Catechism on Motion Pictures in Inter-state Commerce
Author : William Sheafe Chase
Publisher :
Page : 172 pages
File Size : 31,15 MB
Release : 1922
Category : Motion pictures
ISBN :
Author : William Sheafe Chase
Publisher :
Page : 172 pages
File Size : 31,15 MB
Release : 1922
Category : Motion pictures
ISBN :
Author : William Sheafe Chase
Publisher :
Page : 170 pages
File Size : 11,72 MB
Release : 1922
Category : Motion pictures
ISBN :
Author : James Richard Rutland
Publisher :
Page : 190 pages
File Size : 38,8 MB
Release : 1923
Category : Censorship
ISBN :
Author :
Publisher :
Page : 380 pages
File Size : 40,24 MB
Release : 1922
Category : Economics
ISBN :
Author : Judith Weisenfeld
Publisher : Univ of California Press
Page : 356 pages
File Size : 20,29 MB
Release : 2007-06-08
Category : Performing Arts
ISBN : 0520251008
"This is a ground-breaking book. The text is remarkable in its use of MPAA files and studio archives; Weisenfeld uncovers all sorts of side stories that enrich the larger narrative. The writing is clear and concise, and Weisenfeld makes important theoretical interpretations without indulging in difficult jargon. She incorporates both film theory and race theory in graceful, non-obtrusive ways that deepen understanding. This is an outstanding work."—Colleen McDannell, author of Picturing Faith: Photography and the Great Depression
Author : United States. Congress. House. Committee on Interstate and Foreign Commerce
Publisher :
Page : 552 pages
File Size : 28,59 MB
Release : 1936
Category :
ISBN :
Author : Steven Alan Carr
Publisher : Cambridge University Press
Page : 366 pages
File Size : 28,79 MB
Release : 2001
Category : Business & Economics
ISBN : 9780521798549
This book examines the role of American Jews in the entertainment industry, from the turn of the century to the outbreak of World War II. Eastern European Jewish immigrants are often credited with building a film industry during the first decade of the twentieth century that they dominated by the 1920s. In this study, Steven Carr reconceptualizes Jewish involvement in Hollywood by examining prevalent attitudes towards Jews among American audiences. Analogous to the Jewish Question of the nineteenth century, which was concerned with the full participation of Jews within public life, the Hollywood Question of the 1920s, 30s, and 40s addressed the Jewish population within mass media. This study reveals the powerful set of assumptions concerning ethnicity and media influence as related to the role of the Jew in the motion picture industry.
Author : Mark Garrett Cooper
Publisher : U of Minnesota Press
Page : 292 pages
File Size : 19,66 MB
Release : 2003
Category : Love in motion pictures
ISBN : 9781452905174
Author :
Publisher :
Page : 650 pages
File Size : 16,98 MB
Release : 1923
Category : Homosexuality
ISBN :
"The Jesuit review of faith and culture," Nov. 13, 2017-
Author : Richard Lewis Ward
Publisher : SIU Press
Page : 250 pages
File Size : 16,95 MB
Release : 2016-06-02
Category : Performing Arts
ISBN : 0809334976
Influential during Hollywood’s silent-film era, the Pathé Exchange was a multinational film company with a production and distribution model very different from the self-contained units of most major studios. When the Cock Crows: A History of the Pathé Exchange, by Richard Lewis Ward, tells the unconventional story of this unique company, examining its triumphs and failures on the margins of the Hollywood system and its legacy in the movie business. Ward traces the company’s turbulent evolution from its roots as an American distributor for Pathé Frères, its French parent studio, through its many subsequent changes in ownership, to its final years under the controversial leadership of Joseph P. Kennedy and the eventual merger of the company’s production department with RKO. Included are the stories of the unlikely survival of Pathé’s nonproduction assets, such as Pathé Industries, Inc., Pathé-America Distributing Co., Inc., and Pathé Communications Corporation, which continued to operate as part of the industry long after the Exchange had ceased to exist. Ward also provides a fascinating glimpse into the silent movie era and the business and creative decisions that led the Exchange to fail. Film historians have largely ignored the Pathé Exchange, despite its having produced some of the most famous early serials (including the series that began with The Perils of Pauline) and distributed the first films of comedy legends Harold Lloyd, Harry Langdon, Laurel and Hardy, and Our Gang. When the Cock Crows reveals the promise and peril of early Hollywood and establishes the company’s vital place in film history, creating a more vivid picture of this era.