western Europe from the fourteenth through the nineteenth centuries. Thousands of tapestries were woven as special commissions for church, crown, and nobility. This publication is a comprehensive catalogue of the Museum's collection of tapestries and allied works made after the Middle Ages.-- Metropolitan Museum of Art website.




Pugin's Builder


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George Myers was one of the great Master Builders of the Victorian Age. Born in 'Hull in 1803, he gained renown as 'Pugin's Builder' and - from his workshops in Hull and then in London - directed a nationwide contracting business. Myers executed many of Pugin's buildings, such as cathedrals in Newcastle, Birmingham, Nottingham and Southwark and the Medieval Court for the Great Exhibition of 1851. In fact Myers undertook work for nearly 100 other architects. This included the original camp at Aldershot, military hospitals and the Staff College, Broadmoor Hospital and restoration work at the Guildhall, the Towers of London, Windsor Castle and extensive work for the Rothschilds. He died in London in 1875. This book, based on original research, provides a fascinating account of mid-19th century England and some of its most interesting figures. It contains hitherto unpublished drawings by Pugin.




Architecture in France in the Eighteenth Century


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Architecture in France in the Eighteenth Century Wend von Kalnein French architecture of the eighteenth century - which exhibited great technical ability and refined taste - influenced architectural style throughout Europe. This handsome book is a survey of the French architecture of the period. It begins with the origins of the 'style moderne' under the last years of Louis XIV, discusses the end of Rococo and the return to antiquity, and concludes with the Revolutionary architecture and the house of Madame Récamier. Kalnein describes the development of palace and hôtel architecture by the two great architects de Cotte and Boffrand, discussing such large urban projects as the reconstruction of Rennes and the Places Royales. He traces the return to antiquity (which began when the scholars of the Académie d'Architecture were sent to Rome), the revolutionary architecture with its grand, but never executed, projects, and the shift from neoclassicism to early romanticism. Kalnein also examines the decorative arts of the period, which became even more important than architecture in the Rococo period. Focusing on such architects as Boffrand, Gabriel, and Redoux, he shows how a study of their building decoration illuminates the evolution of 'style moderne,' the battle between Rococo and Neoclassicism, and the dissemination of French styles throughout Europe.