Author : Susanna Hoffman
Publisher : James Currey
Page : 312 pages
File Size : 48,43 MB
Release : 2002-01-01
Category : Catastrophes - Aspect social - Congrès
ISBN : 9780852559253
Using a variety of natural and technological events this volume explores the potentials of disaster for the ecological, political-economic and cultural approaches to anthropology, along with the perspectives of archaeology and history.
Author : Gregory Button
Publisher : Routledge
Page : 312 pages
File Size : 45,59 MB
Release : 2016-06-03
Category : Business & Economics
ISBN : 1315430363
Drawing on decades of research on the most infamous human and environmental calamities, Button shows how states, corporations, and other actors attempt to create meaning and control social relations in post-disaster struggles for the redistribution of power.
Author : Mark Bould
Publisher : Verso Books
Page : 177 pages
File Size : 13,16 MB
Release : 2021-11-02
Category : Literary Criticism
ISBN : 1839760494
From Ducks, Newburyport to zombie movies and the Fast and Furious franchise, how climate anxiety permeates our culture The art and literature of our time is pregnant with catastrophe, with weather and water, wildness and weirdness. The Anthropocene - the term given to this geological epoch in which humans, anthropos, are wreaking havoc on the earth - is to be found bubbling away everywhere in contemporary cultural production. Typically, discussions of how culture registers, figures and mediates climate change focus on 'climate fiction' or 'cli-fi', but The Anthropocene Unconscious is more interested in how the Anthropocene and especially anthropogenic climate destabilisation manifests in texts that are not overtly about climate change - that is, unconsciously. The Anthropocene, Mark Bould argues, constitutes the unconscious of 'the art and literature of our time'. Tracing the outlines of the Anthropocene unconscious in a range of film, television and literature - across a range of genres and with utter disregard for high-low culture distinctions - this playful and riveting book draws out some of the things that are repressed and obscured by the term 'the Anthropocene', including capital, class, imperialism, inequality, alienation, violence, commodification, patriarchy and racial formations. The Anthropocene Unconscious is about a kind of rewriting. It asks: what happens when we stop assuming that the text is not about the anthropogenic biosphere crises engulfing us? What if all the stories we tell are stories about the Anthropocene? About climate change?
Author : Carsten Meiner
Publisher : Walter de Gruyter
Page : 332 pages
File Size : 20,49 MB
Release : 2012-10-30
Category : Literary Criticism
ISBN : 311028295X
Catastrophes and crises are exceptions. They are disruptions of order. In various ways and to different degrees, they change and subvert what we regard as normal. They may occur on a personal level in the form of traumatic or stressful situations, on a social level in the form of unstable political, financial or religious situations, or on a global level in the form of environmental states of emergency. The main assumption in this book is that, in contrast to the directness of any given catastrophe and its obvious physical, economical and psychological consequences our understanding of catastrophes and crises is shaped by our cultural imagination. No matter in which eruptive and traumatizing form we encounter them, our collective repertoire of symbolic forms, historical sensibilities, modes of representation, and patterns of imagination determine how we identify, analyze and deal with catastrophes and crises.This book presents a series of articles investigating how we address and interpret catastrophes and crises in film, literature, art and theory, ranging from Voltaire’s eighteenth-century Europe, haunted by revolutions and earthquakes, to the 1994 genocide in Rwanda to the bleak, prophetic landscapes of Cormac McCarthy.
Author : Francis Mulhern
Publisher : Verso Books
Page : 176 pages
File Size : 37,53 MB
Release : 2016-02-16
Category : Philosophy
ISBN : 1784781932
A bold new vision of the modern English novel The leading critic Francis Mulhern uncovers a hidden history in the fiction of the past century, identifying a central new genre: the condition of culture novel. Reading across and against the grain of received patterns of literary association, tracing a line from Hardy and Forster, through Woolf, Waugh and Bowen, to Barstow, Fowles, Rendell, Naipaul, Amis, Kureishi and Smith, he elucidates the recurring topics and narrative logics of the genre, showing how culture emerges as a special ground of social conflict, above all between classes. The narrative evaluations of culture’s ends—the aspirations and the destinies of those whose lives are the subject of these novels—grow steadily darker over time, and the writing itself grows more introverted. A concluding discussion elicits the characteristics of the English condition of culture novel, in an international setting, and closes in, finally, on the central conundrum of the genre: its uncanny reprise, in its own plane, of the historical arc of the modern labour movement in Britain, from its beginnings in the late nineteenth century through its post-war heyday to the seemingly inexorable decline of recent decades.
