Chinese Cymbidium Orchid: A Gentleman Of Noble Virtue


Book Description

The cultivation of Chinese cymbidiums has a long history in China dating back to more than a thousand years ago. Chinese cymbidiums are commonly known as 'Lan' (兰) or 'Guo Lan' (国兰) in China.Lan has a special appeal and meaning to the Chinese as it symbolizes integrity, modesty and nobility. Confucius praised Lan as the 'Gentleman of Noble Virtue' (君子之风) and 'King of Fragrance' (王者之香). The love and appreciation for Lan, also known as 'Lan Culture', has become an integral part of Chinese culture.The book starts with the history of Lan and its association with Chinese culture and traditional customs, literature and the arts. This is followed by a description of the biology of Lan and cultivation practices of past and present. Finally, the prospects and future of Lan are presented and discussed.







Chinese Art


Book Description

With over 630 striking color photos and illustrations, this Chinese art guide focuses on the rich tapestry of symbolism which makes up the basis of traditional Chinese art. Chinese Art: A Guide to Motifs and Visual Imagery includes detailed commentary and historical background information for the images that continuously reappear in the arts of China, including specific plants and animals, religious beings, mortals and inanimate objects. The book thoroughly illuminates the origins, common usages and diverse applications of popular Chinese symbols in a tone that is both engaging and authoritative. Chinese Art: A Guide to Motifs and Visual Imagery is an essential reference for collectors, museum-goers, guides, students and anyone else with a serious interest in the culture and history of China.




A History of the Orchid


Book Description

An engaging account of humanity's growing fascination with orchids from ancient times onward, together with a biographical gallery of 50 great scientists, naturalists, and explorers who contributed to our knowledge of orchids. The nomenclature and bibliography have been updated for this edition. This book is only available through print on demand. All interior art is black and white.




Orchid Muse: A History of Obsession in Fifteen Flowers


Book Description

Longlisted for the 2023 PEN/E.O. Wilson Literary Science Writing Award A kaleidoscopic journey into the world of nature’s most tantalizing flower, and the lives it has inspired. The epitome of floral beauty, orchids have long fostered works of art, tales of adventure, and scientific discovery. Tenacious plant hunters have traversed continents to collect rare specimens; naturalists and shoguns have marveled at orchids’ seductive architecture; royalty and the smart set have adorned themselves with their allure. In Orchid Muse, historian and home grower Erica Hannickel gathers these bold tales of the orchid-smitten throughout history, while providing tips on cultivating the extraordinary flowers she features. Consider Empress Eugenie and Queen Victoria, the two most powerful women in nineteenth-century Europe, who shared a passion for Coelogyne cristata, with its cascading, fragrant white blooms. John Roebling, builder of the Brooklyn Bridge, cultivated thousands of orchids and introduced captivating hybrids. Edmond Albius, an enslaved youth on an island off the coast of Madagascar, was the first person to hand-pollinate Vanilla planifolia, leading to vanilla’s global boom. Artist Frida Kahlo was drawn to the lavender petals of Cattleya gigas and immortalized the flower’s wilting form in a harrowing self-portrait, while more recently Margaret Mee painted the orchids she discovered in the Amazon to advocate for their conservation. The story of orchidomania is one that spans the globe, transporting readers from the glories of the palace gardens of Chinese Empress Cixi to a seedy dime museum in Gilded Age New York’s Tenderloin, from hazardous jungles to the greenhouses and bookshelves of Victorian collectors. Lush and inviting, with radiant full-color illustrations throughout, Orchid Muse is the ultimate celebration of our enduring fascination with these beguiling flowers.




Flowers of the Himalaya


Book Description

584 species are described and illustrated in this supplement to Flowers of the Himalaya which was published in 1984. This book contains recent photographic material of species not previously covered or not previously illustrated, and includes many tropical species and some exotics.




The Confessions of a Beachcomber


Book Description

Facsimile reprint of an edition first published in London in 1908. Includes the original text and all 53 original illustrations and map (some were omitted from editions and reprints since 1908). This is Banfield's story of life on Dunk Island in the early 20th century with details of the island's geography, history, flora and fauna. With an introduction by Banfield's biographer, Michael Noonan. The English-born author's other books include 'My Tropic Isle' and 'Tropic Days'.




The Woodlands Orchids


Book Description

PMFirst published in 1901 by the author of ?Camp Notes,? ?Legends of My Bungalow,? ?About Orchids, A Chat,? et




A Malay-English dictionary


Book Description




The Use of Asian Theatre for Modern Western Theatre


Book Description

This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self-)reflection or, more precisely, a (self-)projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.