Celebrity and the Feminist Blockbuster


Book Description

In the first book-length study of celebrity feminism, Anthea Taylor convincingly argues that the most visible feminists in the mediasphere have been authors of bestselling works of non-fiction: feminist ‘blockbusters’. Celebrity and The Feminist Blockbuster explores how the authors of these popular feminist books have shaped the public identity of modern feminism, in some cases over many decades. Maintaining a distinction between women who are famous because of their feminism and those who later add feminism to their ‘brand’, Taylor contends that Western celebrity feminism, as a political mode of public subjectivity, cannot in any simple way be seen as homologous with other forms of stardom. Moving deftly from the 1960s to the present, focusing on how feminist authors have actively worked to manufacture their public personas, she demonstrates that the blockbuster remains crucial to feminist celebrification but is now often augmented with digital media. Advancing celebrity studies by placing the figure of the feminist front and centre, Celebrity and the Feminist Blockbuster is essential reading for all those interested in gender, popular feminism, and the politics of renown.




Germaine Greer, Celebrity Feminism and the Archive


Book Description

Germaine Greer, Celebrity Feminism and the Archive, the first scholarly book on this internationally renowned feminist, draws upon Greer’s largely unexplored archive to demonstrate her impact on readers and viewers since the 1970s. Across many decades in the limelight and through multiple media forms, the provocative Greer has worked to shape audience understandings of gender, sexuality, and feminism. Through deep engagement with archival material, Anthea Taylor offers a compelling reassessment of Greer’s celebrity feminist labour and its effects over time. Examining archived letters from fans, anti-fans, and those in between, this innovative volume shows how and why readers and viewers have come to affectively invest – or disinvest – in this iconoclastic feminist. Advancing debates about the social and political function of celebrity, Germaine Greer, Celebrity Feminism and the Archive is essential reading for scholars in Gender Studies, History, Archival Studies, and Media and Cultural Studies.




The Feminist Bestseller


Book Description

Imelda Whelehan provides an overview of popular women's writing from the late 1960s to the present, looking at how key feminist texts such as The Women's Room, Kinflicks and Fear of Flying have influenced popular contemporary fiction such as Bridget Jones' Diary and Sex and the City. Whelehan reconsiders the links between the politics of feminist thought, action and writing and creative writing over the past 30 years and suggests that even so-called 'post feminist' writing owes an enormous debt to feminism's second wave.




The New Feminist Literary Studies


Book Description

Presents essays by feminists of theory and literature that examine contemporary feminism and the most pressing issues of today.




Gender and Australian Celebrity Culture


Book Description

This intellectually vibrant volume is the first collection to deal with Australian celebrity in ways that account for both cultural and gendered specificities, demonstrating how gendered ways of imagining Australia are reinforced and contested in celebrity representations and self-presentations. Gender and Australian Celebrity Culture engages with celebrities across a diverse range of fields – actors, journalists, athletes, comedians, writers, and television personalities – and in doing so critically reflects upon different forms of Australian fame and the media platforms and practices that sustain them. Authors in this volume engage directly with pertinent issues relating to gender and sexuality, including celebrity feminism and the generative capacity of feminist rage; normative femininity and its instability; hegemonic masculinities; and queerness and its (in)visibility. Contributors also intervene in a number of ongoing debates in media and cultural studies more broadly, including those around the politics and affordances of digital media; whiteness and Australia’s colonial histories; celebrity labour; and methodologies for celebrity studies. This timely collection urges scholars of celebrity to attend further both to the gendered nature of celebrity culture and to local conditions of production and consumption. This book will be of key interest to researchers and graduate students in cultural studies, television and film studies, digital media studies, critical race and whiteness studies, gender and sexuality studies, and literary studies.




Lights, Camera, Feminism?


Book Description

Celebrities in the United States have drawn significant attention and resources to the complex issue of human trafficking--a subject of feminist concern--and they are often criticized for promoting sensationalized and simplistic understandings of the issue. In this comprehensive analysis of celebrities' anti-trafficking activism, however, Samantha Majic finds that this phenomenon is more nuanced: even as some celebrities promote regressive issue narratives and carceral solutions, others use their platforms to elevate more diverse representations of human trafficking and feminist analyses of gender inequality. Lights, Camera, Feminism? thus argues that we should understand celebrities as multilevel political actors whose activism is shaped and mediated by a range of personal and contextual factors, with implications for feminist and democratic politics more broadly.




