Chicana Tributes


Book Description

This book documents the experiences of sixty-one women who flourished in the ferment of the civil/ethnic/women's rights movements of the late twentieth century and beyond. While each life is unique, collectively they demonstrate the benefits gained when a community and a society unleashes and fosters the potential of women who create, organize, and lead. Conversely, an undetermined degree of loss may accrue to societies that suppress or discourage the freedom of women to shape their destinies. When women come together with a collective intention, powerful things happen. Simultaneously, but separately, in 1972-73, at San Diego State University and at Stanford University, and having never met, two of us had the same idea, to propose and design a course about Mexican American women. The idea for this book also has a history. In those days, both of us wanted to contribute to the development of Chicano studies. The Mexican American voice, so much a fabric of U.S. history was missing from the dominant English narrative and the women's presence was nearly absent from Chicano literature and history. Chicanas acted to change these injustices, thereby adding new energy to the Chicano Movement and to other liberation discourse. At that time, as graduate students, we had the opportunity to teach a Chicana women's course. Such a course had never been taught at either university. While women instigated change at different colleges, in those years Chicanas/Latinas appeared to be anonymous. And although Anglo women around the country had already started addressing women's needs, they did not include the new diverse student population that was entering the universities. the woman where she has most noticeably served. Chapters One and Two begin with Mujeres Presentes, that is, the women who have passed away but whose presence lives on as their actions continue to affect the lives of others. Chapters Eleven and Twelve highlight educators whose work builds on that of earlier mentors and their actions. The chapters between include: Three and Four, "Early Activists;" Five and Six, "Chicanas in the Arts: " Seven and Eight, "Chicanas in Education;" Nine and Ten, "Chicanas in Public Office." Each chapter includes a brief introduction, but the women's narratives are the core of the book; their stories easily stand on their own. This collection may be considered a starting point and by no means represents the entire Chicana/Latina community in San Diego. As it turned out there were many more women than the sixty-one women presented here. The hope is that others may read the book and decide to author a future edition. All women ought to be honored for their efforts and receive the recognition they deserve.




Chicano-Chicana Americana


Book Description

Chicano-Chicana Americana is a cultural history of Mexican Americans in film, television, and theater. Through biographical sketches of performers such as Anthony Quinn, Katy Jurado, Robert Beltran, and Lupe Ontiveros, this work asserts Mexican Americans’ proper place in the national narratives of our collective imaginary. Conveying a multicentered, polycultural America, this book shows us intriguing performers in bit parts who steal the scene and redefine what it means to be American. Each biographical chapter analyzes an underappreciated actor, revealing their artistic contributions to U.S. common culture. Their long-shot careers tell a tale of players taking action with agency and fighting for screen time and equal opportunity despite disadvantages and differential treatment in Hollywood. These dynamic and complex individuals altered cinematic representations—and audience expectations—by surpassing stereotypes. The book explores American national character by showing how ethnic Mexicans attained social and cultural status through fair, open competition without a radical realignment of political or economic structures. Their creative achievements demanded dignity and earned respect. Anthony Macías argues that these performances demonstrated a pop culture pluralism that subtly changed mainstream America, transforming it from the mythological past of the Wild West to the speculative future of science fiction.




Understanding Older Chicanas


Book Description

Focusing on an overlooked and understudied population, Understanding Older Chicanas examines older Chicanas' lives, status, and public policy needs. Chicana elderly tend to be poor, reflecting the economic position of Chicanos in American society; they also tend to be stereotyped as widows and grandmothers, reflecting the cultural values of Mexican American society. This work shows how Chicana elderly cope with this economic and cultural marginality and how they gain the personal and financial resources they require. Author Elisa Facio also relates how scholars and public policymakers have previously understood Chicana elderly, provides new data on the social meaning of Chicana old age, and points out the implications of that meaning for future policymakers. This perceptive volume is essential reading for those in academic and policy settings who are interested in issues regarding multicultural aging experiences, diversification, life-cycle phases, socialization, and women.




Suffrage at 100


Book Description

Rafshoon, Bianca Rowlett, Sarah B. Rowley, Ana Stevenson, Barbara Winslow, Judy Tzu-Chun Wu, Nancy Beck Young




La Chicana


Book Description

La Chicana is the story of a marginal group in society, neither fully Mexican or fully American, who suffer under triple oppression: as women, as members of a colonized culture, and as victims of a cultural heritage dominated by the cult of machismo. Tracing the role of Chicanas from pre-Columbian society to the present, the authors reveal the antecedents and roots of contemporary cultural expectations in Aztec, colonial, and revolutionary Mexican historical periods. A discussion of the contribution of modern Chicanas to their community and to feminism and a look at literary stereotypes and the emergence of Chicana literature to counter them round out this perceptive and sympathetic analysis.




