Charles Arnoldi


Book Description







Callahan, Siskind, Sommer


Book Description

At the Crossroads of American Photography examines the aesthetic and personal interrelationships of three photographers who helped define the course of American photography after Steiglitz: Frederick Sommer (1905-1999), Harry Callahan (1912-1999) and Aaron Siskind (1903-1991). Although each member of this "holy trinity" (as they were dubbed by photographer and publisher Jonathan Williams) has been honored with individual museum retrospectives, this is the first full comparison of their work, as well as an exploration of their robust, prescient exchange of ideas about photography, abstraction and metaphor over the course of their 25 years as colleagues and friends. Self-taught as photographers, this trio helped shape a national community of peers and the evolution of photography as an art form, creating a bridge between the purity of Group f/64-era photography at midcentury and the hybrid approaches to the medium seen today. This exquisitely produced exhibition catalogue highlights the powerful role of such camaraderie in shaping photography at this seminal time, before the emergence of a market for photography and before widespread artistic acceptance of the medium. It brings to light contrasting philosophies of the artist/photographer's role (influenced by Existentialism for Siskind and by the writings of Spinoza for Sommer), the interest in chance as an artistic process, the expressive potential of photographic found objects and collage, experimental abstraction, close affiliations with fine art movements (New Bauhaus, Abstract Expressionism and Surrealism), and changing attitudes toward the fine-print tradition.




Chemical Pink


Book Description

A stunning and compelling portrait of two obsessed personalities and the perversely symbiotic relationship that draws them together. Aurora Jeanine Johnson is an unwed mother from Savannah, Georgia, desperate to sculpt a new life--and a new body-- in California, where the quest for the perfect butt or bicep reaches religious intensity. Spending every spare moment training at the gym, Aurora is barely getting by--until she meets the man who will offer her everything she most desires. Charles Worthington is a wealthy eccentric, rich enough to indulge his every decadent whim and fantasy. Aurora is his sexual ideal, the raw material from which he will shape his masterpiece. He will transform Aurora into the woman of his dreams -- and fantasies -- no matter the cost. To achieve their common goal, Aurora hands over complete control of her life to Charles. He dictates her diet, her lifestyle, her training--and when and how much she'll take of the body-altering drugs he "prescribes" for her. He decides whom she sees and where she goes. And what kinky games of his own devising they will play. For Aurora, everything that Charles asks is a small price to pay to become the woman she's always dreamed of being. Or is it? Chemical Pink is a gothic duet that explores the boundary between obsession and pathology.




Imagery


Book Description

In 1985, winemaker Joe Benziger and Sonoma artist Bob Nugent struck on the idea of putting original art on special releases of Imagery Estate wines. The goal was straight-forward: commission the world's modern art luminaries to create works for reproduction onto wine labels. Two decades and 160 labels later, they have assembled a staggering collection of contemporary art, from the likes of Sol Lewitt, Terry Winters, Nancy Graves, John Baldessari, Judy Pfaff, and Bob Arneson. This book highlights 133 works of art, the best of the Imagery collection. The images are big and lush, and accompanied by biographical sketches of the artists' careers, as well as a short description of their individual ideas and methods. The pictorial index shows the works in their label-form, from 1985 to the most recent vintages. These images are evocations of wine's multi-faceted ability to inspire us.







Arnoldi Just Bronze


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Archaeology and Ethnohistory of the Omaha Indians


Book Description

For seventy years, from about 1775 until 1845, Big Village was the principal settlement of the Omaha Indians. Situated on the Missouri River seventy-five miles above the present city of Omaha, it commanded a strategic location astride this major trade route to the northern plains. A host of traders and travelers, from Jean-Baptiste Truteau and James Mackay to Lewis and Clark and Father De Smet, left descriptions of the village. Although John Champe of the University of Nebraska carried out a comprehensive archaeological investigation of the site from 1939 to 1942 (the only intensive, systematic archaeological study of any Omaha site), the results of his work have heretofore remained unpublished. Now John M. O'Shea and John Ludwickson have combined Champe's findings with the major historical accounts of the Omahas, providing significant new insights into the course of Omaha history in the preservation period. The emphasis on material culture gives a unique view of the daily life of these people and illustrates clearly the integration of European trade items with traditional technologies. Here the fur trade is seen in a fresh perspective, that of the suppliers of furs and recipients of trade goods. An examination of Omaha demography rounds out this important new ethnohistorical sketch of the Omaha Indians.




Mistakes Were Made (Some in French)


Book Description

Mistakes Were Made is a revealing memoir and unexpected love story from model and actress Fiona Lewis about her journey to self-acceptance as she restores a crumbling French chateau. Alone in the French countryside, Lewis reflects on her glamorous youth across London and Paris in the ’60s, Hollywood in the ’70s, and the important, sometimes disastrous, choices she made along the way. Having lived a perfectly satisfactory life in California for over two decades, Fiona Lewis wakes up one day in her fifties and asks herself, Is this it? Is this the existence I’m meant to have? She can hardly complain. After all, her life has been full of adventure and privilege: London and Paris in the ’60s, Los Angeles in the heady ’70s. Now, however, she feels lost, as if she were slipping backward over the edge of a ravine, abandoned not only by her old self, but by that reliable standby, optimism. Realizing she has to find a way to reinvent herself, she impulsively buys a rundown chateau in the South of France. (Her husband is not pleased.) Alone in the depths of the countryside, she contemplates her childhood, her affairs––Roman Polanski, Roger Vadim––her years as an actress in some good and some questionable films, and her first Hollywood marriage to the damaged son of a movie star. As the renovation drags on, fighting with a band of impossible French workmen, she is forced to battle her own fears: her failure to become a real success, her inability to have children, and her persistent fear of aging. And she has to contend with her husband, who has no interest in the French countryside. In fact, he resents her obsession with France, with the house, with the renovations. The house seems to have a hold over her, and he’s not wrong. He reluctantly visits and is annoyed by the cost of the renovation. Was she not content with him in LA? Why can’t she just be happy? It’s an age-old question and one every woman must confront, along with aging, lost love, and missed opportunities. Yet, Fiona’s wit and wisdom prevail. And this provocative, brave memoir takes a stunning turn when all those unanswered questions develop into a tender and unexpected romance.




Los Angeles Magazine


Book Description

Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.