Cephas, Yogyakarta


Book Description

During the nineteenth century the art of photography in the Netherlands Indies, now Indonesia, was mainly in European hands. Gradually, members of other ethnic groups moved into the field. Among indigenous ethnic groups, the pioneer was the Javanese Kassian Cephas (1845-1912). From the early 1870s Kassian Cephas was photographer to the court of the Sultans of Yogyakarta. As such he was responsible for many portraits of the royal family, in particular during the reign of Sultan Hamengkubuwana VII. Besides portraits of the royal family, Kassian Cephas documented theatrical performances and ceremonies at court. Apart from a biography of Kassian Cephas and his son and successor Sem Cephas (1870-1918), this book offers a selection of 98 pictures of the exquisite work of these photographers, drawn mainly from the photographic collection of the Koninklijk Instituut voor Taal-, Land- en Volkenkunde (KITLV). This selection introduces the reader to a world of royal dignity, gracious dancers, shadowy town views, impressive temple ruins and the mysterious Indian Ocean coast.




The Politics of Heritage in Indonesia


Book Description

Presents a new approach to heritage formation in Asia, conveying the power of the material remains of the past.




Producing Indonesia


Book Description

The 26 scholars contributing to this volume have helped shape the field of Indonesian studies over the last three decades. They represent a broad geographic background—Indonesia, the Netherlands, the United Kingdom, Australia, the United States, Canada—and have studied in a wide array of key disciplines—anthropology, history, linguistics and literature, government and politics, art history, and ethnomusicology. Together they reflect on the "arc of our field," the development of Indonesian studies over recent tumultuous decades. They consider what has been achieved and what still needs to be accomplished as they interpret the groundbreaking works of their predecessors and colleagues. This volume is the product of a lively conference sponsored by Cornell University, with contributions revised following those interactions. Not everyone sees the development of Indonesian studies in the same way. Yet one senses—and this collection confirms—that disagreements among its practitioners have fostered a vibrant, resilient intellectual community. Contributors discuss photography and the creation of identity, the power of ethnic pop music, cross-border influences on Indonesian contemporary art, violence in the margins, and the shadows inherent in Indonesian literature. These various perspectives illuminate a diverse nation in flux and provide direction for its future exploration.




Javanese Literature in Surakarta Manuscripts


Book Description

Detailing the contents of the 1,204 texts inscribed in these 478 manuscripts, Nancy K. Florida's fully-indexed catalogue of Javanese-language manuscripts guides the reader through a wide range of materials.




Politics of Dress in Asia and the Americas


Book Description

Explores the ways in which dress has been influential in the political agendas and self-representations of politicians in a variety of regimes from democratic to authoritarian. Arguing that dress is part of politics, this book shows how dress has been crucial to the constructions of nationhood and national identities in Asia and the Americas.




Photographic subjects


Book Description

Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898–1948) and Juliana (1948–80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands’ modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history, reveals the entanglement of Dutch and Indonesian histories in the twentieth century, and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs.




The Bedhaya Court Dances of Central Java


Book Description

The ritual bedhaya dances of the Central Javanese courts form a highly valued expression of Javanese culture. These stately dance forms, comprising complex choreographies executed to the accompaniment of archaic songs and gamelan music, are part of the cultural tradition of the Mataram dynasty. They have been preserved in the two main court centres of Central Java: Surakarta and Yogyakarta. The contents of the book range from a relatively general introduction to a detailed analysis of structural, formal features of the dances. Included are theories on the origin, social context and esoteric meaning, as well as 19th and 20th century scores of performances. The two main components of the art form, choral singing and group dancing, have each been discussed in a separate chapter. A number of song texts and choreographies, transcribed from palace manuscripts, are published for the first time. These songs represent an archaic singing style, which holds important information on the development of Javanese vocal and instrumental music. An analysis of bedhaya choreographies which are seldom performed nowadays may serve to prevent the impending disappearance of this beautiful and stylized art form. The choreographic discussion has been visualized on a 60 minute video-tape, produced from research material which was filmed between 1983-1985. This video-tape may be ordered from the author.




Between Declarations and Dreams: Art of Southeast Asia since the 19th Century


Book Description

Years in the making, Between Declarations and Dreams is National Gallery Singapore’s inaugural exhibition of the art of Southeast Asia from the 19th century to the present. This handsome catalogue tracks the broad time periods and thematic sections of the exhibition with more than 300 artwork images. These are accompanied by essays that provide curatorial insight to a task as monumental and intricate as the positing an art history of a region as diverse as Southeast Asia.




Environment, Trade and Society in Southeast Asia


Book Description

In Environment, Trade and Society in Southeast Asia: A Longue Durée Perspective, eleven historians bring their knowledge and insights to bear on the long Braudelian sweep of Southeast Asian history. In doing so they seek both to debunk simplistic assumptions about fragile traditions and transformational modernities, and to identify real repeating patterns in Southeast Asia's past: clientelistic political structures, periodic tectonic and climatic disasters, ethnic occupational specializations, long cycles of economic globalization and deglobalization. Their contributions range across many centuries: from the Austronesian expansion to the Aceh tsunami, and from the Sanskrit cosmopolis to the Asian financial crisis. The book is inspired by, and dedicated to, Peter Boomgaard, a scholar whose work has embodied the Braudelian spirit in Southeast Asian historiography. This title is available online in its entirety in Open Access.




Hof en handel


Book Description

De Verenigde Oost-Indische Compagnie (VOC) had haar werkterrein in Azië. De twaalf artikelen in deze bundel analyseren de relaties tussen de Compagnie en de machthebbers op die Aziatische werkvloer. Zij bestrijken het gehele Aziatische octrooigebied van de VOC van Perzië tot Japan. De auteurs, allen internationale autoriteiten, gaan in op de Compagniesrelaties met Aziatische hoven en andere machtscentra tussen 1620 en 1720. In die periode voegde de VOC zich via diplomatie, handel of geweld in de locale machtsstructuren. Dit perspectief resulteert in een verrassende bundel. De bijdragen variëren van belangrijke revisies van opvattingen over Aziatische vorsten/elites en over de destructieve invloed van de VOC tot een diplomatiek misverstand tussen Batavia en het eerste Chinese gezantschap, van intelligence over de hofstructuur van Cochin tot close reading van een correspondentie tussen vorst van Ceylon en de VOC. De inleiding tekent gemeenschappelijke patronen: vorsten en VOC waren vaak tot elkaar veroordeeld zonder dat de ene of andere partij evident de overhand had; daarbij onderhield een geschenkencultuur van exotica (paarden en olifanten) veelal de vriendschap. Deze bundel is aangeboden aan dr. Jurrien van Goor bij zijn universitaire afscheid als koloniaal historicus. Zij bevat dan ook een bio- en historiografische schets en de bibliografie van deze VOC-kenner.