Chemchemi
Author :
Publisher :
Page : 146 pages
File Size : 17,5 MB
Release : 2002
Category : Kenya
ISBN :
Author :
Publisher :
Page : 146 pages
File Size : 17,5 MB
Release : 2002
Category : Kenya
ISBN :
Author : Bhekizizwe Peterson
Publisher : NYU Press
Page : 472 pages
File Size : 10,67 MB
Release : 2022-06
Category : Literary Criticism
ISBN : 1776147529
This collection explores the complexities of black existence, and intellectual and cultural life in the work and legacies of centenarian writers, Peter Abrahams, Noni Jabavu, Sibusiso Cyril Lincoln Nyembezi and Es’kia Mphahlele
Author : Irving Kaplan
Publisher :
Page : 734 pages
File Size : 32,47 MB
Release : 1967
Category : Kenya
ISBN :
Author : Doreen Strauhs
Publisher : Springer
Page : 228 pages
File Size : 49,56 MB
Release : 2015-12-11
Category : Literary Criticism
ISBN : 1137330902
Proposing the novel concept of the "literary NGO," this study combines interviews with contemporary East African writers with an analysis of their professional activities and the cultural funding sector to make an original contribution to African literary criticism and cultural studies.
Author : N. Chabani Manganyi
Publisher : NYU Press
Page : 773 pages
File Size : 32,94 MB
Release : 2009-11-01
Category : Authors, South African
ISBN : 1776142926
When Chabani Manganyi published the first edition of selected letters twenty-five years ago as a companion volume to Exiles and Homecomings: A Biography of Es’kia Mphahlele, the idea of Mphahlele’s death was remote and poetic. The title, Bury Me at the Marketplace, suggested that immortality of a kind awaited Mphahlele, in the very coming and going of those who remember him and whose lives he touched. It suggested, too, the energy and magnanimity of Mphahlele, the man, whose personality and intellect as a writer and educator would carve an indelible place for him in South Africa’s public sphere. That death has now come and we mourn it. Manganyi’s words at the time have acquired a new significance: in the symbolic marketplace, he noted, ‘the drama of life continues relentlessly and the silence of death is unmasked for all time’. The silence of death is certainly unmasked in this volume, in its record of Mphahlele’s rich and varied life: his private words, his passions and obsessions, his arguments, his loves, hopes, achievements, and yes, even some of his failures. Here the reader will find many facets of the private man translated back into the marketplace of public memory. Despite the personal nature of the letters, the further horizons of this volume are the contours of South Africa’s literary and cultural history, the international affiliations out of which it has been formed, particularly in the diaspora that connects South Africa to the rest of the African continent and to the black presence in Europe and the United States. This selection of Mphahlele’s own letters has been greatly expanded; it has also been augmented by the addition of letters from Mphahlele’s correspondents, among them such luminaries as Langston Hughes and Nadine Gordimer. It seeks to illustrate the networks that shaped Mphahlele’s personal and intellectual life, the circuits of intimacy, intellectual inquiry, of friendship, scholarship and solidarity that he created and nurtured over the years. The letters cover the period from November 1943 to April 1987, forty-four of Mphahlele’s mature years and most of his active professional life. The correspondence is supplemented by introductory essays from the two editors, by two interviews conducted with Mphahlele by Manganyi and by Attwell’s insightful explanatory notes.
Author : Caroline Davis
Publisher : Cambridge University Press
Page : 165 pages
File Size : 15,20 MB
Release : 2021-01-21
Category : Language Arts & Disciplines
ISBN : 1316997707
During the period of decolonisation in Africa, the CIA covertly subsidised a number of African authors, editors and publishers as part of its anti-communist propaganda strategy. Managed by two front organisations, the Congress of Cultural Freedom and the Farfield Foundation, its Africa programme stretched across the continent. This Element unravels the hidden networks and associations underpinning African literary publishing in the 1960s; it evaluates the success of the CIA in secretly infiltrating and influencing African literary magazines and publishing firms, and examines the extent to which new circuits of cultural and literary power emerged. Based on new archival evidence relating to the Transcription Centre, The Classic and The New African, it includes case studies of Wole Soyinka, Nat Nakasa and Bessie Head, which assess how the authors' careers were affected by these transnational networks and also reveal how they challenged, subverted, and resisted external influence and control.
