An Infinity of Graces


Book Description

An exploration of the work of the English architect and landscape designer who practiced almost exclusively in Italy from 1907 to midcentury. English expatriate Cecil Ross Pinsent was responsible for the design and construction of new villas and gardens such as the elegant rural estate La Foce, and the renovation of many historically sensitive ones, including Villa I Tatti, Villa Le Balze, and Villa Medici. Edith Wharton sought his advice; Vita Sackville-West and Harold Nicolson admired and were influenced by him. Geoffrey Scott, author of The Architecture of Humanism, dedicated the book to him; and Sir Geoffrey Jellicoe, England’s premier landscape architect, regarded Pinsent as his “first maestro on the placing of buildings in the landscape.” This first book dedicated to bringing to light Pinsent’s contribution to garden design is generously illustrated with photographs from his previously unpublished albums and archive of architectural drawings and sketches, and his letters to family friends and clients.




La Foce


Book Description

Situated in the Val d'Orcia, a wide valley in southeastern Tuscany, La Foce is run by Benedetta and Donata Origo, and is open to the public one day a week.".




The Gardens of Tuscany


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Medici Gardens


Book Description

Medici Gardens challenges the common assumption that such gardens as Trebbio, Cafaggiolo, Careggi, and Fiesole were the products of an established design practice whereby one client commissioned one architect or artist. The book suggests that in the case of the gardens in Florence garden making preceded its theoretical articulation.




The Architecture of Humanism


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The Renaissance Perfected


Book Description

Mussolini&’s bold claims upon the monuments and rhetoric of ancient Rome have been the subject of a number of recent books. D. Medina Lasansky shows us a much less familiar side of the cultural politics of Italian Fascism, tracing its wide-ranging efforts to adapt the nation&’s medieval and Renaissance heritage to satisfy the regime&’s programs of national regeneration. Anyone acquainted with the beauties of Tuscany will be surprised to learn that architects, planners, and administrators working within Fascist programs fabricated much of what today&’s tourists admire as authentic. Public squares, town halls, palaces, gardens, and civic rituals (including the famed Palio of Siena) were all &“restored&” to suit a vision of the past shaped by Fascist notions of virile power, social order, and national achievement in the arts. Ultimately, Lasansky forces readers to question long-standing assumptions about the Renaissance even as she expands the parameters of what constitutes Fascist culture. The arguments in The Renaissance Perfected are based in fresh archival evidence and a rich collection of illustrations, many reproduced for the first time, ranging from photographs and architectural drawings to tourist posters and film stills. Lasansky&’s groundbreaking book will be essential reading for students of medieval, Renaissance, and twentieth-century Italy as well as all those concerned with visual culture, architectural preservation, heritage studies, and tourism studies.




The Shaping of Tuscany


Book Description

This book shows how the seemingly immutable Tuscan landscape was largely shaped by modern conflicts over economic resources and cultural meanings.




Hidden Lives / Secret Gardens


Book Description

hidden lives / secret gardens is a synthetic history about gardens and human sexuality. Written in an accessible style for the garden enthusiast, the serious landscape designer, and those interested in the lives of international celebrities, the book explores the very roots of Modernism as begun in Florence, Italy in the very first year of the twentieth century. For the past twenty-years, R. Terry Schnadelbach, FAAR, Professor of Landscape Architecture, University of Florida, has researched the Modernist era in landscape architecture. He authored a book, Ferruccio Vitale, Landscape Architect of the Country Place Era, on the Florentine landscape architect, who brought to America both the formal garden as well as its first Modernist landscapes. In hidden lives / secret gardens, Schnadelbach exposes the engaging and intertwined lives of a group of expatriates, their secluded hillside villas and secret new gardens that ushered a new direction in garden design. Three successive new gardens at Villas Gamberaia, La Pietra and I Tatti were among the earliest Modernist landscapes and were an inspiration many landscape professionals in Britain and America. While hidden lives / secret gardens manuscript focuses on the revival of the Renaissance aesthetic in Florence and paints a picture of each garden's history, it explores the new and emerging field of sexual psychology through the hidden lives of the Villa's owners and designers, revealing their artistic life styles, their commercial and sexual mores.