Celtic and Early Medieval Designs from Britain for Artists and Craftspeople


Book Description

This magnificent design treasury reproduces over 400 historic designs that embellish objects, manuscripts, monuments and buildings created in Britain from the 5th to the 14th centuries. Ranging from simple to sophisticated, the designs have been meticulously translated into highly decorative copyright-free line drawings by illustrator Eva Wilson. Artists and craftspeople will find this book a fertile source of design inspiration from a decorative-arts tradition of dazzling virtuosity, reflecting the rich intermingling of Roman, Anglo-Saxon, Celtic, Germanic, Viking and other early aesthetic influences. Drawn chiefly from artifacts in the collections of various British museums and libraries, the selection includes: A gold buckle from the royal burial site at Sutton Hoo in Suffolk, Spiral scroll patterns from the Lindisfarne Gospels, Decorated letters from 7th-century manuscripts, Borders from the Book of Durrow, Designs from stone sculpture of the Viking Age, Embroidered designs from the Bayeux Tapestry, Chessmen from the Isle of Lewis, 13th- and 14th-century patterned floor tiles, ... and much more. This important, extensively researched sourcebook explores the historical background of the designs, and presents the patterns and motifs arranged thematically, demonstrating in detail how similar elements combine to produce a design as intricate as a decorated initial or as simple as a filled square or ornamental border. Here, then, is a comprehensive treasury of authentic, ready-to-use motifs that will lend medieval flair and flavor to almost any art or crafts project.




Celtic Designs for Artists and Craftspeople


Book Description

More than 200 authentic motifs, ideal for myriad uses, include elaborate spirals and weaves, exotic birds, horned beasts, mermaids, and other fanciful creatures that can be used as borders or individually.




Celtic and Anglo-Saxon Art


Book Description

Much of early medieval Celtic and Anglo-Saxon art is based on the display of motifs – key, interlacing, spiral and zoomorphic – in well-defined panels in simple and complex arrays. A study of the arrangement of the panels and the fine detail of the motifs indicates that the artists relied on geometric methods and principles first used by Egyptians and Greeks. This book reflects Derek Hull’s life-long interest in interpreting the exciting and exotic patterns revealed by scientific studies using light and electron microscopes. His interest in Celtic and Anglo-Saxon art started with a casual observation of an interlacing pattern on an early medieval stone cross set in a churchyard. There followed many years of exploration of art in metal, stone and vellum from all parts of the British Isles and Ireland, resulting in some fascinating discoveries. Celtic and Anglo-Saxon Art reveals new and intriguing facets of these works that add to our appreciation of the beauty of the art and the skills of the artists. "This is a book for lovers of Celtic art, design and calligraphy, and will both delight and captivate... A must-have for both the cognoscenti and enthusiasts of Celtic religious art."—Cambria







The Celtic Design Book


Book Description

Patterns of fascinating intricacy are the legacy of ancient Celtic artists, who intertwined the beauty of the natural world with the mystery of the spiritual world, as it was then perceived. In these designs, fantastic men, beasts, birds and serpents writhe and bite their way through twisting bands of knotwork and swirling spirals, in dazzling, never-ending linear displays. Artists, crafts people, colourists, and all who love pure design will find these pages, inspired by the Celtic tradition, absorbing and challenging for use in stencilling, needlework, calligraphic design and many other applications.




Celtic and Old Norse Designs


Book Description

Artists, illustrators, designers, and craftspeople in search of exceptionally bold and inventive motifs will find them in this versatile treasury brimming with 125 royalty-free designs. Taken from authentic Celtic and Old Norse sources, they include an amazing array of birds, human figures, and mythological creatures, all ingeniously woven into an intricate network of spirals and interlacings. Meticulously adapted from artwork that graced ancient rune stones and religious symbols, furniture, manuscripts, bronze mirrors, sword hilts, cooking utensils, and other artifacts, the illustrations depict a crucifix; decorative creatures that adorned the pages of the Lindisfarne Gospels; interwoven designs from stone crosses of Ireland, Scotland, and Cornwall; and many other designs and motifs. Convenient and inexpensive, this collection offers inspiration and a wealth of immediately usable dramatic ornamentation rich in character and distinctive in content.




The Cumulative Book Index


Book Description

A world list of books in the English language.




Peopling Insular Art


Book Description

The International Conference on Insular Art (IIAC) is the leading forum for scholars of the visual and material culture of early medieval Ireland and Britain, including manuscript illumination, sculpture, metalwork, and textiles, and encompassing the work of Anglo-Saxon-, Celtic- and Norse-speaking artists. The present volume contains a selection of papers presented at the eighth IIAC, which took place in Glasgow 11-14 July 2017. The theme of IIAC8 - Peopling Insular Art: Practice, Performance, Perception - was intended to focus attention on those who commissioned, created, and engaged with Insular art objects, and how they conceptualised, fashioned, and experienced them (with ‘engagement’ covering not only contemporary audiences, but later medieval and modern ones too). The twenty-one articles gathered here reflect the diverse ways in which this theme has been interpreted. They demonstrate the intellectual vibrancy of Insular art studies, its international outlook, its interdiscplinarity, and its openness to innovative technologies and approaches, while at the same time demonstrating the strength and enduring value of established methodologies and research practices. The studies collected here focus not only on made objects, but on the creative processes and intellectual decisions which informed their making. This volume brings Insular makers – the illuminators, pattern-makers, rubricators, carvers, and casters – to the fore.