This Corner of Canaan


Book Description

Randolph B. "Mike" Campbell has spent the better part of the last five decades helping Texans rediscover their history, producing a stream of definitive works on the social, political, and economic structures of the Texas past. Through meticulous research and terrific prose, Campbell's collective work has fundamentally remade how historians understand Texan identity and the state's southern heritage, as well as our understanding of such contentious issues as slavery, westward expansion, and Reconstruction. Campbell's pioneering work in local and county records has defined the model for grassroots research and community studies in the field. More than any other scholar, Campbell has shaped our modern understanding of Texas. In this collection of seventeen original essays, Campbell's colleagues, friends, and students offer a capacious examination of Texas's history--ranging from the Spanish era through the 1960s War on Poverty--to honor Campbell's deep influence on the field. Focusing on themes and methods that Campbell pioneered, the essays debate Texas identity, the creation of nineteenth-century Texas, the legacies of the Civil War and Reconstruction, and the remaking of the Lone Star State during the twentieth century. Featuring some of the most well-known names in the field--as well as rising stars--the volume offers the latest scholarship on major issues in Texas history, and the enduring influence of the most eminent Texas historian of the last half century.




Numismatic Scrapbook


Book Description




World of Fairs


Book Description

In the depths of the Great Depression, when America's future seemed bleak, nearly one hundred million people visited expositions celebrating the "century of progress." These fairs fired the national imagination and served as cultural icons on which Americans fixed their hopes for prosperity and power. World of Fairs continues Robert W. Rydell's unique cultural history—begun in his acclaimed All the World's a Fair—this time focusing on the interwar exhibitions. He shows how the ideas of a few—particularly artists, architects, and scientists—were broadcast to millions, proclaiming the arrival of modern America—a new empire of abundance build on old foundations of inequality. Rydell revisits several fairs, highlighting the 1926 Philadelphia Sesquicentennial, the 1931 Paris Colonial Exposition, the 1933-34 Chicago Century of Progress Exposition, the 1935-36 San Diego California Pacific Exposition, the 1936 Dallas Texas Centennial Exposition, the 1937 Cleveland Great Lakes and International Exposition, the 1939-40 San Francisco Golden Gate International Exposition, the 1939-40 New York World's Fair, and the 1958 Brussels Universal Exposition.







Billy Rose Presents-- Casa Mañana


Book Description

But Fort Worth was never again the same after the Frontier Centennial . . . and memories of that festival linger today, even though the buildings were long ago razed.










Renegades, Showmen & Angels


Book Description

"Jan Jones' volume on Fort Worth's theatrical heritage presents for the first time a comprehensive history of the showmen, performers, theaters, and events that shaped the city's histrionic fortunes in the nineteenth and twentieth centuries."--BOOK JACKET.




Allie Victoria Tennant and the Visual Arts in Dallas


Book Description

Winner, 2016 Liz Carpenter Award for the Research in the History of Women, presented at the Texas State Historical Association Annual Meeting At Fair Park in Dallas, a sculpture of a Native American figure, bronze with gilded gold leaf, strains a bow before sending an arrow into flight. Tejas Warrior has welcomed thousands of visitors since the Texas Centennial Exposition opened in the 1930s. The iconic piece is instantly recognizable, yet few people know about its creator: Allie Victoria Tennant, one of a notable group of Texas artists who actively advanced regionalist art in the decades before World War II. Light Townsend Cummins follows Tennant’s public career from the 1920s to the 1960s, both as an artist and as a culture-bearer, as she advanced cultural endeavors, including the arts. A true pathfinder, she helped to create and nurture art institutions that still exist today, most especially the Dallas Museum of Art, on whose board of trustees she sat for almost thirty years. Tennant also worked on behalf of other civic institutions, including the public schools, art academies, and the State Fair of Texas, where she helped create the Women’s Building. Allie Victoria Tennant and the Visual Arts in Dallas sheds new light on an often overlooked artist.




High Hopes


Book Description

In 1901 Buffalo was the national symbol of the country's optimism, pride, and braggadocio. Toward the close of the century, it epitomizes the sense of economic and demographic crisis prevalent in American industrial cities. High Hopes analyzes and interprets the historical forces—external and internal— that have shaped New York's second largest city. It examines the historical shifts that have served as a catalyst in Buffalo's growth, charting the city's evolution from a small frontier community through its development as a major commercial center and its emergence and eventual decline as a significant industrial metropolis. Mark Goldman looks at the detailed patterns of local daily life from the settlement of the village in the early nineteenth century to the tragedy of Love Canal. In the process, he covers a wide range of topics, including work, ethnicity, family and community life, class structure, and values and beliefs. By bringing to bear on the events and developments that have shaped Buffalo a broad range of subjects and ideas, Goldman helps readers to understand the vast array of complex forces at work in the historical development of all American cities.