William Blake


Book Description

"William Blake is a universal artist--an inspiration to visual artists, musicians, poets, and performers worldwide as well as everyone who aspires to the ideals of personal, spiritual, and creative liberty. His heroic story has inspired an invigorated generations. His personal struggles during a period of political terror and oppression, his technical innovations, and his political commitment all remain deeply relevant today. This book presents a comprehensive overview of Blake's work as a printmaker, poet, and painter, foregrounding his relationship with the art world of his time and telling the stories behind many of his most iconic images."--




The Complete Poetry & Prose of William Blake


Book Description

Since its first publication in 1965, this edition has been widely hailed as the best available text of Blake's poetry and prose. Now revised, if includes up-to-date work on variants, chronology of poems and critical commentary by Harold Bloom. An "Approved Edition" of the Center for Scholarly Editions of the Modern Language Association.







Blake's Vision of the Poetry of Milton


Book Description

William Blake's series of interpretive illustrations to six poems by John Milton represent Blake's rethinking of Milton's themes. The author insists upon the integrity of the separate series and investigates the distinctive properties of each. Illustrated.




The Works of William Blake in the Huntington Collections


Book Description

This complete catalogue of William Blake's work from the richly comprehensive collections of the Huntington Library and Art Gallery features a full introduction and explanatory text by a leading Blake scholar and covers the artist's entire oeuvre: his pencil sketches, watercolor drawings, tempera paintings, engravings, etchings, relief color printing, illustrated and illuminated books, and printed writings.




A Blake Bibliography


Book Description

A Blake Bibliography was first published in 1964. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The aim of this book is to list every reference to William Blake published between 1757 and 1863 and every criticism and edition of his works from the beginning to the present. Partly because of the deluge of scholarship in the last forty years, it includes perhaps twice as many titles as Sir Geoffrey Keynes's great bibliography of 1921. An introductory essay on the history of Blake scholarship puts the most significant works into perspective, indicates the best work that has been done, and points to some neglected areas. In addition, all the most important references and many of the less significant ones are briefly annotated as to subject and value. Because many of the works are difficult to locate, specimen copies of all works published before 1831 have been traced to specific libraries. Each of Blake's manuscripts is also traced to its present owner. Two areas which have received relatively novel attention are early references to Blake (before 1863) and important sale and exhibition catalogues of his works. In both areas there are significant number of important entries which have not been noticed before by Blake scholars. The section on Blake's engravings for commercial works receives especially detailed treatment. A few of the titles listed here have not been described previously in connection with Blake.







William Blake and the Art of Engraving


Book Description

Sung closely examines William Blake’s extant engraved copper plates and arrives at a new interpretation of his working process. Sung suggests that Blake revised and corrected his work more than was previously thought. This belies the Romantic ideal that the acts of conception and execution are simultaneous in the creative process.