The Cavalier Songs and Ballads of England from 1642 to 1684


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Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.



















The Cavalier Songs and Ballads of England from 1642 to 1684 (Classic Reprint)


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Excerpt from The Cavalier Songs and Ballads of England From 1642 to 1684 N 0 new ones of the kind are made except as miser able parodies and burlesques that may amuse sober costermongers and half-drunken men about town, who frequent music saloons at midnight, but which are offensive to every one else. Such genuine old ballads as remain in the popular memory are either fast dying out, or relate exclusively to the never-e to-be-superseded topics of love, war, and wine. The people of our day have little heart or appreciation for song, except in Scotland and Ireland. 'england and America are too prosaic and too busy, and the masses, notwithstanding all their supposed advan tages in education, are much too vulgar to delight in either song or ballad that rises to the dignity of poet ry. They appreciate the buffooneries of the Negro Minstrelsy, and the inanities and the vapidities of sentimental love songs, but the elegance of such writers as Thomas Moore, and the force 0 4. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Lost in Music


Book Description

This collection of essays, first published in 1987, provides a sociological treatment of many musical forms – rock, jazz, classical – with special emphasis on the perspective of the practising musician. Among the topics covered are the legal structures governing musical production and the question of copyright; recording and production technology; the social character of musical style; and the impact of lyrical content, considered socially and historically.




Political Communication and Political Culture in England, 1558-1688


Book Description

This book surveys the channels through which political ideas and knowledge were conveyed to the English people from the beginning of the reign of Elizabeth I to the Revolution of 1688. Shapiro argues that an assessment of English political culture requires an examination of all means by which this culture was expressed and communicated. While the discussion focuses primarily on genres such as the sermon, newsbook, poetry, and drama, it also considers the role of events and institutions. Shapiro is the first to explore and elucidate the entire web of communication in early modern English political life.