Chartist Fiction


Book Description

This title was first published in 2001. When the Chartist leader Ernest Jones emerged from prison in 1850, he was determined to capture the public's attention with a controversial and topical novel. The result of his endeavours was the remarkable Woman's Wrongs, a series of five tales exploring women's oppression at every level of society from the working class to the aristocracy. Each story presents a graphic, often harrowing account of the social, economic and emotional victimisation of women, and taken together the tales comprise a devastating indictment of Victorian patriarchal attitudes and sexual inequalities. But Jones also shows women's refusal to accept this subjugated role, and he creates some of Victorian literature's most subversive and unruly heroines. He draws on sensationalism, reportage, melodrama and political analysis in order to expose the wrongs done by and to women.




Chartist Fiction


Book Description

"This title was first published in 2001. When the Chartist leader Ernest Jones emerged from prison in 1850, he was determined to capture the public's attention with a controversial and topical novel. The result of his endeavours was the remarkable Woman's Wrongs, a series of five tales exploring women's oppression at every level of society from the working class to the aristocracy. Each story presents a graphic, often harrowing account of the social, economic and emotional victimisation of women, and taken together the tales comprise a devastating indictment of Victorian patriarchal attitudes and sexual inequalities. But Jones also shows women's refusal to accept this subjugated role, and he creates some of Victorian literature's most subversive and unruly heroines. He draws on sensationalism, reportage, melodrama and political analysis in order to expose the wrongs done by and to women."--Provided by publisher.







Chartist Fiction


Book Description

First published in 2001. When the Chartist leader Ernest Jones emerged from prison in 1850, he was determined to capture the public¿s attention with a controversial and topical novel. The result of his endeavours was the remarkable Woman¿s Wrongs, a series of five tales exploring women¿s oppression at every level of society from the working class to the aristocracy. Each story presents a graphic, often harrowing account of the social, economic and emotional victimization of women, and taken together the tales comprise a devastating indictment of Victorian patriarchal attitudes and sexual inequalities. In his substantial Introduction, Ian Haywood places the novel in the context of Jones¿s career as a Chartist author and editor, and in the wider context of the ¿woman question¿. Some of the topics covered by the Introduction include: the radical press and popular enlightenment, Jones¿s rivalry with George W. M. Reynolds, and the needlewoman as radical icon. This title will be of interest to students of history.




Chartist Fiction


Book Description




The Literature of Struggle


Book Description

First published in 1995. Chartism inspired a prodigious literary output, based on its own newspapers and journals. However, while some Chartist political writings have been reprinted, the aesthetic texts of the movement have largely been neglected. This selection of short stories and extracts from longer fiction aims to remedy this situation and covers a diversity of authors, genres and themes. Ian Haywood has written a cogent and wide-ranging review of the Chartist movement and its literature as an introduction to this collection of little-known and revealing stories. The diction is divided into the following areas: the condition of England, Ireland, revolution, women and Chartism itself. This title will be of interest to students of history.




A Fair Day’s Wage for a Fair Day’s Work?


Book Description

The nature of sweating and the origins of low pay legislation are of fundamental social, economic and moral importance. Although difficult to define, sweating, according to a select committee established to investigate the issue, was characterised by long hours, poor working conditions and above all by low pay. By the beginning of the twentieth century the government estimated that up to a third of the British workforce could be classed as sweated labour, and for the first time in a century began to think about introducing legislation to address the problem. Whilst historians have written much on unemployment, poverty relief and other such related social and industrial issues, relatively little work has been done on the causes, extent and character of sweated labour. That work which has been done has tended to focus on the tailoring trades in London and Leeds, and fails to give a broad overview of the phenomenon and how it developed and changed over time. In contrast, this volume adopts a broad national and long-run approach, providing a more holistic understanding of the subject. Rejecting the argument that sweating was merely a London or gender related problem, it paints a picture of a widespread and constantly shifting pattern of sweated labour across the country, that was to eventually persuade the government to introduce legislation in the form of the 1909 Trades Board Act. It was this act, intended to combat sweated labour, which was to form the cornerstone of low pay legislation, and the barrier to the introduction of a minimum wage, for the next 90 years.




Elizabeth Wolstenholme Elmy and the Victorian Feminist Movement


Book Description

This book provides the first full-length biography of Elizabeth Wolstenholme Elmy (1833–1918) – someone referred to among contemporaries as ‘the grey matter in the brain’ of the late-Victorian women’s movement. A pacifist, humanitarian ‘free-thinker’, Wolstenholme Elmy was a controversial character and the first woman ever to speak from a public platform on the topic of marital rape. Lauded by Emmeline Pankhurst as ‘first’ among the infamous militant suffragettes of the Women’s Social and Political Union, Wolstenholme Elmy was one of Britain’s great feminist pioneers and, in her own words, an ‘initiator’ of many high-profile campaigns from the nineteenth into the twentieth century. Wright draws on an extensive resource of unpublished correspondence and other sources to produce an enduring portrait that does justice to Wolstenholme Elmy’s momentous achievements.




The Oxford Handbook of Victorian Literary Culture


Book Description

The Oxford Handbook of Victorian Literary Culture is a major contribution to the dynamic field of Victorian studies. This collection of 37 original chapters by leading international Victorian scholars offers new approaches to familiar themes including science, religion, and gender, and gives space to newer and emerging topics including old age, fair play, and economics. Structured around three broad sections (Ways of Being: Identity and Ideology, Ways of Understanding: Knowledge and Belief, and Ways of Communicating: Print and Other Cultures), the volume is sub-divided into nine sub-sections each with its own 'lead' essay: on subjectivity, politics, gender and sexuality, place and race, religion, science, material and mass culture, aesthetics and visual culture, and theatrical culture. The collection, like today's Victorian studies, is thoroughly interdisciplinary and yet its substantial Introduction explores a concern which is evident both implicitly and explicitly in the volume's essays: that is, the nature and status of 'literary' culture and the literary from the Victorian period to the present. The diverse and wide-ranging essays present original scholarship framed accessibly for a mixed readership of advanced undergraduates, graduate students, and established scholars.




Memoirs of Victorian Working-Class Women


Book Description

This volume is the first to identify a significant body of life narratives by working-class women and to demonstrate their inherent literary significance. Placing each memoir within its generic, historical, and biographical context, this book traces the shifts in such writings over time, examines the circumstances which enabled working-class women authors to publish their life stories, and places these memoirs within a wider autobiographical tradition. Additionally, Memoirs of Victorian Working-Class Women enables readers to appreciate the clear-sightedness, directness, and poignancy of these works.