Appropriating Antiquity for Modern Chinese Painting


Book Description

The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book questions the extent to which historical relics have been used to represent the ethnic identity of modern Chinese art. In doing so, this book asks: did the antiquarian movements ultimately serve as a deliberate tool for re-writing Chinese art history in modern China? In searching for the public meaning of inventive private collecting activity, Appropriating Antiquity in Modern Chinese Painting draws on various modes of artistic creation to address how the use of antiquities in early 20th-century Chinese art both produced and reinforced the imaginative links between ancient civilization and modern lives in the late Qing dynasty. Further exploring how these social and cultural transformations were related to the artistic exchanges happening at the time between China, Japan and the West, the book successfully analyses how modernity was translated and appropriated at the turn of the 20th century, throughout Asia and further afield.




Modern Asian Art


Book Description

A seminal publication focusing on the modern art of Japan, China, India, Thailand, and Indonesia. A significant and challenging contribution to the discussion of the advent of modernism in Asia.




Early Chinese Painting (Classic Reprint)


Book Description

Excerpt from Early Chinese Painting With the great T'ang era, 618 to 905, the influence of Buddhism had reached its full, and the three centuries are marked by extreme vigor, and by the definite development of the so-called Northern and Southern Schools. To give this period some illustration to aid our apprehension of its place, we might compare it to the Chaucerian period of English; and then we can think of the equally great Sung period, from 960 to 1280, as comparable in terms to an Elizabethan era, save that in each case we must measure the sustained strength of the periods not by one life or reign, but by the full life of the dynasty, three hundred years. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Early Chinese Painting


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Art and Cultural Politics in Postwar Taiwan


Book Description

Addressing the paucity of attention devoted to the uniqueness of Taiwan, Kuo (art history and archaeology, U. of Maryland) examines the country's visual arts for their embodiment of Taiwan's crises of national and cultural identities. Contents include how the Japanese colonized the Taiwanese using architecture and other visual arts, and how the Taiwanese decolonized themselves in the 1980s and 90s through the promotion of "Taiwan Consciousness." Two major modern artists of the late 50s and 60s, Chuang Che and Liu Kuo-sung, earn their own treatments, and Taiwanese artists born after WWII occupy final chapters. Lacks a subject index. Annotation copyrighted by Book News, Inc., Portland, OR




Modern Chinese Artists


Book Description

An important reference source for scholars and students of modern Chinese art, collectors, museums and libraries, dealers and auction houses. It includes biographical entries for approximately 800 Chinese artists who grew up or were trained in China and who are likely to be represented in collections, exhibitions, and auctions within and outside China.




The Worlds of Classical Chinese Aesthetics


Book Description

This book presents the foundations of classical Chinese aesthetic discourse - roughly from the Bronze Age to the early Middle Ages - with the following animating questions: What is art? Why do we produce it? How do we judge it? The arts that garnered the most theoretical attention during this time period were music, poetry, calligraphy, and painting, and this book considers the reasons why these four were privileged. Whereas modern artists most likely consider themselves musicians or poets or calligraphers or painters or sculptors or architects, the pre-modern authors who produced the literature that established Chinese aesthetics prided themselves on being wenren, “cultured people,” conversant with all forms of art and learning. Other comparisons with Western theories and works of art are presented at due junctures. Key Features Addresses Chinese aesthetic discourse on its own terms Provides comparisons of key concepts and theories with examples from Western sources Includes more coverage of primary sources than any other English-language book on the subject Each chapter opens with a helpful summary, highlighting the chapter’s key themes