String Note Speller


Book Description

This systemized set of work sheets for supplementing any elementary class or private method is designed to help the student gain a better understanding of the problems of fingering and reading music, while saving valuable lesson time. Available for violin, viola, cello, string bass, clarinet, cornet, trombone, saxophone, flute, oboe, bassoon, French horn, baritone, and tuba.




String Builder, Book I


Book Description

The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book is realistically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompaniment, and teacher's manual.




Flute and Piccolo Note Speller


Book Description

This systemized set of work sheets for supplementing any elementary class or private method is designed to help the student gain a better understanding of the problems of fingering and reading music, while saving valuable lesson time. Available for violin, viola, cello, string bass, clarinet, cornet, trombone, saxophone, flute, oboe, bassoon, French horn, baritone, and tuba.




Note Speller, Book 1 (Revised)


Book Description

The Schaum Note Speller has the unqualified testimonial of thousands of teachers who pronounce it 'The Best.' Musical facts, beginning with line and space numbers are taught. Students learn by doing, since this book is in workbook form. This saves valuable lesson time, and immediately shows any mistakes in the beginner's thinking.




Harmony Lessons, Book 1


Book Description

A practical volume to follow the SCHAUM NOTE SPELLER, Book Two. This is a book that can be used by instrumental and vocal teachers who want their students to know some of the essentials of harmony, but who haven't the time to teach it as a separate subject. Thus, a piano teacher, for example, can teach harmony in conjunction with the regular piano lesson. At the end of Book II, we have employed harmony in an accompaniment sense rather than in the traditional four-part harmony way. Transposition has been treated both melodically and harmonically.




Note Reading for Violin


Book Description

This book will make the Suzuki parent's task much easier as it will provide a reference when a parent does not know how to teach new pieces. The teacher's job will be easier too because it will no longer be necessary to explain to the parent the relationship between notes and violin fingerings. This book is well-illustrated so that mothers and advanced children can easily understand by reading and looking at the pictures. Dr. Suzuki explains, step-by-step from open strings to placing fingers, what happens to the fingers when there are sharps, flats, and naturals on the page. He explains rhythms and how to read the higher positions. When the child is young, a parent can point to the illustrations and explain easily. There are many nice pieces for reading practice towards the end of the book.




Basic Music Theory


Book Description

Basic Music Theory takes you through the sometimes confusing world of written music with a clear, concise style that is at times funny and always friendly. The book is written by an experienced teacher using methods refined over more than ten years in his private teaching studio and in schools. --from publisher description.




Basic Bass Clef


Book Description

Designed for use by students who need additional reinforcement in reading music in the bass clef. Basic Bass Clef is especially useful for vocalists and instrumentalists who are beginning piano study and have some knowledge of treble clef and rhythmic notation. Each lesson contains a combination of written and playing exercises.




Hal Leonard Fiddle Method


Book Description

" ... The perfect introduction to playing folk, bluegrass, and country styles on the violin."--Page 4 of cover




The singing cello


Book Description