Cervantes and the Burlesque Sonnet


Book Description

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.




Graham Greene’s Conradian Masterplot


Book Description

From The Man Within (1929) to The Captain and the Enemy (1988), Graham Greene engaged in a lifelong dialogue with Joseph Conrad's political, psychological and melodramatic fictions. Repressing Conrad's political anxieties, his early work displaces the protagonist's existential dilemma into the form of the thriller or - alternatively -the 'Catholic' novel. After The Quiet American (1955), however, Greene's novels return to politics, introducing comic variations which transform Conrad's 'masterplot' into a mixed genre uniquely his own, a process charted in this book, the first full-length study of the subject.




The Oxford Handbook of Cervantes


Book Description

Although best known the world over for his masterpiece novel, Don Quixote de la Mancha, published in two parts in 1605 and 1615, the antics of the would-be knight-errant and his simple squire only represent a fraction of the trials and tribulations, both in the literary world and in society at large, of this complex man. Poet, playwright, soldier, slave, satirist, novelist, political commentator, and literary outsider, Cervantes achieved a minor miracle by becoming one of the rarest of things in the Early-Modern world of letters: an international best-seller during his lifetime, with his great novel being translated into multiple languages before his death in 1616. The principal objective of The Oxford Handbook of Cervantes is to create a resource in English that provides a fully comprehensive overview of the life, works, and influences of Miguel de Cervantes Saavedra (1547-1616). This volume contains seven sections, exploring in depth Cervantes's life and how the trials, tribulations, and hardships endured influenced his writing. Cervantistas from numerous countries, including the United Kingdom, Spain, Ireland, the United States, Canada, and France offer their expertise with the most up-to-date research and interpretations to complete this wide-ranging, but detailed, compendium of a writer not known for much other than his famous novel outside of the Spanish-speaking world. Here we explore his famous novelDon Quixote de la Mancha, his other prose works, his theatrical output, his poetry, his sources, influences, and contemporaries, and finally reception of his works over the last four hundred years.




Through the Shattering Glass


Book Description




Millennial Cervantes


Book Description

Millennial Cervantes explores some of the most important recent trends in Cervantes scholarship in the twenty-first century. It brings together leading Cervantes scholars of the United States in order to showcase their cutting-edge work within a cultural studies frame that encompasses everything from ekphrasis to philosophy, from sexuality to Cold War political satire, and from the culinary arts to the digital humanities. Millennial Cervantes is divided into three sets of essays--conceptually organized around thematic and methodological lines that move outward in a series of concentric circles. The first group, focused on the concept of "Cervantes in his original contexts," features essays that bring new insights to these texts within the primary context of early modern Iberian culture. The second group, focused on the concept of "Cervantes in comparative contexts," features essays that examine Cervantes's works in conjunction with those of the English-speaking world, both seventeenth- and twentieth-century. The third group, focused on the concept of "Cervantes in wider cultural contexts," examines Cervantes's works--principally Don Quixote--as points of departure for other cultural products and wider intellectual debates. This collection articulates the state of Cervantes studies in the first two decades of the new millennium as we move further into a century that promises both unimagined technological advances and the concomitant cultural changes that will naturally adhere to this new technology, whatever it may be.







The History of the Epic


Book Description

This book presents a history of the epic from the classical age to the present day. It deals not just with the well-know epics of antiquity and the Renaissance, but also pursues developments in more recent literature and film. It offers an exploration of the changes that have taken place in the genre from Homer to Hollywood.




Cervantes: Don Quixote


Book Description

Anthony Close's study places Don Quixote in the context of Cervantes' life and literary career, and in the book's cultural and social background. It focuses primarily on the central problems of Cervantine comedy, the use of burlesque, the presentation of characters through dialogue, the narrator's viewpoint, the virtuoso play with registers, and the complex and elusive irony. Using detailed analysis of individual passages, Dr Close shows how the moral themes of the novel are distilled in its humour, and in the characters of Don Quixote and Sancho. He also gives particular attention to the impact of this landmark text on the development of the European novel.




Don Quixote in England


Book Description

A significant reassessment of current assumptions about eighteenth-century literature and art. Seldom has a single book, much less a translation, so deeply affected English literature as the translation of Cervantes' Don Quixote in 1612. The comic novel inspired drawings, plays, sermons, and other translations, making the name of the Knight of la Mancha as familiar as any folk character in English lore. In this comprehensive study of the reception and conversion of Don Quixote in England, Ronald Paulson highlights the qualities of the novel that most attracted English imitators. The English Don Quixote was not the same knight who meandered through Spain, or found a place in other translations throughout Europe. The English Don Quixote found employment in all sorts of specifically English ways, not excluding the political uses to which a Spanish fool could be turned. According to Paulson, a major impact of the novel and its hero was their stimulation of discussion about comedy itself, what he calls the "aesthetics of laughter." When Don Quixote reached England he did so at the time of the rise of empiricism, and adherents of both sides of the empiricist debate found arguments and evidence in the behavior and image of the noble knight. Four powerful disputes battered around his grey head: the proximity of madness and imagination; the definition of the beautiful; the cruelty of ridicule and its laughter; and the role of reason in the face of madness. Paulson's engaging account leads to a significant reassessment of current assumptions about eighteenth-century literature and art.




The Cervanrean Heritage


Book Description

"Many critics regard Cervantes's Don Quixote as the most influential literary book on British literature. Indeed the impact on British authors was immense, as can be seen from 17th-century plays by Fletcher, Massinger and Beaumont, through the great 18th-century novels of Fielding, Smollett, Sterne, and Lennox, and on into more modern and contemporary novelists. 20th-century critics, fascinated by Cervantes, were moved to write what we now see as the classical works of Cervantes scholarship. Through their previous publications, the eminent contributors to this volume have helped to determine the reception of Cervantes in Britain. Together they now offer a comprehensive and innovative picture of this topic, discussing the English translations of Cervantes's works, the literary genres which developed under his shadow, and the best-known authors who consciously emulated him. Cervantes's influence upon British literature emerges as decidedly the deepest of any writer outside of English and, very possibly, of any writer since the Renaissance."