The William S. Paley Collection


Book Description

"William S. Paley, founder of CBS, Inc., and a towering figure in the development of entertainment and communications industries, was also a committed collector and patron of modern art. This book catalogues the highly personal collection of paintings, sculptures, prints and drawings, by such artists as [Paul] Cézanne, [Paul] Gauguin, [Henri] Matisse, [Pablo] Picasso, and others, that he bequeathed to the Museum of Modern Art. ..."--Back cover.










Catalogue


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Society of Six


Book Description

Six plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six—Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest—created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism. The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.




Life Cycles


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Second Nature


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The Privilege to Paint


Book Description

In 1938, the Magazine of Art, a monthly journal published by the American Federation of Arts, carried a series of articles about contemporary American artists. The essay about landscape painter Francis Speight said, All that he asks of life is the privilege to paint. Drawing from this quotation, the Greenville (NC) Museum of Art has published an illustrated biography entitled The Privilege to Paint that documents the lives and art of Francis Speight and his equally talented wife, Sarah Blakeslee. The book will complement a gallery at the museum that will be totally devoted to the works of this couple.Francis Speight grew up in Bertie County, North Carolina, and taught painting and drawing at the Pennsylvania Academy of the Fine Arts in Philadelphia from 1925 until 1961. In 1936, he married Sarah Jane Blakeslee, who was a student at the academy's country school at Chester Springs. In 1961, the couple moved to Greenville, North Carolina, where Francis became artist-in-residence at East Carolina University and Sarah painted and taught art classes. Francis painted primarily landscapes, while Sarah painted landscapes, portraits, and still lifes. Both artists won numerous awards for their work and have been honored with exhibitions in both North Carolina and Pennsylvania. The state of North Carolina honored Francis Speight in 1964 with its highest award given to an artist, the North Carolina Award in Fine Arts. This was the first year the award was given. Thirty years later, it honored Sarah Blakeslee with the same award.This book features 83 images of their paintings, over 80 of which are in full color. From landscapes of Pennsylvania and North Carolina to portraits and still lifes, their paintings capture the essence of their subjects. This is a story of two kindred spirits and a celebration of their love of painting




Catalogue, Annual International Exhibition of Paintings


Book Description

The catalogs include lists of books and articles on artists represented in the exhibitions, to be found in the Carnegie Library of Pittsburgh.




John Sloan's Oil Paintings


Book Description

Descriptions and histories of the 1,265 oils by John Sloan (1871-1951), more than 1,000 of which are illustrated. Includes critical commentary, the artist's own comments, and an analysis of Sloan's work and his role in American painting. Indexing by title and subject. Illustrated.