Chaconne, Opus 82


Book Description

Reminiscent of the earliest examples of the chaconne form, this work by Jadassohn is replete with the kind of inventiveness and treatment of harmonic forces that came to characterise the works of the later 19" Century as found in Liszt and Wagner. A pioneer of harmonic theory himself, Jadassohn applied the most subtle and delicate twist to the traditional harmonic form in this piece. The rediscovery of this work is sure to delight audiences with a work of depth and virtuosity from one of the forgotten masters of the Romantic period. --- An frühe Beispiele der Chaconne erinnernd, verfügt Jadassohns Arbeit über einen ähnlichen Erfindungsreichtum und eine vergleichbare Behandlung harmonischer Kräfte, die später die Werke des späteren 19. Jahrhunderts von unter anderem Franz Liszt und Richard Wagner auszeichnen würden. Selbst ein Pionier der Harmonielehre gibt Jadassohn der traditionellen harmonischen Form hier eine subtile und feine Wendung. Seine Wiederentdeckung wird dem Publikum viel Freude bereiten, handelt es sich doch um eine Arbeit voller Tiefe und Virtuosität von einem der vergessenen Meister der Romantik.




Chaconne, Opus 82


Book Description

Reminiscent of the earliest examples of the chaconne form, this work by Jadassohn is replete with the kind of inventiveness and treatment of harmonic forces that came to characterise the works of the later 19" Century as found in Liszt and Wagner. A pioneer of harmonic theory himself, Jadassohn applied the most subtle and delicate twist to the traditional harmonic form in this piece. The rediscovery of this work is sure to delight audiences with a work of depth and virtuosity from one of the forgotten masters of the Romantic period. --- An frühe Beispiele der Chaconne erinnernd, verfügt Jadassohns Arbeit über einen ähnlichen Erfindungsreichtum und eine vergleichbare Behandlung harmonischer Kräfte, die später die Werke des späteren 19. Jahrhunderts von unter anderem Franz Liszt und Richard Wagner auszeichnen würden. Selbst ein Pionier der Harmonielehre gibt Jadassohn der traditionellen harmonischen Form hier eine subtile und feine Wendung. Seine Wiederentdeckung wird dem Publikum viel Freude bereiten, handelt es sich doch um eine Arbeit voller Tiefe und Virtuosität von einem der vergessenen Meister der Romantik.







Duo-pianism


Book Description




The Sense of Music


Book Description

This book is addressed to the listener whose enjoyment of music is filled with questions and whose curiosity makes him eager to grasp the sense of music, despite a lack of theoretical training. Unlike the usual listener's guide, which begins with a discussion of the elementary materials of music, this book starts with the elementary experiences of listening.




British Organ Music of the Twentieth Century


Book Description

This is the first book-length survey of 20th -century British music for solo organ. Beginning with a discussion of British organ music in the last decades of the Victorian era, the book focuses on the pieces that the composers wrote, their musical style, possible influences on the composition of specific works, and the details of their composition. Arranged in chronological order according to date of birth are detailed studies on important composers that made especially significant contributions to organ music including Parry, Stanford, Healey Willan, Herbert Howells, Percy Whitlock, Francis Jackson, Peter Racine Fricker, Arthur Wills, and Kenneth Leighton. Composers' biographies, the role of organs and organ building developments, influential political and sociological events, and aesthetic aspects of British musical life are also discussed in detail. In the concluding chapter, the author discusses the major phases and achievements of the century and gauges what may lie ahead in the new millennium. A comprehensive Catalog of Works provides titles of works, dates of composition, details of publishers, and the dates of publication. More than 60 music examples, 12 black and white photos, and an up-to-date bibliography are included.







The Why of Music


Book Description

The Why of Music was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In his many tears of teaching and writing about music Professor Ferguson has given much thought to the question of the why of music — why does music affect us as it does, why are we deeply moved by some music by not by other music, what is it about music that "sends" us, and where does it send us? In this book he explores such questions in depth and provides intriguing answers. The discussions are presented in the form of dialogues between the author and several friends. As Professor Ferguson explains, the book is intended to take the reader on a guided tour, a tour which follows, in part, the familiar roads of formal music appreciation but which leads more often into byways where, almost hidden by the brilliant Hows that line the more familiar roads, lurks the essential Why of music. He describes this Why as the fertilizing commerce between music and human experience—a portrayal, not of the tangible facts of experience, but of the concern aroused by our encounter with those facts. He explains that while avant-garde abstractionism is concerned only with music as art—a concern too specialized for the general music lover to grasp and too narrow to sustain interest—the Why of enduring music lies in its endeavor to portray experience as it lives in Everyman's mind.




Dictionary of Music


Book Description