Christ's Ventriloquists


Book Description

CHRIST'S VENTRILOQUISTS is a work of investigative history. It documents and describes Christianity's creation-event, in the year 49 or 50, in Antioch (present-day Antakya, Turkey), 20 years after Jesus had been crucified in Jerusalem for sedition against Roman rule. On this occasion, Paul broke away from the Jewish sect that Jesus had begun, and he took with him the majority of this sect's members; he convinced these people that Jesus had been a god, and that the way to win eternal salvation in heaven is to worship him as such. Paul here explicitly introduced, for the first time anywhere, the duality of the previously unitary Jewish God, a duality consisting of the Father and the Son; and he implicitly introduced also the third element of the Trinity, the Holy Ghost. This work also explains and documents the tortuous 14-year-long conflict Paul had had with this sect's leader, Jesus's brother James, a conflict which caused Paul, in about the year 50, to perpetrate his coup d'état against James, and to start his own new religion: Christianity. Then, this historical probe documents that the four canonical Gospel accounts of the words and actions of "Jesus" were written decades after Jesus, by followers of Paul, not by followers of Jesus; and that these writings placed into the mouth of "Jesus" the agenda of Paul. Paul thus effectively became, via his followers, Christ's ventriloquist. A work such as this can be documented and produced only now, after the development (during the past 70 years) of modern legal/forensic methodology. Previously, the only available methods, which scholars have used, simply assumed the honesty-of-intent of all classical documents, especially of canonical religious ones, such as Paul's epistles, and the Four Gospels. Only now is it finally possible to penetrate deeper than that, to reach the writer's intent, and not merely his assertions, and to identify when this intent is to deceive instead of to inform. Whereas scholars have been able to discuss only the truth or falsity of particular canonical statements, it is now possible to discuss also the honesty or deceptiveness of individual statements. This opens up an unprecedented new research tool for historians, and CHRIST'S VENTRILOQUISTS is the first work to use these new methods to reconstruct, on this legal/forensic basis, not just how crimes took place, but how and why major historical events (criminal or not), such as the start of Christianity, actually occurred. The author explains: "What I am doing in this work is to reconstruct from the New Testament the crucial events that produced it, without assuming whether what the NT says in any given passage is necessarily true or even honest. Instead of treating the NT as a work that 'reports history,' the NT is treated as a work whose history is itself being investigated and reported. Its origin goes back to this coup d'état that Paul perpetrated in Antioch in the year 49 or 50 against Jesus's brother James in Jerusalem, whom Jesus in Jerusalem had appointed in the year 30 as his successor to lead the Jewish sect that Jesus had started. The Gospel accounts of 'Jesus' reflected Paul's coup d'état - not actually Jesus, who would be appalled at the Christian concept of 'Christ.' That concept was radically different from the Jewish concept of the messiah, and Paul knew this when he created it."




Divine Ventriloquism in Medieval English Literature


Book Description

A study of medieval attitudes towards the ventriloquism of God's and Christ's voices through human media, which reveals a progression from an orthodox view of divine vocal power to an anxiety over the authority of the priest's voice to a subversive take on the divine voice that foreshadows Protestant devotion.




Willie's World


Book Description

Willie's World is a collection of Christian puppet skits written to encourage young boys and girls to carry God's Word in their hearts. By doing so, they will be better equipped to face those trials and temptations that will surely come their way. Each week Willie manages to find himself in one sort of dilemma or another. And, also each week, God's Word comes to the rescue. Whether it be through Willie's Grandpa, who shares with Willie the true meaning of helping others, or through the delightful Miss Pickles, who teaches her class the importance of always telling the truth. Week after week Willie learns (usually the hard way) that by applying the principles found in the Bible, a fella can spare himself a whole lot of trouble. Throughout these skits, children will be taught valuable lessons to help strengthen their faith and better prepare them for life's long, and often difficult, journey. Lessons about trust, obedience, responsibility, forgiveness and honoring their mothers and fathers. Lessons about God's love for them and lessons about how they can live lives that will be pleasing to Him. This can best be accomplished when making those life decisions in the light of His Word.







Dumbstruck - A Cultural History of Ventriloquism


Book Description

Why can none of us hear our own recorded voice without wincing? Why is the telephone still full of such spookiness and erotic possibility? Why does the metaphor of ventriloquism, the art of 'seeming to speak where one is not', speak so resonantly to our contemporary technological condition? These are the kind of questions which impel Steven Connor's wide-ranging, restlessly inquisitive history of ventriloquism and the disembodied voice. He tracks his subject from its first recorded beginnings in ancient Israel and Greece, through the fulminations of early Christian writers against the unholy (and, they believed, obscenely produced) practices of pagan divination, the aberrations of the voice in mysticism, witchcraft and possession, and the strange obsession with the vagrant figure of the ventriloquist, newly conceived as male rather than female, during the Enlightenment. He retrieves the stories of some of the most popular and versatile ventriloquists and polyphonists of the nineteenth century, and investigates the survival of ventriloquial delusions and desires in spiritualism and the 'vocalic uncanny' of technologies like telephone, radio, film, and internet. Learned but lucid, brimming with anecdote and insight, this is much more than an archaeology of one of the most regularly derided but tenaciously enduring of popular arts. It is also a series of virtuoso philosophical and psychological reflections on the problems and astonishments, the raptures and absurdities of the unhoused voice.




Christian Mysticism and Incarnational Theology


Book Description

This book examines the relationship between transcendence and immanence within Christian mystical and apophatic writings. Original essays from a range of leading, established, and emerging scholars in the field focus on the roles of language, signs, and images, and consider how mystical theology might contribute to contemporary reflection on the Word incarnate. This collection of essays re-examines works from such canonical figures as Eckhart, Augustine, Plotinus, Pseudo-Dionysius, Nicolas of Cusa, Teresa of Avila, John of the Cross, Julian of Norwich, along with the philosophical thought of Iris Murdoch, Jacques Lacan, and Martin Heidegger, and the contemporary phenomena of the Emerging Church. Presenting new readings of key ideas in mystical theology, and renewed engagement with the visionary and the everyday, the therapeutic and the transformative, these essays question how we might think about what may lie between transcendence and immanence.




Gender and Ventriloquism in Victorian and Neo-Victorian Fiction


Book Description

Is ventriloquism just for dummies? What is at stake in neo-Victorian fiction's desire to 'talk back' to the nineteenth century? This book explores the sexual politics of dialogues between the nineteenth century and contemporary fiction, offering a new insight into the concept of ventriloquism as a textual and metatextual theme in literature.







The Secret of Ventriloquism


Book Description

With themes reminiscent of Shirley Jackson, Thomas Ligotti, and Bruno Shulz, but with a strikingly unique vision, Jon Padgett's The Secret of Ventriloquism heralds the arrival of a significant new literary talent. Padgett's work explores the mystery of human suffering, the agony of personal existence, and the ghastly means by which someone might achieve salvation from both. A bullied child who seeks vengeance within a bed's hollow box spring; a lucid dreamer haunted by an impossible house; a dummy that reveals its own anatomy in 20 simple steps; a stuttering librarian who holds the key to a mill town's unspeakable secrets; a commuter whose worldview is shattered by two words printed on a cardboard sign; an aspiring ventriloquist who spends a little too much time looking at himself in a mirror. And the presence that speaks through them all.