Thomas Middleton and Early Modern Textual Culture


Book Description

A comprehensive companion to 'The Collected Works of Thomas Middleton', providing detailed introductions to and full editorial apparatus for the works themselves as well as a wealth of information about Middleton's historical and literary context.







The Horse Trade of Tudor and Stuart England


Book Description

A study of the flourishing market for horses in pre-industrial England.




Royalism, Religion and Revolution


Book Description

Analyses the role of long-term continuities in the political and religious culture of Wales from the eve of the Civil War in 1640 to the Glorious Revolution of 1688 In Royalism, Religion and Revolution: Wales, 1640-1688, Sarah Ward Clavier provides a ground-breaking analysis of the role of long-term continuities in the political and religious culture of Wales from the eve of the Civil War in 1640 to the Glorious Revolution. A final chapter also extends the narrative to the Hanoverian succession. The book discusses three main themes: the importance of continuities (including concepts of Welsh history, identity and language); religious attitudes and identities; and political culture. As Ward Clavier shows, the culture of Wales in this period was not frozen but rather dynamic, one that was constantly deploying traditional cultural symbols and practices to sustain a distinctive religious and political identity against a tide of change. The book uses a wide range of primary research material: from correspondence, diaries and financial accounts, to architectural, literary and material sources, drawing on both English and Welsh language texts. As part of the 'New Regional History' this book discusses the distinctively Welsh alongside aspects common to English and, indeed, European culture, and argues that the creative construction of continuity allowed the gentry of North-East Wales to maintain and adapt their identity even in the face of rupture and crisis.




War in England 1642-1649


Book Description

A fresh approach to the English civil war, War in England 1642-1649 focuses on answering a misleadingly simple question: what kind of war was it to live through? Eschewing descriptions of specific battles or analyses of political and religious developments, Barbara Donagan examines the 'texture' of war, addressing questions such as: what did Englishmen and women believe about war and know about its practice before 1642? What were the conditions in which a soldier fought - for example, how efficient was his musket (not very), and how did he know where he was going (much depended on the reliability of scouts and spies)? What were the rules that were supposed to govern conduct in war, and how were they enforced (by a combination of professional peer pressure and severe but discretionary army discipline and courts martial)? What were the officers and men of the armies like, and how well did they fight? The book deals even-handedly with royalists and parliamentarians, examining how much they had in common, as well as discussing the points on which they differed. It looks at the intimacy of this often uncivil war, in which enemies fought at close quarters, spoke the same language and had often been acquainted before the war began, just as they had often known the civilians who suffered their presence. A final section on two sieges illustrates these themes in practice over extended periods, and also demonstrates the integration of military and civilian experience in a civil war. Drawing extensively on primary sources, Donagan's study illuminates the human cost of war and its effect on society, both in our own day as well as in the seventeenth century.




Music in Welsh Culture Before 1650


Book Description

Music in Wales has long been a neglected area. Scholars have been deterred both by the need for a knowledge of the Welsh language, and by the fact that an oral tradition in Wales persisted far later than in other parts of Britain, resulting in a limited number of sources with conventional notation. Sally Harper provides the first serious study of Welsh music before 1650 and draws on a wide range of sources in Welsh, Latin and English to illuminate early musical practice. This book challenges and refutes two widely held assumptions - that music in Wales before 1650 is impoverished and elusive, and that the extant sources are too obscure and fragmentary to warrant serious study. Harper demonstrates that there is a far wider body of source material than is generally realized, comprising liturgical manuscripts, archival materials, chronicles and retrospective histories, inventories of pieces and players, vernacular poetry and treatises. This book examines three principal areas: the unique tradition of cerdd dant (literally 'the music of the string') for harp and crwth; the Latin liturgy in Wales and its embellishment, and 'Anglicised' sacred and secular materials from c.1580, which show Welsh music mirroring English practice. Taken together, the primary material presented in this book bears witness to a flourishing and distinctive musical tradition of considerable cultural significance, aspects of which have an important impact on wider musical practice beyond Wales.