Ceramics in America 2007


Book Description

For the first time, color photographs of the known nineteen surviving objects from this important American porcelain factory are presented.Accompanying essays provide the historical context for the rise and fall of the factory along with exploration of porcelain technology and classification of parallel British porcelain. Important new evidence is presented for an even earlier porcelain manufactory near Charleston, South Carolina that of emigrant Staffordshire potter John Bartlam.




Ceramics in America 2008


Book Description

Now in its eight year of publication, Ceramics in America is considered the journal of record for historical ceramics scholarship in the American context and is intended for collectors, historical archaeologists, curators, decorative arts students, social historians, and contemporary potters. This volume of Ceramics in America features articles on eighteenth-century New York and New Jersey salt-glazed stoneware, a fascinating ceramic cargo from the "Blue China" wreck, nineteenth-century ceramic consumption patterns in the Anglo-American merchant trade, and commemorative ceramics made for the 1907, 1957, and 2007 anniversaries of the founding off Jamestown, Virginia. Included are many additional articles detailing important new discoveries in the ceramic field and scholarly reviews of recently published ceramic books.




Ceramics in America


Book Description




Ceramics in America 2019


Book Description

A diverse range of essays, new discoveries, and book reviews on the latest research of interest to ceramics scholars.




Ceramics in America 2004


Book Description

A diverse range of essays, new discoveries and book reviews on the latest research for interest to ceramic scholars.




Ceramics in America 2021


Book Description

The 2021 volume of Ceramics in America features new discoveries about ceramics used in the American context. Topics include American stoneware, Chinese export porcelain, and commemorative historical and political wares. Of special interest are ca. 1790-1810 slip-decorated earthenwares from the manufactory of Enoch Wood and James Caldwell.




Ceramics in America 2002


Book Description

A diverse range of essays, new discoveries and book reviews on the latest research for interest to ceramic scholars.




Ceramics in America 2020


Book Description

The 2020 volume of Ceramics in America is a celebration of the depth and diversity of ceramics in the American context. Beautifully illustrated articles explore the use of clay from the most basic building bricks to refined earthenwares promoting the political and economic issues of the American Revolution. Of special interest is the origin of the ceramic manufacturing spark in America, looking at the Franklin Institute in Philadelphia cited by historians and connoisseurs as the height of recognition of achievement for ceramic production in the United States. The archaeological discovery of rare "black delft" teapot fragments from Charleston's Drayton Hall is recounted in an exciting collector's narrative. Other articles will include a profile of North Carolina potter David Stuempfle who continues the old-age tradition of producing wood fired stoneware, a study of Thomas Jefferson's Chinese porcelain, and Pueblo pottery collected by a German Museum in the early twentieth century.







American Art Pottery


Book Description

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} At the height of the Arts and Crafts era in Europe and the United States, American ceramics were transformed from industrially produced ornamental works to handcrafted art pottery. Celebrated ceramists such as George E. Ohr, Hugh C. Robertson, and M. Louise McLaughlin, and prize-winning potteries, including Grueby and Rookwood, harnessed the potential of the medium to create an astonishing range of dynamic forms and experimental glazes. Spanning the period from the 1870s to the 1950s, this volume chronicles the history of American art pottery through more than three hundred works in the outstanding collection of Robert A. Ellison Jr. In a series of fascinating chapters, the authors place these works in the context of turn-of-the-century commerce, design, and social history. Driven to innovate and at times fiercely competitive, some ceramists strove to discover and patent new styles and aesthetics, while others pursued more utopian aims, establishing artist communities that promoted education and handwork as therapy. Written by a team of esteemed scholars and copiously illustrated with sumptuous images, this book imparts a full understanding of American art pottery while celebrating the legacy of a visionary collector.