The House of Blue Leaves and Chaucer in Rome


Book Description

From an American playwright who “is in a class by himself,” two acclaimed plays linked by a character who comes of age in the sixties. (The New York Times) In John Guare’s classic play The House of Blue Leaves, winner of the New York Drama Critics Circle Award for best play, the Pope is visiting New York, and eighteen-year-old Ronnie goes AWOL from the army to come home to New York and blow up the Pope as he passes his house. In his new play, Chaucer in Rome, it is the year 2000, and Ron and his wife come to Rome to search for their son. With his inimitable wit and understanding, Guare has written two scathingly funny satires on the warping hunger for fame, and the betrayal involved in creating art. Praise for The House of Blue Leaves: “Splendid . . . a joyful affirmation of life and of John Guare’s artistry.” —The New York Times “A woozy, fragile, hilarious heartbreaker . . . the writing is lush with sad, ironic wisdom about fame, love, and deluded values.” —USA Today Praise for Chaucer in Rome: “Guare makes us become voyeurs even as we scorn voyeurism—thus offering a titillating, troubling commentary on life.” —USA Today “Guare’s most disciplined, merciless yet lovable work since Six Degrees of Separation and maybe his best yet.” —New York Newsday




Chaucer in Rome


Book Description

THE STORY: In the Holy Year of 2000 in Rome, Matt has learned that his painting has given him a curable form of cancer. In return for survival, he must abandon paint for a new artistic medium. Ultimately he chooses to dress in religious garb, video




Chaucer's Italy


Book Description

An exploration of the influence of Italy and Italians on Chaucer’s life and writing. Geoffrey Chaucer might be considered the quintessential English writer, but he drew much of his inspiration and material from Italy. In fact, without the tremendous influence of Francesco Petrarch and Giovanni Boccaccio (among others), the author of The Canterbury Tales might never have assumed his place as the “father” of English literature. Nevertheless, Richard Owen’s Chaucer’s Italy begins in London, where the poet dealt with Italian merchants in his roles as court diplomat and customs official. Next Owen takes us, via Chaucer’s capture at the siege of Rheims, to his involvement in arranging the marriage of King Edward III’s son Lionel in Milan and his missions to Genoa and Florence. By scrutinizing his encounters with Petrarch, Boccaccio, and the mercenary knight John Hawkwood—and with vividly evocative descriptions of the Arezzo, Padua, Florence, Certaldo, and Milan that Chaucer would have encountered—Owen reveals the deep influence of Italy’s people and towns on Chaucer’s poems and stories. Much writing on Chaucer depicts a misleadingly parochial figure, but as Owen’s enlightening short study of Chaucer’s Italian years makes clear, the poet’s life was internationally eventful. The consequences have made the English canon what it is today.




Geoffrey Chaucer in Context


Book Description

Provides a rich and varied reference resource, illuminating the different contexts for Chaucer and his work.










Pasolini, Chaucer and Boccaccio


Book Description

Pier Pasolini's "trilogy of life" is a series of film adaptations of major texts of the past: The Decameron, The Canterbury Tales, and One Thousand and One Nights. The movies demonstrate a film author's acute aesthetic sensibility through a highly original cinematic rendering of the sources. The first two films, closely examined in this book, offer a personal, purposefully stylized vision of the Middle Ages, as though Pasolini were dreaming Boccaccio's and Chaucer's texts through the filter of his "heretic" consciousness. The unusual poetic visualization of the source works, which could be described as irreverent cinematic homage, has the potential to renew the traditional reading of such literature. This book shows how cinema becomes an alternative form of storytelling. It first studies the two films in detail, putting them in perspective within the trilogy. Next it interprets them, recounting misinterpretations and expounding upon Pasolini's ideological perception, and defends the oft-criticized adaptations. Finally, it discusses how the films represent innovation over strict adaptation. Appendices offer charts with information on the narrative structures of the films and the correspondences between them.




A New Companion to Chaucer


Book Description

The extensively revised and expanded version of the acclaimed Companion to Chaucer An essential text for both established scholars and those seeking to expand their knowledge of Chaucer studies, A New Companion to Chaucer is an authoritative and up-to-date survey of Chaucer scholarship. Rigorous yet accessible, this book helps readers to identify current debates, recognize historical and literary context, and to understand how particular concepts and theories affect the interpretation of Chaucer’s texts. Chaucer specialists from around the globe offer contributions that range from updates of long-standing scholarship on biography, language, women, and social structures, to original research in new areas such as ideology, the afterlife, patronage, and sexuality. In presenting conflicting perspectives and ideological differences, this stimulating volume encourages readers to explore additional paths of inquiry and engage in lively and informed debate. Each chapter of the Companion, organized by issues and themes, balances textual analysis and cultural context by grounding the reader in existing scholarship. Key issues from specific passages are discussed with an annotated bibliography provided for reference and further reading. Compiled with all students of Chaucer in mind, this important volume: Presents contributions from both established and emerging specialists Explores the circumstances in which Chaucer wrote, such as the political and religious issues of his time Includes numerous close readings of selected poems Provides points of entry to a wide range of approaches to Chaucer’s works Incorporates original research, fresh perspectives, and updated additions to Chaucer scholarship A New Companion to Chaucer is a valuable and enduring resource for scholars, teachers, and students of medieval literature and medieval studies, as well as the general reader interested in interpretations and historical contexts of Chaucer’s writings.




Imagined Romes


Book Description

This volume explores the conflicting representations of ancient Rome—one of the most important European cities in the medieval imagination—in late Middle English poetry. Once the capital of a great pagan empire whose ruined monuments still inspired awe in the Middle Ages, Rome, the seat of the pope, became a site of Christian pilgrimage owing to the fame of its early martyrs, whose relics sanctified the city and whose help was sought by pilgrims to their shrines. C. David Benson analyzes the variety of ways that Rome and its citizens, both pre-Christian and Christian, are presented in a range of Middle English poems, from lesser-known, anonymous works to the poetry of Gower, Chaucer, Langland, and Lydgate. Benson discusses how these poets conceive of ancient Rome and its citizens—especially the women of Rome—as well as why this matters to their works. An insightful and innovative study, Imagined Romes addresses a crucial lacuna in the scholarship of Rome in the medieval imaginary and provides fresh perspectives on the work of four of the most prominent Middle English poets.




Chaucer and Petrarch


Book Description

First full study of Chaucer's readings and translations of Petrarch suggests a far greater influence than has hitherto been accepted.