Author : Robert Hariman
Publisher : Berghahn Books
Page : 274 pages
File Size : 19,12 MB
Release : 2015-10-01
Category : Social Science
ISBN : 1782387471
This volume explores political culture, especially the catastrophic elements of the global social order emerging in the twenty-first century. By emphasizing the texture of political action, the book theorizes how social context becomes evident on the surface of events and analyzes the performative dimensions of political experience. The attention to catastrophe allows for an understanding of how ordinary people contend with normal system operation once it is indistinguishable from system breakdown. Through an array of case studies, the book provides an account of change as it is experienced, negotiated, and resisted in specific settings that define a society’s capacity for political action.
Author : Mark D. Anderson
Publisher : University of Virginia Press
Page : 329 pages
File Size : 33,16 MB
Release : 2011-10-17
Category : Literary Criticism
ISBN : 0813932033
In the aftermath of disaster, literary and other cultural representations of the event can play a role in the renegotiation of political power. In Disaster Writing, Mark D. Anderson analyzes four natural disasters in Latin America that acquired national significance and symbolism through literary mediation: the 1930 cyclone in the Dominican Republic, volcanic eruptions in Central America, the 1985 earthquake in Mexico City, and recurring drought in northeastern Brazil. Taking a comparative and interdisciplinary approach to the disaster narratives, Anderson explores concepts such as the social construction of risk, landscape as political and cultural geography, vulnerability as the convergence of natural hazard and social marginalization, and the cultural mediation of trauma and loss. He shows how the political and historical contexts suggest a systematic link between natural disaster and cultural politics.
Author : Timothy Recuber
Publisher : Temple University Press
Page : 228 pages
File Size : 40,50 MB
Release : 2016-11-02
Category : History
ISBN : 1439913706
Horrified, saddened, and angered: That was the American people’s reaction to the 9/11 attacks, Hurricane Katrina, the Virginia Tech shootings, and the 2008 financial crisis. In Consuming Catastrophe, Timothy Recuber presents a unique and provocative look at how these four very different disasters took a similar path through public consciousness. He explores the myriad ways we engage with and negotiate our feelings about disasters and tragedies—from omnipresent media broadcasts to relief fund efforts and promises to “Never Forget.” Recuber explains how a specific and “real” kind of emotional connection to the victims becomes a crucial element in the creation, use, and consumption of mass mediation of disasters. He links this to the concept of “empathetic hedonism,” or the desire to understand or feel the suffering of others. The ineffability of disasters makes them a spectacular and emotional force in contemporary American culture. Consuming Catastrophe provides a lively analysis of the themes and meanings of tragedy and the emotions it engenders in the representation, mediation and consumption of disasters.
Author : Jeffrey Hart
Publisher : Yale University Press
Page : 285 pages
File Size : 50,72 MB
Release : 2008-10-01
Category : Education
ISBN : 030013052X
Hart presents a guide to some of the essential literary works of Western civilisation which retain their ability to energise us intellectually, tracing the main currents of Western culture for all who wish to understand the roots of their civilisation and the basis for its achievements.
Author : Kevin Rozario
Publisher : University of Chicago Press
Page : 324 pages
File Size : 32,46 MB
Release : 2007-08-15
Category : History
ISBN : 0226725707
Turn on the news and it looks as if we live in a time and place unusually consumed by the specter of disaster. The events of 9/11 and the promise of future attacks, Hurricane Katrina and the destruction of New Orleans, and the inevitable consequences of environmental devastation all contribute to an atmosphere of imminent doom. But reading an account of the San Francisco earthquake of 1906, with its vivid evocation of buildings “crumbling as one might crush a biscuit,” we see that calamities—whether natural or man-made—have long had an impact on the American consciousness. Uncovering the history of Americans’ responses to disaster from their colonial past up to the present, Kevin Rozario reveals the vital role that calamity—and our abiding fascination with it—has played in the development of this nation. Beginning with the Puritan view of disaster as God’s instrument of correction, Rozario explores how catastrophic events frequently inspired positive reactions. He argues that they have shaped American life by providing an opportunity to take stock of our values and social institutions. Destruction leads naturally to rebuilding, and here we learn that disasters have been a boon to capitalism, and, paradoxically, indispensable to the construction of dominant American ideas of progress. As Rozario turns to the present, he finds that the impulse to respond creatively to disasters is mitigated by a mania for security. Terror alerts and duct tape represent the cynical politician’s attitude about 9/11, but Rozario focuses on how the attacks registered in the popular imagination—how responses to genuine calamity were mediated by the hyperreal thrills of movies; how apocalyptic literature, like the best-selling Left Behind series, recycles Puritan religious outlooks while adopting Hollywood’s style; and how the convergence of these two ways of imagining disaster points to a new postmodern culture of calamity. The Culture of Calamity will stand as the definitive diagnosis of the peculiarly American addiction to the spectacle of destruction.
