The Last Tram on Dorchester Street


Book Description

In the heart of Montréal in 1953, private investigator Eddie Wade witnesses the brutal late-night murder of Saul Blumenthal, a Jewish German immigrant. The police suddenly and mysteriously close the case on this unsolved murder in less than twenty-four hours. Smelling a rat, Eddie decides to investigate and find justice for the victim. But Eddie soon lands in the center of a miasma of deception and ruthlessness where the edge between justice and revenge is blurred and the threshold leading to redemption is only a faint hope. Deep and brooding secrets lurk in Montréal's Mile End neighborhood, and as Eddie discovers more about the victim and his past, he must confront the darkness that lies within his own soul. With the facts adding up to an unexpected conclusion, Eddie realizes that more than just his investigation is at stake. Someone's got it in for him, and Eddie had better tread carefully or he may be the next one put on ice. Written in the tradition of the hard-boiled school of detective fiction, Eddie Wade follows in the footsteps of Sam Spade, Philip Marlowe, and Mike Hammer in The Last Tram on Dorchester Street.




Last Tram tae Auchenshuggle!


Book Description

The 50th anniversary of the last trams in Glasgow is 2012. The last regular tram in Glasgow ran on 1 September, 1962. However on the 2, 3 and 4 of September, a very special tram service was operated between Auchenshuggle and Anderson Cross, for which souvenir tickets were sold. The Last Tram tae Auchenshuggle is the hilarious patter and build up to the end of the Glasgow trams, featuring Glasgow's famous clippie, Big Aggie MacDonald.




Ashlands: Mind of the Mencist


Book Description

The Earth has been ravaged by the human race for generations and a globally militarized government, known as the United Military Initiative, now controls everything from the economy to the religions of the world. In this alternative view into the future, two hopeless souls struggle to cope with the choices that are made for them and the consequences of a threat that is far beyond the government that rules them.




Some Chairs. Broken Chairs.


Book Description

"Some Chairs. Broken Chairs" is a 2013 memoir written by Yike Guo. The Author describes in this memoir his own experiences in the most recent two years participating in student conferences simulating the working procedures, negotiations across Europe, notably Model United Nations conferences (Model UN) and simulations of the EU and NATO. He took various roles and travelled to a wide range of countries, while managing to also study in his home town. He also possesses a frevent interest in international relations, human rights, diplomacy, art and cultures, among others. This memoir does not only reflect moments that were daunting and frustrating, but also those who were exceptionally rewarding and memorable. The author decided to immortalize some of the prominent and best moments in his life until then in this book. However, for many reasons, though worked hard on it, he could not cover everything in greater depth. The author provided more fragments of personal collection full of memories, anecdotes and expositions, but also some stories behind the scenes, expectations and realities, comedies and tragedies, and about his job rather than a patterned guidebook for everyone. Yike Guo wrote about some people who inspired and changed him, and gave insights to people wishing to find out more about what a Model conference is looking like, what one could learn and which motivation he had. The memoir contains also a great range of selections of position papers, articles and post-conference reports by his friends presenting the readership a different view than the author ́s own. Starting with his first conference two years ago, the author mostly chronologically listed his journeys and events and ended in April 2013, having gone and thrived at some twenty of the most prestigious and meritorious European conferences, projects and dialogues.




The Boy


Book Description

A cobblestone road. A sunny day. A soldier. A gun. A child, arms high in the air. A moment captured on film. But what is the history behind arguably the most recognizable photograph of the Holocaust? In The Boy: A Holocaust Story, the historian Dan Porat unpacks this split second that was immortalized on film and unravels the stories of the individuals—both Jews and Nazis—associated with it. The Boy presents the stories of three Nazi criminals, ranging in status from SS sergeant to low-ranking SS officer to SS general. It is also the story of two Jewish victims, a teenage girl and a young boy, who encounter these Nazis in Warsaw in the spring of 1943. The book is remarkable in its scope, picking up the lives of these participants in the years preceding World War I and following them to their deaths. One of the Nazis managed to stay at large for twenty-two years. One of the survivors lived long enough to lose a son in the Yom Kippur War. Nearly sixty photographs dispersed throughout help narrate these five lives. And, in keeping with the emotional immediacy of those photographs, Porat has deliberately used a narrative style that, drawing upon extensive research, experience, and oral interviews, places the reader in the middle of unfolding events.




CATCHING THE LAST TRAM


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Telegrams of the Soul


Book Description

"If it be permitted to speak of ‘love at first sound,’ then that’s what I experienced in my first encounter with this poet of prose." So said Thomas Mann of the work of PeterAltenberg. A virtuoso Fin-de-Siècle Viennese innovator of what he called the "telegram style" of writing, Altenberg’s signature short prose straddles the line between the poetic and the prosaic, fiction and observation, harsh verity and whimsical vignette. Inspired by the prose poems of Charles Baudelaire and the Feuilleton—a light journalistic reflection of his day—Altenberg carved out a spare, strikingly modern aesthetic that speaks with an eerie prescience to our own impatient time. Peter Wortsman’s new selection and translation reads like a sly lyrical wink from the turnof-the-century of the telegram to the turn-of-the-millennium of email.




The Spirit of the Child


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The Lone Hand


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The Road to the Open


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