Expanded Choreographies - Choreographic Histories


Book Description

From objects to sounds, choreography is expanding beyond dance and human bodies in motion. This book offers one of the rare systematic investigations of expanded choreography as it develops in contemporaneity, and is the first to consider expanded choreography from a trans-historical perspective. Through case studies on different periods of European dance history - ranging from Renaissance dance to William Forsythe's choreographic objects and from Baroque court ballets to digital choreographies - it traces a journey of choreography as a practice transcending its sole association with dancing, moving, human bodies.




Introduction to Choreographies


Book Description

In concurrent and distributed systems, processes can complete tasks together by playing their parts in a joint plan. The plan, or protocol, can be written as a choreography: a formal description of overall behaviour that processes should collaborate to implement, like authenticating a user or purchasing an item online. Formality brings clarity, but not only that. Choreographies can contribute to important safety and liveness properties. This book is an ideal introduction to theory of choreographies for students, researchers, and professionals in computer science and applied mathematics. It covers languages for writing choreographies and their semantics, and principles for implementing choreographies correctly. The text treats the study of choreographies as a discipline in its own right, following a systematic approach that starts from simple foundations and proceeds to more advanced features in incremental steps. Each chapter includes examples and exercises aimed at helping with understanding the theory and its relation to practice.




Choreographies of 21st Century Wars


Book Description

Wars in this century are radically different from the major conflicts of the 20th century--more amorphous, asymmetrical, globally connected, and unending. Choreographies of 21st Century Wars is the first book to analyze the interface between choreography and wars in this century, a pertinent inquiry since choreography has long been linked to war and military training. The book draws on recent political theory that posits shifts in the kinds of wars occurring since the First and Second World Wars and the Cold War, all of which were wars between major world powers. Given the dominance of today's more indeterminate, asymmetrical, less decisive wars, we ask if choreography, as an organizing structure and knowledge system, might not also need revision in order to reflect on, and intercede in, a globalized world of continuous warfare. In an introduction and sixteen chapters, authors from a number of disciplines investigate how choreography and war in this century impinge on each other. Choreographers write of how they have related to contemporary war in specific works, while other contributors investigate the interconnections between war and choreography through theatrical works, dances, military rituals and drills, the choreography of video war games and television shows. Issues investigated include torture and terror, the status of war refugees, concerns surrounding fighting and peacekeeping soldiers, national identity tied to military training, and more. The anthology is of interest to scholars in dance, performance, theater, and cultural studies, as well as the social sciences.




The CHORCH Approach: How to Model B2Bi Choreographies for Orchestration Execution


Book Description

The establishment and implementation of cross-organizational business processes is an implication of today's market pressure for efficiency gains. In this context, Business-To-Business integration (B2Bi) focuses on the information integration aspects of business processes. A core task of B2Bi is providing adequate models that capture the message exchanges between integration partners. Following the terminology used in the SOA domain, such models will be called choreographies in the context of this work. Despite the enormous economic importance of B2Bi, existing choreography languages fall short of fulfilling all relevant requirements of B2Bi scenarios. Dedicated B2Bi choreography standards allow for inconsistent outcomes of basic interactions and do not provide unambiguous semantics for advanced interaction models. In contrast to this, more formal or technical choreography languages may provide unambiguous modeling semantics, but do not offer B2Bi domain concepts or an adequate level of abstraction. Defining valid and complete B2Bi choreography models becomes a challenging task in the face of these shortcomings. At the same time, invalid or underspecified choreography definitions are particularly costly considering the organizational setting of B2Bi scenarios. Models are not only needed to bridge the typical gap between business and IT, but also as negotiation means among the business users of the integration partners on the one hand and among the IT experts of the integration partners on the other. Misunderstandings between any two negotiation partners potentially affect the agreements between all other negotiation partners.




Choreographies


Book Description

Choreographer Jacky Lansley has been practicing and performing for more than four decades. In Choreographies, she offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals, and a close attention to space and site. Choreographies is both autobiography and archive--documenting production through rehearsal and performance photographs, illustrations, scores, process notes, reviews, audience feedback, and interviews with both dancers and choreographers. Covering the author's practice from 1975 to 2017, the book delves into an important period of change in contemporary British dance--exploring British New Dance, postmodern dance, and experimental dance outside of a canonical US context. A critically engaged reflection that focuses on artistic process over finished product, Choreographies is a much-needed resource in the fields of dance and choreographic art making.




Heat and Alterity in Contemporary Dance


Book Description

This book argues that contemporary dance, imagined to have a global belonging, is vitiated by euro-white constructions of risk and currency that remain at its core. Differently, the book reimagines contemporary dance along a “South-South” axis, as a poly-centric, justice-oriented, aesthetic-temporal category, with intersectional understandings of difference as a central organizing principle. Placing alterity and heat, generated via multiple pathways, at its center, it foregrounds the work of South-South artists, who push against constructions of “tradition” and white-centered aesthetic imperatives, to reinvent their choreographic toolkit and respond to urgent questions of their times. In recasting the grounds for a different “global stage,” the argument widens its scope to indicate how dance-making both indexes current contextual inequities and broader relations of social, economic, political, and cultural power, and inaugurates future dimensions of justice. Winner of the 2022 Oscar G. Brockett Prize for Dance Research




Choreographies of African Identities


Book Description

Choreographies of African Identities traces interconnected interpretative frameworks around and about the National Ballet of Senegal. Using the metaphor of a dancing circle Castaldi's arguments cover the full spectrum of performance, from production to circulation and reception. Castaldi first situates the reader in a North American theater, focusing on the relationship between dancers and audiences as that between black performers and white spectators. She then examines the work of the National Ballet in relation to Léopold Sédar Senghor's Négritude ideology and cultural politics. Finally, the author addresses the circulation of dances in the streets, discotheques, and courtyards of Dakar, drawing attention to women dancers' occupation of the urban landscape.




Worlding Dance


Book Description

What world has been constructed for dancing through the use of the term 'world dance'? What kinds of worlds do we as scholars create for a given dance when we undertake to describe and analyze it? This book endeavours to make new epistemological space for the analysis of the world's dance by offering a variety of new analytic approaches.




Contemporary Choreography


Book Description

Fully revised and updated, this second edition of Contemporary Choreography presents a range of articles covering choreographic enquiry, investigation into the creative process, and innovative challenges to traditional understandings of dance making. Contributions from a global range of practitioners and researchers address a spectrum of concerns in the field, organized into seven broad domains: Conceptual and philosophical concerns Processes of making Dance dramaturgy: structures, relationships, contexts Choreographic environments Cultural and intercultural contexts Challenging aesthetics Choreographic relationships with technology. Including 23 new chapters and 10 updated ones, Contemporary Choreography captures the essence and progress of choreography in the twenty-first century, supporting and encouraging rigorous thinking and research for future generations of dance practitioners and scholars.




More-Than-Human Choreography


Book Description

In the global context of the Great Acceleration, things and people have been on the move more than ever before. Moritz Frischkorn takes a fresh look at recent performing arts practices that deal with everyday objects on and beyond the stage. Contrasting these practices with the business field of logistics, he examines the aesthetic and ethical concerns of moving things. Drawing on concepts from performance as well as Black studies and philosophy, and based on an artistic-research methodology, the book formulates a notion of more-than-human choreography as an ecologically informed, infinitely indebted practice of living within the material world.