Chicana/o Remix


Book Description

Rewrites our understanding of the last 50 years of Chicana/o cultural production. Chicana/o Remix casts new light not only on artists—such as Sandra de la Loza, Judy Baca, and David Botello, among others—but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it. Combining feminist theory, critical ethnic studies, art historical analysis, and extensive archival and field research, Karen Mary Davalos argues that narrow notions of identity, politics, and aesthetics limit our ability to understand the full capacities of Chicana/o art. She employs fresh vernacular concepts such as the “errata exhibit,” or the staging of exhibits that critically question mainstream art museums, and the “remix,” or the act of bringing new narratives and forgotten histories from the background and into the foreground. These concepts, which emerge out of art practice itself, drive her analysis and reinforce the rejection of familiar narratives that evaluate Chicana/o art in simplistic, traditional terms, such as political versus commercial, or realist versus conceptual. Throughout Chicana/o Remix, Davalos explores undocumented or previously ignored information about artists, their cultural production, and the exhibitions and collections that feature their work. Each chapter exposes and challenges conventions in art history and Chicana/o studies, documenting how Chicana artists were the first to critically challenge exhibitions of Chicana/o art, tracing the origins of the first Chicano arts organizations, and highlighting the influence of Europe and Asia on Chicana/o artists who traveled abroad. As a leading scholar in the study of Chicana/o artists, art spaces, and exhibition practices, Davalos presents her most ambitious project to date in this re-examination of fifty years of Chicana/o art production.




Chicana Portraits


Book Description

This innovative collection pairs portraits with critical biographies of twelve key Chicana writers, offering an engaging look at their work, contributions to the field, and major achievements. Artist Raquel Valle-Sentíes’s portraits bring visual dimension, while essays delve deeply into the authors’ lives for details that inform their literary, artistic, feminist, and political trajectories and sensibilities. The collection brilliantly intersects artistic visual and literary cultural productions, allowing complex themes to emerge, such as the fragility of life, sexism and misogyny, Chicana agency and forging one’s own path, the struggles of becoming a writer and battling self-doubt, economic instability, and political engagement and activism. Arranged chronologically by birth order of the authors, the book can be read cover to cover for a genealogical overview, or scholars and general readers can easily jump in at any point and read about an individual author, regardless of the chronology. Biographies included in this work include Raquel Valle-Sentíes, Angela de Hoyos, Montserrat Fontes, Gloria E. Anzaldúa, Norma E. Cantú, Denise Elia Chávez, Carmen Tafolla, Cherríe Moraga, Ana Castillo, Lorna Dee Cervantes, Sandra Cisneros, and Demetria Martínez. Contributors Cordelia E. Barrera Mary Pat Brady Norma E. Cantú María Jesus Castro Dopacio Carlos Nicolás Flores Myrriah Gómez Maria Magdalena Guerra de Charur Gabriella Gutiérrez y Muhs Georgina Guzmán Cristina Herrera María Esther Quintana Eliza Rodríguez y Gibson Meagan Solomon Lourdes Torres Raquel Valle-Sentíes Jen Yáñez-Alaniz




Chicana Feminist Thought


Book Description

Chicana Feminist Thought brings together the voices of Chicana poets, writers, and activists who reflect upon the Chicana Feminist Movement that began in the late 1960s. With energy and passion, this anthology of writings documents the personal and collective political struggles of Chicana feminists.




MeXicana Encounters


Book Description

Table of contents




Chicana Feminisms


Book Description

Chicana Feminisms presents new essays on Chicana feminist thought by scholars, creative writers, and artists. This volume moves the field of Chicana feminist theory forward by examining feminist creative expression, the politics of representation, and the realities of Chicana life. Drawing on anthropology, folklore, history, literature, and psychology, the distinguished contributors combine scholarly analysis, personal observations, interviews, letters, visual art, and poetry. The collection is structured as a series of dynamic dialogues: each of the main pieces is followed by an essay responding to or elaborating on its claims. The broad range of perspectives included here highlights the diversity of Chicana experience, particularly the ways it is made more complex by differences in class, age, sexual orientation, language, and region. Together the essayists enact the contentious, passionate conversations that define Chicana feminisms. The contributors contemplate a number of facets of Chicana experience: life on the Mexico-U.S. border, bilingualism, the problems posed by a culture of repressive sexuality, the ranchera song, and domesticana artistic production. They also look at Chicana feminism in the 1960s and 1970s, the history of Chicanas in the larger Chicano movement, autobiographical writing, and the interplay between gender and ethnicity in the movie Lone Star. Some of the essays are expansive; others—such as Norma Cantú’s discussion of the writing of her fictionalized memoir Canícula—are intimate. All are committed to the transformative powers of critical inquiry and feminist theory. Contributors. Norma Alarcón, Gabriela F. Arredondo, Ruth Behar, Maylei Blackwell, Norma E. Cantú, Sergio de la Mora, Ann duCille, Michelle Fine, Rosa Linda Fregoso, Rebecca M. Gámez, Jennifer González, Ellie Hernández, Aída Hurtado, Claire Joysmith, Norma Klahn, Amalia Mesa-Bains, Olga Nájera-Ramírez, Anna Nieto Gomez, Renato Rosaldo, Elba Rosario Sánchez, Marcia Stephenson, Jose Manuel Valenzuela, Patricia Zavella