Charles Krafft's Villa Delirium


Book Description

Charles Krafft's one-of-a-kind artwork moves in provocative directions, combining the highbrow with the gruesome in such works as his Disasterware (Delft-style painted plates featuring catastrophes) and Sponeware ("the human bone china"). Krafft's work has appeared in The New Yorker, Harper's Magazine, Artforum, and Juxtapoz. With 60 color photographs, the full range of his plates, paintings, and other creations is sampled in this book, which also includes biographical information on this remarkable self-taught painter. The Art of Charles Krafft documents Krafft's major shows and productions.




Studio Potter


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Metropolis


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Juxtapoz


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Living My Life


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The autobiography of the early radical leader and her participation in communist, anarchist, and feminist activities




Ceramic National


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Painted Clay


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"In Painted Clay, Paul Scott proposes an alternative version of ceramic history ... one where form and function are not dominant, but where painting and the graphic development of ceramic surface are the prime concerns. Covering a range from pre-Dynastic Egyptian painting on pots, through Chinese porcelain, Persian Minai ware and Maiolica to the blue and white of the industrialized West, he charts the development of increasingly sophisticated painted and graphic works." "The book takes an extensive overview of today's contemporary (graphic) ceramic scene, and the figures and movements that have influenced it. In exploring the use "painters" such as Picasso, Miro, the CoBrA Group, Conrad Atkinson, and others have made of ceramics, it also examines the relationships artists have had with the pottery industry, from Soviet Revolutionary Propaganda ware to collaborations at the Wedgwood Pottery company. It highlights a wide range of work by contemporary ceramic artists, painters, and printmakers from around the world: Ann Kraus, Cindy Kolodziejski, Eric Mellon, Grayson Perry, and many others." "This book should appeal to anyone interested in ceramics, as well as to painters, printmakers, graphic artists, and all those generally interested in the visual arts."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Mirroring Evil


Book Description

Mirroring Evil: Nazi Imagery/Recent Art features the work by thirteen internationally recognized artists who use imagery from the Nazi era to explore the nature of evil. Their works are a radical departure from previous art about the Holocaust, which centered on tragic images of victims. Instead, these artists dare to invite the viewer into the world of the perpetrators. The viewer, therefore, faces an unsettling moral dilemma: How is one to react to these menacing and indicting images, drawn from a history that can never be forgotten? The artists represented in Mirroring Evil impel us to examine what these images of Nazism might mean in our lives today. Essays in the catalogue explore themes of moral ambiguity in makers and viewers of art, institutional responsibility in exhibiting controversial artworks, and the complicated issues of representing or even imagining the perpetrators. Entries about the individual artworks discuss in greater depth the artistic, ethical, and historical complexity of the images that the artists dare to engage.




Art Index


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Phantasms of the Living


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"A large part of the material used in this book was sent to the authors as representatives of the Society for Psychical Research; and the book is published with the sanction of the council of that Society ... Mr. Myers is solely responsible for the Introduction, and for the Note on a suggested mode of psychical interaction ... Mr. Gurney is solely responsible for the remainder of the book ... the collection, examination, and appraisal of the evidence--has been a joint labour, of which Mr. Podmore has borne ... a share ..."--Preface.