Heritage of Power


Book Description

"Diverse environments, from low-lying marshlands to naturally terraced hillsides to rugged mountains of pine and oak forest, afforded many opportunities for well-being to the inhabitants of what are now the modern Mexican states of Colima, Jalisco, and Nayarit. In the seven-hundred-year period between 300 B.C. and A.D. 400, local hierarchies flourished, power was concentrated in increasingly fewer hands, and the wealthier members of the communities established family lineages that remained intact for many generations." "The compelling importance of place and family is reflected in the size, locations, and contents of the major tombs of that period; often situated near or under dwellings, these were deeply buried shaft-and-chamber tombs. One set of conjoined tombs, excavated in 1993 at the site of Huitzilapa in the Magdalena basin of northern Jalisco, held six personages, five of whom were close family relatives. Well over one hundred ceramic works accompanied the interred, together with conch-shell trumpets, tens of thousands of shell beads, and objects of jade, obsidian, and quartz, testifying to the family's wealth. Many of the ceramic objects were vessels and bowls for food and drink, but there were large, three-dimensional human figures as well, among them one depicting a ballplayer." "The focus of Heritage of Power: Ancient Sculpture from West Mexico. The Andrall E. Pearson Family Collection consists of over forty of these artistically appealing figures, which represent all three of the major styles - and sub-styles - that make up the body of West Mexican ceramic sculpture, named for the states of Colima, Jalisco, and Nayarit." "Included are an introductory illustrated essay, catalogue entries that discuss each of the works in detail - all of them shown in color and, often, in multiple views - and a selected bibliography."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




The Early Olmec and Mesoamerica


Book Description

Breaking new ground in Olmec studies, this book reveals the complexity and diversity of 'America's first civilization'.




Olmec Art of Ancient Mexico


Book Description

Fourteen Olmec specialists discuss not only the works of art but also the many recent finds, that provide insights into Mexico's most ancient culture, as well as its cultural history, cosmology, and daily life. Colour photos. Quarto.




Archaeology of Ancient Mexico and Central America


Book Description

This reference is devoted to the pre-Columbian archaeology of the Mesoamerican culture area, one of the six cradles of early civilization. It features in-depth articles on the major cultural areas of ancient Mexico and Central America; coverage of important sites, including the world-renowned discoveries as well as many lesser-known locations; articles on day-to-day life of ancient peoples in these regions; and several bandw regional and site maps and photographs. Entries are arranged alphabetically and cover introductory archaeological facts (flora, fauna, human growth and development, nonorganic resources), chronologies of various periods (Paleoindian, Archaic, Formative, Classic and Postclassic, and Colonial), cultural features, Maya, regional summaries, research methods and resources, ethnohistorical methods and sources, and scholars and research history. Edited by archaeologists Evans and Webster, both of whom are associated with Pennsylvania State University. c. Book News Inc.




A Crown of Wattle


Book Description




Anthropomorphic Imagery in the Mesoamerican Highlands


Book Description

In Anthropomorphic Imagery in the Mesoamerican Highlands, Latin American, North American, and European researchers explore the meanings and functions of two- and three-dimensional human representations in the Precolumbian communities of the Mexican highlands. Reading these anthropomorphic representations from an ontological perspective, the contributors demonstrate the rich potential of anthropomorphic imagery to elucidate personhood, conceptions of the body, and the relationship of human beings to other entities, nature, and the cosmos. Using case studies covering a broad span of highlands prehistory—Classic Teotihuacan divine iconography, ceramic figures in Late Formative West Mexico, Epiclassic Puebla-Tlaxcala costumed figurines, earth sculptures in Prehispanic Oaxaca, Early Postclassic Tula symbolic burials, Late Postclassic representations of Aztec Kings, and more—contributors examine both Mesoamerican representations of the body in changing social, political, and economic conditions and the multivalent emic meanings of these representations. They explore the technology of artifact production, the body’s place in social structures and rituals, the language of the body as expressed in postures and gestures, hybrid and transformative combinations of human and animal bodies, bodily representations of social categories, body modification, and the significance of portable and fixed representations. Anthropomorphic Imagery in the Mesoamerican Highlands provides a wide range of insights into Mesoamerican concepts of personhood and identity, the constitution of the human body, and human relationships with gods and ancestors. It will be of great value to students and scholars of the archaeology and art history of Mexico. Contributors: Claire Billard, Danièle Dehouve, Cynthia Kristan-Graham, Melissa Logan, Sylvie Peperstraete, Patricia Plunket, Mari Carmen Serra Puche, Juliette Testard, Andrew Turner, Gabriela Uruñuela, Marcus Winter







Ceramics of Ancient America


Book Description

This is the first volume to bring together archaeology, anthropology, and art history in the analysis of pre-Columbian pottery. While previous research on ceramic artifacts has been divided by these three disciplines, this volume shows how integrating these approaches provides new understandings of many different aspects of Ancient American societies. Contributors from a variety of backgrounds in these fields explore what ceramics can reveal about ancient social dynamics, trade, ritual, politics, innovation, iconography, and regional styles. Essays identify supernatural and humanistic beliefs through formal analysis of Lower Mississippi Valley "Great Serpent" effigy vessels and Ecuadorian depictions of the human figure. They discuss the cultural identity conveyed by imagery such as Andean head motifs, and they analyze symmetry in designs from locations including the American Southwest. Chapters also take diachronic approaches—methods that track change over time—to ceramics from Mexico’s Tarascan State and the Valley of Oaxaca, as well as from Maya and Toltec societies. This volume provides a much-needed multidisciplinary synthesis of current scholarship on Ancient American ceramics. It is a model of how different research perspectives can together illuminate the relationship between these material artifacts and their broader human culture. Contributors: | Dean Arnold | George J. Bey III | Michael Carrasco | David Dye | James Farmer | Gary Feinman | Amy Hirshman | Yumi Park Huntington | Johanna Minich | Shelia Pozorski and Thomas Pozorski | Jeff Price | Sarahh Scher | Dorothy Washburn | Robert F. Wald




Golden Kingdoms


Book Description

This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.