Charles Burnett


Book Description

Charles Burnett (b. 1944) is a groundbreaking African American filmmaker and one of this country’s finest directors, yet he remains largely unknown. His films, most notably Killer of Sheep (1977) and To Sleep with Anger (1990), are considered classics, yet few filmgoers have seen them or heard of Burnett. The interviews in this volume explore this paradox and collectively shed light on the work of a rare film master whose stories bring to the screen the texture and poetry of life in the black community. The best qualities of Burnett’s films-rich characterizations, morally and emotionally complex narratives, and intricately observed tales of African American life-are precisely the things that make his films a tough sell in the mass marketplace. As many of the interviews reveal, Hollywood has been largely inept in responding to this marketing challenge. “It takes an extraordinary effort to keep going,” Burnett told Terrence Rafferty in 2001, “when everybody’s saying to you, ‘No one wants to see that kind of movie,’ or ‘There’s no black audience.’” All the interviews selected for this volume—spanning more than three decades of Burnett’s directorial career, including his recent work—examine, in various degrees, Burnett’s status as a true independent filmmaker and explore his motivation for making films that chronicle the black experience in America.




Charles Burnett


Book Description

In the first book devoted to Charles Burnett, a crucial figure in the history of American cinema often regarded as the most influential member of the L.A. Rebellion group of African American filmmakers, James Naremore provides a close critical study of all Burnett’s major pictures for movies and television, including Killer of Sheep, To Sleep with Anger, The Glass Shield, Nightjohn, The Wedding, Nat Turner: A Troublesome Property, and Warming by the Devil’s Fire. Having accessed new information and rarely seen material, Naremore shows that Burnett’s career has developed against the odds and that his artistry, social criticism, humor, and commitment to what he calls “symbolic knowledge” have given his work enduring value for American culture.




Numerals and Arithmetic in the Middle Ages


Book Description

This volume, the third by Charles Burnett in the Variorum series, brings together articles on the different numeral forms used in the Middle Ages, and their use in mathematical and other contexts. Some pieces study the introduction of Hindu-Arabic numerals into Western Europe, documenting, in more detail than anywhere else, the different forms in which they are found, before they acquired the standard shapes with which we are familiar today. Others deal with experiments with other forms of numeration within Latin script: e.g., using the first nine Roman numerals as symbols with place value, abbreviating the Roman numerals, and using the Latin letters as numerals. The author discusses how different types of numerals are used for different purposes, and the application of numerals to the abacus, and to calculation with pen and ink. The studies include the critical edition of several Latin texts.




From Street to Screen


Book Description

Charles Burnett's 1977 film, Killer of Sheep is one of the towering classics of African American cinema. As a deliberate counterpoint to popular blaxploitation films of the period, it combines harsh images of the banality of everyday oppression with scenes of lyrical beauty, and depictions of stark realism with flights of comic fancy. From Street to Screen: Charles Burnett's Killer of Sheep is the first book-length collection dedicated to the film and designed to introduce viewers to this still relatively unknown masterpiece. Beginning life as Burnett's master's thesis project in 1973, and shot on a budget of $10,000, Killer of Sheep immediately became a cornerstone of the burgeoning movement in African American film that came to be known variously as the LA School or LA Rebellion. By bringing together a wide variety of material, this volume covers both the politics and aesthetics of the film as well as its deeper social and contextual histories. This expansive and incisive critical companion will serve equally as the perfect starting point and standard reference for all viewers, whether they are already familiar with the film or coming to it for the first time.




Magic and Divination in the Middle Ages


Book Description

After discussing the terminology of talismanic magic (or necromancy) and its position in divisions of science in the Middle Ages, this book traces the history of talismanic texts from the Classical period through the Arabic world to the Latin Middle Ages. The principal authorities are Hermes and Aristotle, and the search for the ’secret knowledge’ of these ancient sages is shown to have been a catalyst for the translating activity from Arabic into Latin in 12th-century Spain. The second half of the volume is devoted to examples of the kinds of divination prevalent in Arabic and Latin-reading societies: chiromancy, onomancy, scapulimancy, geomancy and fortune-telling. The book ends with advice on when to practice alchemy and a prophetic letter of supposed Arabic provenance, warning of the coming of the Mongols. Several editions of previously unedited texts are included, with translations.







Ibn Baklarish's Book of Simples


Book Description

This book concerns a polyglot medical manuscript, Kitab al-Musta'ini, by Jewish physician, Ibn Baklarish for his Muslim patron, al-Musta'in bi-llah (reg. Saragossa 1085 - 1110). Tables give properties, uses, and names in other languages, of over 700 medicinal substances. Latin and Romance annotations attest to Christian readers.




The Great Introduction to Astrology by Abū Maʿšar (2 vols.)


Book Description

Abū Ma’͑šar’s Great Introduction to Astrology (mid-ninth century) is the most comprehensive and influential text on astrology in the Middle Ages. In addition to presenting astrological doctrine, it provides a detailed justification for the validity of astrology and establishes its basis within the natural sciences of the philosophers. These two volumes provide a critical edition of the Arabic text; a facing English translation, which includes references to the divergences in the twelfth-century Latin translations of John of Seville and Hermann of Carinthia (Volume 1); and the large fragment of a Greek translation (edited by David Pingree). Comprehensive Arabic, English, Greek and Latin glossaries enable one to trace changes in vocabulary and terminology as the text passed from one culture to another. (Volume 2.)




Black American Cinema


Book Description

On Black cinema




Screenplays of the African American Experience


Book Description

Book on African Amrican filmmaking. includes six screenplays by Afro-American screenwriters