Chopin - Preludes (Songbook)


Book Description

(Schirmer Performance Editions). Schirmer Performance Editions are designed for piano students and their teachers as well as for professional pianists. Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. Prepared by renowned artists/teachers, these publications provide an accurate, well-informed score resource for pianists. The name Frederic Chopin (1810-1849) is synonymous with the piano. Indeed, every one of his compositions includes the instrument. His Preludes , several of which are of only moderate difficulty, show superb polish and inventive detail. Shaped by the tastes of the Parisian aristocratic salon, these pieces make the most of a pianist's technical and musical abilities, both in passages of virtuosity and in the variety of possibilities for emotional expression. Includes audio recordings. Editor & recording artist: Brian Ganz




The Mystery of Chopin's Préludes


Book Description

Chopin's twenty-four Préludes remain as mysterious today as when they were newly published. What prompted Franz Liszt and others to consider Chopin's Préludes to be compositions in their own right rather than introductions to other works? What did set Chopin's Préludes so drastically apart from their forerunners? What exactly was 'the morbid, the feverish, the repellent' that Schumann heard in Opus 28, in that 'wild motley' of 'strange sketches' and 'ruins'? Why did Liszt and another, anonymous, reviewer publicly suggest that Lamartine's poem Les Préludes served as an inspiration for Chopin's Opus 28? And, if that is indeed the case, how did the poem affect the structure and the thematic contents of Chopin's Préludes? And, lastly, is Opus 28 a random assortment of short pieces or a cohesive cycle? In this monograph, richly illustrated with musical examples, Anatole Leikin combines historical perspectives, hermeneutic and thematic analyses, and a range of practical implications for performers to explore these questions and illuminate the music of one of the best loved collections of music for the piano.




Two-part inventions


Book Description

Classical/Opera Piano Solos




Selected works for piano: Waltz in A minor, op. posthumous ; Waltz in B minor, op. 69 no. 2 ; Mazurka in F major, op. 68 no. 3 ; Mazurka in A minor, op. 67 no. 4 ; Mazurka in G# minor, op. 33 no. 1 ; Polonaise in G minor, op. posthumous ; Prelude in E minor, op. 28 no. 4 ; Prelude in B minor, op. 28 no. 6 ; Prelude in A major, op. 28 no. 7 ; Prelude in C minor, op. 28 no. 20 ; Nocturne in C minor, op. posthumous


Book Description




Chopin's Piano: In Search of the Instrument that Transformed Music


Book Description

“An exceptionally fine book: erudite, digressive, urbane and deeply moving.” —Wall Street Journal Chopin’s Piano traces the history of Frédéric Chopin’s twenty-four Preludes through the instruments on which they were played, the pianists who interpreted them, and the traditions they came to represent. Yet it begins and ends with Chopin’s Mallorquin pianino, which the great keyboard player Wanda Landowska rescued from an abandoned monastery at Valldemossa in 1913—and which assumed an astonishing cultural potency during the Second World War as it became, for the Nazis, a symbol of the man and music they were determined to appropriate as their own. In scintillating prose, and with an eye for exquisite detail, Paul Kildea beautifully interweaves these narratives, which comprise a journey through musical Romanticism—one that illuminates how art is transmitted, interpreted, and appropriated over the ages.




