The Medieval Cloister in England and Wales


Book Description

"This dedicated volume of the Journal of the British Archaeological Association draws together ten papers which, collectively, explore something of the art and architecture, styles and uses, of the medieval cloister in England and Wales. Contributors consider the continental context, cloisters in English palaces, Benedictine and Augustinian cloister arcades in the 12th and 13th centuries, architecture and meaning in Cistercian east ranges, late medieval vaulted cloisters in the West Country, cloisters at the cathedrals of Old Sarum, Canterbury, and Lincoln, and assess the extent to which the cloister bosses at Norwich cathedral priory reflect contemporary religious politics. The volume also contains an extended consideration and gazetteer of all Cistercian cloisters in England and Wales."




The Cloisters


Book Description

Home to an extraordinary collection of treasured masterworks, including the famed Unicorn Tapestries, The Cloisters is devoted to the art and architecture of medieval Europe. This splendid new guide, published to celebrate The Cloisters' seventy-fifth anniversary, richly illustrates and describes the most important highlights of its collection, from paintings, illuminated manuscripts, and exquisitely carved ivories to its monumental architecture evocative of the grand religious spaces and domestic interiors of the Middle Ages. The Cloisters remains a testament to design innovation—a New York City landmark with sweeping views of the Hudson River—featuring original elements of Romanesque and Gothic architecture dating from the 12th through the 15th century. Three of the structures enclose beautiful gardens cultivated with species known from tapestries, medieval herbals, and other historic sources. These exotic spaces, the art masterpieces, and the fragrant plants offer visitors an oasis of serenity and inspiration. This book both encapsulates and enhances that experience.




Libellus de Exordio Atque Procursu Istius, Hoc Est Dunhelmensis, Ecclesie


Book Description

The church of Durham, founded in 995, claimed in the Middle Ages to be in origin the church of Lindisfarne or Holy Island, the members of which had fled in the face of Viking raids and had wandered for long across northern England, before re-establishing their church at Chester-le-Street in Co. Durham and then at Durham itself. The text edited and translated here for the first time for over a century is the most complete and detailed account of the history of that church. Important as a piece of early post-Conquest historiography by an author about whom much is now known, the text is fascinating for the details it gives about the ecclesiastical community of Durham, the miracles which its members believed had occurred, and the place of the church of Durham in relation to the lands and secular inhabitants of northern England.




Wells Cathedral


Book Description

Archaeological excavation, architectural survey and historical research carried out between 1978 and 1993 have elucidated the origins and early development of Wells Cathedral. Study concentrated primarily on the cloister and its adjuncts, and excavation took place in the adjoining ‘Camery’ garden. Here lay an ancient cemetery and the foundations of a succession of demolished buildings, ranging in date from Roman to post-medieval. Collectively, these enshrined a continuous development of religious and sepulchral activity, probably from the fourth to the mid-sixteenth century; secular uses followed. Adjacent to the Camery are the springs from which Wells takes its name. The first mention of the ‘holy well’ and minster church of St Andrew is in A.D. 766. Excavation yielded a complex stratigraphic sequence, demonstrating how an anonymous late Roman mausoleum burial probably provided the raison d’être for the development of a Middle Saxon cemetery and chapel, and hence for the origins of Wells Cathedral itself in 909. The establishment of this sequence is uniquely important in the history of English cathedral archaeology and sets Wells alongside developments in continental Europe.




Reimagining Jerusalem’s Architectural Identities in the Later Middle Ages


Book Description

This book explores several fascinating medieval Christian and Islamic artworks that represent and reimagine Jerusalem’s architecture as religious and political instruments to express power, entice visitors, console the devoted, offer spiritual guidance, and convey the city’s mythical history.










A Handbook of Middle English Studies


Book Description

A Handbook of Middle English Studies “This sharp-minded, coherent set of essays both maps and liberates: not only does it map the intellectual territory of contemporary cultural debate; it also liberates the extraordinary texts of later medieval England to move across that contemporary cultural terrain.” James Simpson, Harvard University “Marion Turner has skilfully choreographed an exciting ensemble of fresh accounts of the English Middle Ages. We see the period in a new light that shows with compassion and imagination, as well as thoughtful scholarship, how the literature of the past speaks to contemporary preoccupations.” Ardis Butterfield, Yale University “Strikingly original: theory-literate and materially-grounded ways of reading Middle English texts.” David Wallace, University of Pennsylvania A Handbook of Middle English Studies presents twenty-six original and accessible essays by leading scholars, analyzing the relationship between critical theory and late-medieval literature. The collection offers a range of entry points into the rich field of medieval literary studies, exploring subjects including the depiction of the self and the mind, the literature of conquest, ideas of beauty and aesthetics, and the relationship between place and literature. Topics that have long been central to the field, such as authorship, gender, and race, feature alongside areas only recently coming under critical scrutiny, such as globalization, the environment, and animality. Collectively, the essays demonstrate that the manuscript culture of late medieval literature raises key theoretical issues concerning the relationship between authors, texts, and readers. A Handbook of Middle English Studies models diverse approaches to medieval texts and stakes a claim in debates about topics ranging from class to the canon, from imagination to nationhood, from sexuality to the public sphere.