The Freer Biblical Manuscripts


Book Description

The six biblical manuscripts that reside in the Freer Gallery of Art in Washington DC are historically significant artifacts for tracing the early history of the transmission of the writings that make up the New Testament and the Septuagint. The manuscripts, all purchased in Egypt at the beginning of the twentieth century by Charles Freer, date to the third through fifth centuries and include codices of the four Gospels, Deuteronomy and Joshua, the Psalms, and the Pauline Epistles, as well as a Coptic codex of the Psalms and a papyrus codex of the Minor Prophets, which, until the discovery of the Dead Sea Scrolls, was the earliest Greek manuscript of the Minor Prophets known. The ten essays in this volume are a notable collection of fresh scholarship with long-term value for the study of what is a small but highly valuable treasure trove of biblical manuscripts. The contributors are Malcolm Choat, Kent D. Clarke, Kristin De Troyer, Timothy J. Finney, Dennis Haugh, Larry W. Hurtado, J. Bruce Prior, Jean-Francois Racine, James R. Royse, Ulrich Schmid, and Thomas A. Wayment. Book jacket.




Catalogue of the Coptic Manuscripts in the Collection of the John Rylands Library, Manchester


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Catalogue of Coptic Manuscripts in the Pierpont Morgan Library


Book Description

Following the newest procedures of the "archaeology of the book", this catalogue raisonne presents a detailed description of the Coptic holdings of the Pierpont Morgan Library. The first efforts to provide such a catalogue date back to the twenties and thirties of this century. The introduction includes chapters on the modern history of the Coptic manuscripts, their antiquity and provenance, the method employed in this catalogue to describe them, and the history of the ancient monastery of St. Michael near present-day Hamuli, whose library yielded the bulk of the Morgan Coptic collection. In the individual entries, the literary contents of the manuscripts are treated at length and secondary literature, including modern editions and translations, is listed. Extensive concordances facilitate the use of the catalogue.







Catalogue of the Ethiopic Manuscript Imaging Project 1


Book Description

The series Ethiopic Manuscripts, Texts, and Studies offers, in the first place, catalogues of the Ethiopic Manuscript Imaging Project, whose purpose it is to digitize and catalogue collections of Ethiopic manuscripts in North America and around the world. Beyond this, though, the series offers a venue for monographs, revised dissertations, and texts that explore the rich historical, literary, and artistic traditions of Ethiopia and the Ethiopian Orthodox Church. From the Series Foreword




Catalogue


Book Description




Studies on Greek and Coptic Majuscule Scripts and Books


Book Description

The volume contains a critical review of data, results and open problems concerning the principal Greek and Coptic majuscule bookhands, based on previous research of the author, revised and updated to offer an overview of the different graphic phenomena. Although the various chapters address the history of different types of scripts (i.e. biblical majuscule, sloping poitend majuscule, liturgical majuscule, epigraphic and monumental scripts), their juxtaposition allows us to identify common issues of the comparative method of palaeography. From an overall critical assessment of these aspects the impossibility of applying a unique historical paradigm to interpret the formal expressions and the history of the different bookhands comes up, due to the fact that each script follows different paths. Particular attention is also devoted to the use of Greek majuscules in the writing of ancient Christian books. A modern and critical awareness of palaeographic method may help to place the individual witnesses in the context of the main graphic trends, in the social and cultural environments in which they developed, and in a more accurate chronological framework.