Chinese Trade Ceramics for Southeast Asia, I-XVII Centuries


Book Description

"China has a flourishing maritime trade since antiquity. The collection of Ambassador and Mrs Charles Muller, which they began assembling between 1970 and 1973, when the ambassador was stationed in Indonesia, includes around three hundred pieces of Chinese export ceramics manufactured for the South-East Asian market and dating from the first to the seventeenth century, among which is an assortment of rare "Swallow" porcelain. This exceptional collection ws bequeathed to the Baur Foundation and underlines the broad variety of Chinese cermaics, ranging from the solid stoneware of the first century to the translucent and celadon stoneware of the Song and Yuan periods (9th-14th c.) and the "blue and white" ware of the Yuan and Ming dynasties (14th-17th c.)." --Book Jacket.










Oriental Trade Ceramics in South-East Asia, Ninth to Sixteenth Centuries


Book Description

This historical survey establishes the role of the South-East Asian region in the early East-West Maritime trade, and examines the significance of the ceramic evidence in defining the nature and extent of the Asian trade. The text is supported by a fully illustrated catalogue of nearly 200 ceramics selected from Australian collections, by introductions to the technical and stylistic aspects of the different traditions, and by an extensive bibliography.







Southeast Asian Ceramics


Book Description

Southeast Asia is known to many as a region teeming with tourist destinations, economic opportunities and ex-colonies, but a lesser known facet is its colourful and myriad cultures in which ceramics form an integral part of the social fabric. Focusing primarily on the Classical Period (800-1500 CE), this book views ancient Southeast Asian culture through the lens of ceramic production and trade, influenced but not completely overshadowed by its powerful neighbour, China. In this landmark publication, noted archaeologist and scholar John N. Miksic constructs a vivid picture of the development of Southeast Asia's unique ceramics. Along with three contributing authors - Pamela M. Watkins, Dawn F. Rooney and Michael Flecker - he summarizes the fruits of their research over the last forty years, beginning in Singapore with the founding of the Southeast Asian Ceramic Society in 1969. The result is a comprehensive and insightful overview of the technology, aesthetics and organization, both economic and political, of seemingly diverse territories in pre-colonial Southeast Asia. It is essential reading for all those with an interest in the economic history of the region, and also for anyone who seeks a better understanding of the brilliant but too often underestimated material culture of Southeast Asia.




A Companion to Islamic Art and Architecture


Book Description

The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)




Legend and Reality


Book Description