Author : Albert S. Gérard
Publisher : John Benjamins Publishing
Page : 1296 pages
File Size : 28,18 MB
Release : 1986-01-01
Category : Literary Criticism
ISBN : 9027274681
The first major comparative study of African writing in western languages, European-language Writing in Sub-Saharan Africa, edited by Albert S. Gérard, falls into four wide-ranging sections: an overview of early contacts and colonial developments “Under Western Eyes”; chapters on “Black Consciousness” manifest in the debates over Panafricanism and Negritude; a group of essays on mental decolonization expressed in “Black Power” texts at the time of independence struggles; and finally “Comparative Vistas,” sketching directions that future comparative study might explore. An introductory essay stresses the millennia of writing in Africa, side by side with a richly eloquent and artistic set of vernacular oral traditions; written and oral traditions have become interwoven in adaptations of imported forms and linguistic innovations that challenge traditional “high” literary norms. Gérard uses the mathematical concept of “fuzzy sets” to explain why the focus on “Black Africa” has led him to set aside for future analysis the literatures produced in North Africa, which fall under the influence of Muslim civilization, as well as the diasporic literatures of the New World. Over sixty scholars from twenty-two countries contribute specialized studies of creative writing by leading authors in the nineteenth and twentieth centuries such as Achebe, Mphahlele, Ngugi, Senghor, Soyinka, and Tutuola. Critical analyses are organized primarily around regions, reflecting different colonial languages imposed through schools and other social institutions. Some authors trace the adaptation of western genres, others identify syncretism with folktales or myths. The volumes are attentive to the heterogeneity of national literatures addressed to polyethnic and multilingual populations, and they note the instrumental politics of language in newly independent states. A closing chapter, “Tasks Ahead,” identifies areas for future scholars to explore.
Author : Eugene C. Burt
Publisher : Indiana University Press
Page : 398 pages
File Size : 34,10 MB
Release : 1980
Category : Art
ISBN : 9780253172259
"... a landmark in the academic study of African art.... a remarkably useful bibliography... warmly recommended." --African Arts "... this workmanlike compilation... [is] admirable." --Choice
Author : Ishmael I. Munene
Publisher : Routledge
Page : 199 pages
File Size : 25,7 MB
Release : 2014-08-27
Category : Education
ISBN : 1135949530
In the face of increasing social demand and cutbacks in state budgetary support, universities in African countries are now turning towards a multicampus system strategy. As African governments have adopted neoliberal education policies that place premium on entrepreneurialism, profit making, privatization, and markets as drivers of university development, a reshaping of the academic work and organizational framework have taken place. However, little is known about the impact of this paradigm shift on access, quality and governance in higher education. This book fills the void in research and academic knowledge about the impact of the emerging university configurations in Africa. It analyzes the paradox surrounding the performance of multicampus university systems as avenues of broadening university access but whose structural success may be qualitatively contested. This book offers a refreshing examination of the African multicampus university system from both an African and global perspective. It makes use of empirical data from Kenya collected during extensive fieldwork along with substantive library and documentary resources on the rest of the continents to fortify arguments and demonstrate important conclusions. This allows for a comparative analysis of policies and strategies used in the establishment of campuses, both within and beyond national boundaries in the continent, and will be a welcome contribution to the existing repertoire on African universities.
Author : Gitti Salami
Publisher : John Wiley & Sons
Page : 650 pages
File Size : 35,45 MB
Release : 2013-12-24
Category : Art
ISBN : 1444338374
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art