Chandralekha


Book Description

Kalarippayattu is an indigenous martial art of Kerala. I am a traditionally trained Kalarippayattu practitioner. I joined the Indian contemporary dance-choreographer, Chandralekha (1928–2006), in Chennai, as instructed by my Kalari Guru Shri E P Vasudevan Gurukkal (1932–2015) (Kaduthuruthy, Kerala). I worked with Chandralekha and performed nine of her creative productions for twenty years (1986–2006). I continued to perform her last creative production for another ten years. In this book, I am narrating my thirty years (1986–2016) of experience performing the creative works of Chandralekha. “…he has the capacity to ‘disappear’ when he moves. We don’t see him, we see the movement.” “…He does not represent the movement. He is the movement. Or more simply, he is.” – Rustom Bharucha (Chandralekha: Woman Dance Resistance, pp.253-4.)




Chandralekha


Book Description

Life and work of Chandralekha, Bharatanatyam dancer, choreographer, and writer.




Strewn Love


Book Description

A young man and woman have to face many things initially in their life, such as the first day in school, the pleasant memory of the first day of the tour with their parents, relishing the first day of friendship, sweet memory of the first day of love. When a lover and his lady-love think about their first love, the sense-perception that originates within their inner self can’t be expressed in words. This memory of first love might have evolved even at the fag-end of life. An individual might have fallen in love many times, but first love is special. A lover can’t forget the thrill of the very sensitive first touch, bartering of infatuating looks, bewitches the relishing of a first kiss. The first love came in the life of Shubhro. Due to some unnatural reasons, his sweetheart, Chandralekha, lost her life forever. Frustrated Shubhro ran about distractedly from place to place bearing the memoir of his first love. Facing some distracted love in his life, he escaped to some distant regions. Will he be able to find peace of mind?




Moving History/Dancing Cultures


Book Description

This new collection of essays surveys the history of dance in an innovative and wide-ranging fashion. Editors Dils and Albright address the current dearth of comprehensive teaching material in the dance history field through the creation of a multifaceted, non-linear, yet well-structured and comprehensive survey of select moments in the development of both American and World dance. This book is illustrated with over 50 photographs, and would make an ideal text for undergraduate classes in dance ethnography, criticism or appreciation, as well as dance history—particularly those with a cross-cultural, contemporary, or an American focus. The reader is organized into four thematic sections which allow for varied and individualized course use: Thinking about Dance History: Theories and Practices, World Dance Traditions, America Dancing, and Contemporary Dance: Global Contexts. The editors have structured the readings with the understanding that contemporary theory has thoroughly questioned the discursive construction of history and the resultant canonization of certain dances, texts and points of view. The historical readings are presented in a way that encourages thoughtful analysis and allows the opportunity for critical engagement with the text. Ebook Edition Note: Ebook edition note: Five essays have been redacted, including “The Belly Dance: Ancient Ritual to Cabaret Performance,” by Shawna Helland; “Epitome of Korean Folk Dance”, by Lee Kyong-Hee; “Juba and American Minstrelsy,” by Marian Hannah Winter; “The Natural Body,” by Ann Daly; and “Butoh: ‘Twenty Years Ago We Were Crazy, Dirty, and Mad’,”by Bonnie Sue Stein. Eleven of the 41 illustrations in the book have also been redacted.




One Hundred Indian Feature Films


Book Description

First Published in 1989. One Hundred Indian Films attempts to bring together a representative selection from the first talkies to the present day. The book originated as a project under the National Film Heritage programme at the Centre for Development of Instructional Technology in Delhi, along with the efforts to build up a collection of Indian cinema at the United States Library of Congress.




Butting Out


Book Description

First major study of two important contemporary female dancers.







Death of the Diva The Screenplay


Book Description

Chandralekha Mukherjee, once the heartthrob of Tollywood, is shot dead on stage by a co-actor. ACP Agastya Purakayastha’s investigation reveals several possibilities. Chandralekha was the face of an artistes’ movement against a production house which has monopolized the entertainment industry in Bengal. She was at the centre of a feud with the family of her father’s business partner. Her animosity with an upcoming starlet, who was also the reason why her ex-lover had dumped her, was well-known. She was hated by the physically challenged widow of the director who had launched her and then got into a passionate relationship with her about a decade ago. Agastya finds out that Chandralekha was linked to three mysterious deaths that happened at different times and different places over the last fifteen years. The secret behind Chandralekha’s murder was to be found in the dark recesses of her past. Death of the Diva unravels the darkness behind the limelight as it breezes through Kolkata’s glamourous and convoluted worlds of business, politics and entertainment.




Global Perspectives on Orchestras


Book Description

Global Perspectives on Orchestras offers innovative approaches to thinking about orchestras. It adopts ethnographic and comparative perspectives on symphony, Caribbean steel, Indian film orchestras and Indonesian gamelan ensembles. By considering the orchestra in diverse historical, intercultural and postcolonial contexts, the volume generates enhanced appreciation of this creative, political and social practice.




Indian Folk-tales


Book Description