Two Preludes


Book Description




Chopin


Book Description




Complete Chopin Vol 1


Book Description

nbsp;nbsp;nbsp;nbsp; This book contains 98 works of the great Polish composer Frederic Chopin. It is the first of 3 volumes of the complete works of his and is comprised mainly of scans of pre 1923 sheet music by various music publishers containing original copyright references. Overall it's a warts and all (although we have cleaned up and digitally enhanced as much as possible) reproduction of some very old manuscripts so there are some minor printing imperfections owing to the age and quality of these original manuscripts. There are also some recent 2018 editions type-set and copyright by Ironpower Publishing. nbsp;nbsp;nbsp;nbsp; We have endeavored to put together in three volumes the most complete collection of Chopin's sheet music available. Contained within this first volume are 4 Ballades, 27 Etudes, 21 Nocturnes, 27 Preludes, and 19 Waltzes which highlight the brilliance of Chopin. There is a detailed 25 page biography of the life and times of Frederic Chopin at the beginning. nbsp;nbsp;nbsp;nbsp; The book is then divided into 5 sections each containing a specific category of Chopin's catalogue of music:- nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;· Ballades nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;· Etudes nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;· Nocturnes nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;· Preludes nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;· Waltzes nbsp;nbsp;nbsp;nbsp; Here's a list of all the 98 musical compositions included:- Ballade No. 1 in G. minor, Op. 23 Ballade No. 2, Op. 38 Ballade No. 3, Op. 47 Ballade No. 4, Op. 52 Etude in F minor No. 1 Etude in A-flat major No. 2 Etude in D-flat major No. 3 Etude in C major, Op. 10, No. 1 Etude in A minor, Op. 10, No. 2 Etude in C-sharp minor, Op. 10, No. 4 Etude in G-flat major, Op. 10, No. 5 Etude in E-flat minor, Op. 10, No. 6 Etude in C major, Op. 10, No. 7 Etude in F major, Op. 10, No. 8 Etude in F minor, Op. 10, No. 9 Etude in A-flat major, Op. 10, No. 10 Etude in E-flat major, Op. 10, No. 11 Etude in C minor, Op. 10, No. 12 Etude in A-flat major, Op. 25, No. 1 Etude in F minor, Op. 25, No. 2 Etude in F major, Op. 25, No. 3 Etude in A minor, Op. 25, No. 4 Etude in E minor, Op. 25, No. 5 Etude in G-sharp minor, Op. 25, No. 6 Etude in C-sharp minor, Op. 25, No. 7 Etude in D-flat major, Op. 25, No. 8 Etude in G-flat major, Op. 25, No. 9 Etude in B minor, Op. 25, No. 10 Etude in A minor, Op. 25, No. 11 Etude in C minor, Op. 25, No. 12 Nocturne No. 1 to No. 21 Prelude in A-flat major Prelude Op. 28, No. 1 to No. 24 Prelude Op. 45, No. 25 Prelude No. 27 Grande Valse brillante in E-flat major, Op. 18 Waltz in Vivace A-flat major, Op. 34, B 94 No. 1 Waltz in Lento A minor, Op. 34, B64 No. 2 Waltz in Vivace F major, Op. 34, B118 No. 3 Waltz in A-flat major, Op. 42, B131 Waltz in D-flat major, Op. 64, B164 No. 1 Waltz in C-sharp minor, Op. 64, B164 No. 2 Waltz in A-flat major, Op. 64, B164 No. 3 Waltz in A-flat major, Op. 69, B95 No. 1 Waltz in B minor, Op. 69, B35 No. 2 Waltz in G-flat major, Op. 70, B92 No. 1 Waltz in F minor, Op. 70, B138 No. 2 Waltz in D-flat major, Op. 70, B40 No. 3 Waltz in E minor (Posthumous) Waltz in E major (Posthumous) Waltz in A-flat major, B21 Waltz in E-flat major, B46 Waltz in E-flat major, B133 Waltz in A minor, B150 nbsp;nbsp;nbsp;nbsp; We hope you enjoy playing the music of this musical genius as much as we enjoyed compiling it into this complete collection of works.




Ballades


Book Description

Soft bound music score for piano.




The Mystery of Chopin's Préludes


Book Description

Chopin's twenty-four Préludes remain as mysterious today as when they were newly published. What prompted Franz Liszt and others to consider Chopin's Préludes to be compositions in their own right rather than introductions to other works? What did set Chopin's Préludes so drastically apart from their forerunners? What exactly was 'the morbid, the feverish, the repellent' that Schumann heard in Opus 28, in that 'wild motley' of 'strange sketches' and 'ruins'? Why did Liszt and another, anonymous, reviewer publicly suggest that Lamartine's poem Les Préludes served as an inspiration for Chopin's Opus 28? And, if that is indeed the case, how did the poem affect the structure and the thematic contents of Chopin's Préludes? And, lastly, is Opus 28 a random assortment of short pieces or a cohesive cycle? In this monograph, richly illustrated with musical examples, Anatole Leikin combines historical perspectives, hermeneutic and thematic analyses, and a range of practical implications for performers to explore these questions and illuminate the music of one of the best loved collections of music for the piano.