Female Celebrities in Contemporary Chinese Society


Book Description

This book focuses on a representative group of contemporary Chinese female celebrities including actors, directors, writers and reporters, notably personalities such as Liu Xiaoqing, Hong Huang, Chai Jing and the most sought after young generation actors, Yang Mi and Guan Xiaotong. It analyses the on- and off- screen roles of these famous Chinese women, and the cultural, gender and social impact and significance embedded in them, whilst highlighting controversial social and cultural concerns and debates in contemporary China. The book furthers the understanding of the role played by contemporary female celebrities who are considered as social, cultural and feminist icons in present-day China, as reflected in their work, careers and private lives, and whose experiences help to understand Chinese women’s attitudes towards key issues such as career trajectories, marriage and family, gender identity, social changes, civil debates and political transformations, all of which are at the center of societal transformation in China.




Indigenous Celebrity


Book Description

Indigenous Celebrity speaks to the possibilities, challenges, and consequences of popular forms of recognition, critically recasting the lens through which we understand Indigenous people’s entanglements with celebrity. It presents a wide range of essays that explore the theoretical, material, social, cultural, and political impacts of celebrity on and for Indigenous people. It questions and critiques the whitestream concept of celebrity and the very juxtaposition of “Indigenous” and “celebrity” and casts a critical lens on celebrity culture’s impact on Indigenous people. Indigenous people who willingly engage with celebrity culture, or are drawn up into it, enter into a complex terrain of social relations informed by layered dimensions of colonialism, racism, sexism, homophobia/transphobia, and classism. Yet this reductive framing of celebrity does not account for the ways that Indigenous people’s own worldviews inform Indigenous engagement with celebrity culture––or rather, popular social and cultural forms of recognition. Indigenous Celebrity reorients conversations on Indigenous celebrity towards understanding how Indigenous people draw from nation-specific processes of respect and recognition while at the same time navigating external assumptions and expectations. This collection examines the relationship of Indigenous people to the concept of celebrity in past, present, and ongoing contexts, identifying commonalities, tensions, and possibilities.




Pop-Feminist Narratives


Book Description

In Pop-Feminist Narratives, Emily Spiers explores the recent phenomenon of 'pop-feminism' and pop-feminist writing across North America, Britain, and Germany. Pop-feminism is characterised by its engagement with popular culture and consumerism; its preoccupation with sexuality and transgression in relation to female agency; and its thematisation of intergenerational feminist discord, portrayed either as a damaging discursive construct or as a verifiable phenomenon requiring remediation. Central to this volume is the question of theorising the female subject in a postfeminist neoliberal climate and the role played by genre and narrative in the articulation of contemporary pop-feminist politics. The heightened visibility of mainstream feminist discourse and feminist activism in recent years—especially in North America, Britain, and Germany—means that the time is ripe for a coherent comparative scholarly study of pop-feminism as a transnational phenomenon. This volume provides such an account of pop-feminism in a manner which takes into account the varied and complex narrative strategies employed in the telling of pop-feminist stories across multiple genres and platforms, including pop-literary fiction, the popular 'guide' to feminism, film, music, and the digital.




Germaine Greer


Book Description

Germaine Greer is one of the most enduring and influential figures of the second wave of the women’s movement. The Female Eunuch (1970) is one of second-wave feminism’s most widely recognised publications and its author has come to embody and indeed expand our understanding of second-wave feminism in a way that few others have. Yet, while Greer’s public visibility never seems to wane, her writings and her politics have failed to attract the kind of sustained critical engagement they warrant. This volume represents the first collection of essays to examine Greer, her politics, her writing, and her status as a feminist celebrity. The essays in this collection cover The Female Eunuch (1970), Greer’s public rivalry with Arianna Stassinopoulos, her time in America, her ideas and politics, and her styling as feminist fashion icon. Many essays include new insights drawn from previously unseen material in the recently launched Germaine Greer Archive at the University of Melbourne, Australia. This book was originally published as a Special Issue of Australian Feminist Studies.