Causing a Scene


Book Description

A fake U2 concert. A deranged hypnotist. A book signing by a dead author. Welcome to the wild world of Improv Everywhere. From the infamous No Pants! Subway Ride to the legendary Grand Central Freeze, Improv Everywhere has been responsible for some of the most original and subversive pranks of the Internet age. In Causing a Scene, the group's agents provide a hilarious firsthand account of their mischievous antics. Learn how they created a time loop in a Starbucks and gave Best Buy eighty extra employees. Join in on the fun with this irreverent, behind-the-scenes look at Improv Everywhere's world-famous missions, and get inspired to create your own memorable mayhem.




The Story Grid


Book Description

WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation.




Character, Scene, and Story


Book Description

This book is a sequel to The Dramatic Writer's Companion by Will Dunne, master teacher of playwrights, screenwriters, and anyone working on dramatic scripts. Following the format of its predecessor, it is divided into three major sections on character, scene, and story and consists of more than 40 new workshop-tested exercises to help writers zero in on and solve specific problems in their scripts. The book is fully linked to The Dramatic Writer's Companion and allows readers to find related exercises of interest in that volume, though it can also be used as a stand-alone resource.




The Dramatic Writer's Companion


Book Description

Spark your creativity, hone your writing, and improve your scripts with the self-contained character, scene, and story exercises found in this classic guide. Having spent decades working with dramatists to refine and expand their existing plays and screenplays, Dunne effortlessly blends condensed dramatic theory with specific action steps—over sixty workshop-tested exercises that can be adapted to virtually any individual writing process and dramatic script. Dunne’s in-depth method is both instinctual and intellectual, allowing writers to discover new actions for their characters and new directions for their stories. The exercises can be used by those just starting the writing process and by those who have scripts already in development. With each exercise rooted in real-life issues from Dunne’s workshops, readers of this companion will find the combined experiences of more than fifteen hundred workshops in a single guide. This second edition is fully aligned with a brand-new companion book, Character, Scene, and Story, which offers forty-two additional activities to help writers more fully develop their scripts. The two books include cross-references between related exercises, though each volume can also stand alone. No ordinary guide to plotting, this handbook centers on the principle that character is key. “The character is not something added to the scene or to the story,” writes Dunne. “Rather, the character is the scene. The character is the story.” With this new edition, Dunne’s remarkable creative method will continue to be the go-to source for anyone hoping to take their story to the stage. “Dunne mixes an artist’s imagination and intuition with a teacher’s knowledge of the craft of dramatic writing.” —May-Brit Akerholt, award-winning dramaturg




The Calling Card Script


Book Description

The calling card script is the script that expresses your voice, gets you noticed and helps you reach commission and production. Written by Paul Ashton, Development Manager of the BBC writersroom, and born out of his wide experience of reading scripts, working with writers, and as an industry 'gatekeeper', this is a guide to the key writing tools you need to know and understand to write a truly original script. As many professionals need to switch mediums and genres in order to survive and thrive, the book uniquely draws together the universal principles of dramatic storytelling for screen, stage, and radio. With a focus on the script as a blue print for performance, sections and chapters break down into bite-sized practical insights and the book mirrors both the journey of the story and process of writing it. The Calling Card Script shows how to tell a great story in script form and offers valuable professional development insight for all writers, whether established or just starting out, who wish to hone their craft and speak their voice.




Making Scenes


Book Description

Dating back to at least 50,000 years ago, rock art is one of the oldest forms of human symbolic expression. Geographically, it spans all the continents on Earth. Scenes are common in some rock art, and recent work suggests that there are some hints of expression that looks like some of the conventions of western scenic art. In this unique volume examining the nature of scenes in rock art, researchers examine what defines a scene, what are the necessary elements of a scene, and what can the evolutionary history tell us about storytelling, sequential memory, and cognitive evolution among ancient and living cultures?




Routes to Language


Book Description




As Good as the First Time


Book Description

True to its name, the small southern town of Sugar Lake is a sweet place to visit—and you might even want to live there . . . With her big-city career and relationship in sudden free fall, Olivia Gale isn’t sure where she belongs. So when her help is needed at Goode 'N Sweet, the family bakery in Sugar Lake, she jumps at the chance to indulge her pie-making hobby while getting her life back on track. Olivia’s not looking for any distractions. Even if the boy who once left her without a word is now a grown man with intriguing secrets—and the same tempting hold on her heart . . . A firefighter and single dad, Clayton Morris is trying hard to fix his past mistakes. He thought he was doing the right thing by leaving Olivia—and now he’s sure he has nothing to offer the accomplished woman she’s become. But ignoring the sparks between them is impossible. And as unexpected surprises and hard choices endanger their fragile reunion, they’ll have to decide which direction to take if they want to find the road back to love . . . “A wonderful, heartwarming romance.” —Rochelle Alers, author of The Innkeepers Series “A damn-near perfect story of family, starting over, and second chances.” —Kristan Higgins, New York Times bestselling author “K.M. Jackson gets right to the heart of family, to the heart of relationships, to the heart of love. She’ll get right to your heart, too!” —Donna Kauffman, Wall Street Journal & USA Today bestselling author




The Strategic Producer


Book Description

Today’s technologies and economic models won’t settle for a conventional approach to filmmaking. The Strategic Producer: On the Art and Craft of Making Your First Feature combines history, technology, aesthetics, data, decision-making strategies, and time-tested methods into a powerful new approach to producing. An ideal text for aspiring filmmakers, The Strategic Producer orients the reader’s mind-set towards self-empowerment by sharing essential and timeless techniques producers need to get the job done while also embracing the constantly evolving production landscape. - Written in clear, succinct, and non-technical prose. - Includes six sidebar in depth interviews with industry professionals providing additional perspectives. - Clearly presented line drawings help readers quickly understand complex ideas like production timelines, story structure, and business models. - Includes samples from key documents such as script pages, budgets, shooting schedules, and business plans for potential investors.




Multisensory Object Perception in the Primate Brain


Book Description

It should come as no surprise to those interested in sensory processes that its research history is among the longest and richest of the many systematic efforts to understand how our bodies function. The continuing obsession with sensory systems is as much a re?ection of the fundamental need to understand how we experience the physical world as it is to understand how we become who we are based on those very experiences. The senses function as both portal and teacher, and their individual and collective properties have fascinated scientists and philosophers for millennia. In this context, the attention directed toward specifying their properties on a sense-by-sense basis that dominated sensory research in the 20th century seems a prelude to our current preoccupation with how they function in concert. Nevertheless, it was the concentrated effort on the operational principles of in- vidual senses that provided the depth of understanding necessary to inform current efforts to reveal how they act cooperatively. We know that the information provided by any individual sensory modality is not always veridical, but is subject to a myriad of modality-speci?c distortions. Thus, the brain’s ability to compare across the senses and to integrate the information they provide is not only a way to examine the accuracy of any individual sensory channel but also a way to enhance the collective information they make available to the brain.