Character Wars: America's Failing Character


Book Description

America is having a nervous breakdown. Its national character has fragmented. Americans no longer stand united, and they never will again. They are at each other's throats. What happened? What went wrong? This is the strange tale of how America is being destroyed by its conflicting character types. Even worse, this is a problem that cannot be resolved. There is no "one-size-fits-all" set of policies that can accommodate character types that seek radically different things. This makes consensual government impossible. Oswald Spengler, in his apocalyptic masterpiece "The Decline of the West", wrote, "2000-2200: Formation of Caesarism. Victory of force politics over money. Increasing primitiveness of political forms. Inward decline of the nations into a formless population, and Constitution thereof as an imperium of gradually increasing crudity of despotism." America, with the advent of Donald Trump, has entered its Caesarian period. Things will never be the same again.




A Revolutionary People At War


Book Description

In this highly acclaimed book, Charles Royster explores the mental processes and emotional crises that Americans faced in their first national war. He ranges imaginatively outside the traditional techniques of analytical historical exposition to build his portrait of how individuals and a populace at large faced the Revolution and its implications. The book was originally published by UNC Press in 1980.










Public Characters


Book Description

Heroes, villains, victims, and minions have been the building blocks of moral and political reputations throughout human history. In Public Characters, the authors look at visual images, music, and words to show the techniques by which these characters get constructed. They also trace the impact of these public characters in politics, including the 2016 triumph of Donald J. Trump through his ability to cast opponents as villains and minions.




The Civil War on Film


Book Description

The Civil War on Film will inform high school and college readers interested in Civil War film history on issues that arise when film viewers confuse entertainment with historical accuracy. The nation's years of civil war were painful, destructive, and unpleasant. Yet war films tend to embrace mythologies that erase that historical reality, romanticizing the Civil War. The editors of this volume have little patience for any argument that implies race-based slavery isn't an entirely repugnant economic, political, and cultural institution and that the people who fought to preserve slavery were fighting for a glorious and admirable cause. To that end, The Civil War on Film will open with a timeline and introduction and then explore ten films across decades of cinema history in ten chapters, from Birth of a Nation, which debuted in 1915, to The Free State of Jones, which debuted one hundred and one years later. It will also analyze and critique the myriad of mythologies and ideologies which appear in American Civil War films, including Lost Cause ideation, Black Confederate fictions, Northern Aggression mythologies, and White Savior tropes. It will also suggest the way particular films mirror the time in which they were written and filmed. Further resources will close the volume.




David Guterson's Snow Falling on Cedars


Book Description

This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.




American Character and Foreign Policy


Book Description




Reagan's War Stories


Book Description

Reagan’s War Stories examines the relationship between Ronald Reagan, the public and popular culture. From an overview of Reagan’s youth and the pulp fiction he consumed, we get a sense of the future president’s good/evil outlook. Carrying that over into Reagan’s reading and choices as president, Griffin situates narrative at the center of Reagan’s political formation and leadership providing a compelling account of both Reagan’s life, his presidency, and a lens into non-traditional strategy formulation. Author Ben Griffin tells three stories about an American president who ushered in the end of the Cold War. A survey of Reagan’s youth and the fiction he consumed and created as an announcer and actor, reveals how the future president’s worldview developed. A look at the rise of fiction and popular culture rife with pro-Americanism in the 1980s details a uniquely symbiotic relationship between the chief executive and popular culture in framing the Cold War as a struggle with an “Evil Empire” in the Soviet Union. Finally, Griffin outlines how presidential personality and reading preferences shaped President Reagan’s pursuit of the “Star Wars” initiative and belief in the transformative combination of freedom and technology. Griffin demonstrates that novels by Tom Clancy, Louis L’Amour, and science fiction influenced Reagan’s view of 1980s geopolitics. His identification with fiction led Ronald Reagan to view European Cold War issues with more empathy but harmed the president's policymaking when the narrowness of his reading led him to apply a white-hat/black-hat framework that did not match the reality of conflict in Latin America. Reagan treated fictional portrayals seriously, believing they shaped public views and offered valid ways to think through geo-political issues. Seeking to shape the reading habits of the public, his administration sought to highlight authors who shared his worldview like Tom Clancy, Louis L’Amour, and Allen Drury over other popular writers like Robert Ludlum and John Le Carre who portrayed the Cold War in less stark moral terms. The administration’s favored popular authors in turn intentionally incorporated Reagan-era policies into their work to advocate for them through fiction, thus reaching a broader audience than via official government releases and speeches. Showing how Reagan used narrative as both a consumer and a communicator, Griffin notes that Reagan identified with certain stories and they shaped him as a political leader and later and influenced his approach to complex issues. When handled deftly, incorporating fiction created a common language across the administration and provided a way to convey messages to the masses in a memorable fashion.