Catalogue Of The Henry C. Frick Collection Of Paintings


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Building the Frick Collection


Book Description

Offers a study of the famous home of Henry Clay Frick, which houses the Frick Collection in New York City. This work examines the history of the house and how it influenced the collection itself.




Helen Clay Frick


Book Description

Chronicles Helen Clay Frick's lifelong commitment to social welfare, the environment, and her purchase of many significant works of art for her private collection, the Frick Collection in New York, the University of Pittsburgh teaching collection, and the Frick Art Museum.




The Frick Collection


Book Description

Sculpture; Italian







Frick Madison


Book Description

This handsome volume documents the temporary installation of The Frick Collection in its temporary home, with stunning photographs by Joseph Coscia Jr. and a reflective foreword by Roxane Gay.







British Models of Art Collecting and the American Response


Book Description

This collection of fourteen essays by distinguished art and cultural historians examine points of similarity and difference in British and American art collecting. Half the essays examine the trends that dominated the British art collecting scene of the nineteenth century. Others focus on American collectors, using biographical sketches and case studies to demonstrate how collectors in the United States embellished the British model to develop their own, often philanthropic approach to art collecting.