Christchurch: A Pictorial History


Book Description

Christchurch owes its existence to its natural features. The town is surrounded by large wide marshes at the confluence of its two rivers, the Stour and the Avon. This strategic position gave Christchurch its former name Tweoxneam, 'the town between the rivers'. Its harbour was sheltered by nearby Hengistbury Head, an easily defensible site in more turbulent days, as well as an excellent look-out point. Its skyline is dominated by the Priory, founded in AD 994, which was famous in the Middle Ages for its relics and attracted many pilgrims. The importance of the Priory gave the prospering town its new name, 'Crischurche de Twenham'. After the Reformation and, a century later, the Civil War, Christchurch fell into decline and became a small fishing town. A 17th-century scheme to make the Avon navigable up to Salisbury was drawn up, but never materialised. The close proximity of the New Forest led to smuggling activities and several buildings in the town boast their smuggling tales. A more legitimate industry that brough some fame to the town was the manufacture of fusee watch chains, but it was not until the 19th century that significant growth in size began, triggered by the advent of the railway and road improvements. Fortunately, the camera had been invented in time to record the Victorian development of the ancient town's past and to give vivid insight into life in Christchurch up to the outbreak of the Second World War. Christine Taylor's book is as entertaining as it is informative and this new edition will be as popular with the many visitors to the area as it will be fascinating for all who live in the modern town.










Buildings of Empire


Book Description

Buildings of Empire takes the reader on an exciting journey through thirteen territories of the British Empire. From Dublin Castle to the glass and steel of Sir Norman Foster's Hong Kong and Shanghai Bank skyscraper, these buildings capture the essence of the imperial experience, painting an intimate portrait of the biggest empire the world has ever seen: the people who made it and the people who resisted it, as well as the legacy of the imperial project throughout the world. Ashley Jackson visits classic examples of the buildings that the British governed from, the forts they (often brutally) imposed their rule from, the railway stations they travelled from, the banks they traded from, the educational establishments they spread their values from, as well as the grand colonial hotels they stayed in, the sporting clubs and botanical gardens where they took their leisure, and the monumental exhibition spaces in which they celebrated the achievements of settlement and imperial endeavour. The history of these buildings does not end with the empire that built them. Their story in the aftermath of empire highlights the continuing legacy of many of the structures and institutions the British left behind, as well as the sometimes unexpected role that these former symbols of alien rule have played in the establishment of new national identities in the years since independence.




English, Colonial, Modern and Maori


Book Description

How and why do works make their way into a public art collection? Who decides what will be hung on the walls, placed on plinths, displayed in cases? These important, but seldom discussed, questions lie at the heart of this ‘cultural biography’ of the 70 years during which the Robert McDougall Art Gallery was Christchurch’s civic art gallery. The book explains how the collection came together, how it developed, and how the public, and artists and critics, reacted to it. The book is presented in three parts, each of which has its own introduction. It provides an analytical framework in detail and in context by defining terms and explaining particular, recurrent concepts. These include, and indeed highlight, selection and presentation cultures derived from the core museological functions of collection and display. These, together with the framework’s other concepts, are related to mainstream methodology in the social sciences, particularly political science. The latter is especially relevant to the study of a public art gallery – owned and funded by the public and its elected representatives, and controlled by these representatives and their appointed agents. Furthermore, the framework explores the concept of post-colonial tensions between heritages – specifically indigenous, transplanted and autochthonous ones. The significance of this becomes more apparent when the concepts used in relevant previous studies of specific public art galleries in New Zealand are reviewed. There is also a strong emphasis on the development of a public Maori art collection. It is a story, too, of vivid and influential personalities – the directors and curators who fought for the gallery and the artists represented in it. But the book is more than just the story of a single gallery’s collection: it shines a light on concerns and patterns that will be familiar to galleries everywhere, and provides a unique perspective on New Zealand’s cultural development over much of the twentieth century.







To Break Russia's Chains


Book Description

A brilliant examination of the enigmatic Russian revolutionary about whom Winston Churchill said "few men tried more, gave more, dared more and suffered more for the Russian people," and who remains a legendary and controversial figure in his homeland today. Although now largely forgotten outside Russia, Boris Savinkov was famous, and notorious, both at home and abroad during his lifetime, which spans the end of the Russian Empire and the establishment of the Soviet Union. A complex and conflicted individual, he was a paradoxically moral revolutionary terrorist, a scandalous novelist, a friend of epoch-defining artists like Modigliani and Diego Rivera, a government minister, a tireless fighter against Lenin and the Bolsheviks, and an advisor to Churchill. At the end of his life, Savinkov conspired to be captured by the Soviet secret police, and as the country’s most prized political prisoner made headlines around the world when he claimed that he accepted the Bolshevik state. But as this book argues, this was Savinkov’s final play as a gambler and he had staked his life on a secret plan to strike one last blow against the tyrannical regime. Neither a "Red" nor a "White," Savinkov lived an epic life that challenges many popular myths about the Russian Revolution, which was arguably the most important catalyst of twentieth-century world history. All of Savinkov’s efforts were directed at transforming his homeland into a uniquely democratic, humane and enlightened state. There are aspects of his violent legacy that will, and should, remain frozen in the past as part of the historical record. But the support he received from many of his countrymen suggests that the paths Russia took during the twentieth and twenty-first centuries--the tyranny of communism, the authoritarianism of Putin’s regime--were not the only ones written in her historical destiny. Savinkov's goals remain a poignant reminder of how things in Russia could have been, and how, perhaps, they may still become someday. Written with novelistic verve and filled with the triumphs, disasters, dramatic twists and contradictions that defined Savinkov's life, this book shines a light on an extraordinary man who tried to change Russian and world history.




Lethal Risks and New Zealand Police / Ngā Pirihimana o Aotearoa


Book Description

This book examines the lethal risks faced by police and traffic officers in Aotearoa New Zealand. It tracks lethal risk volume and type across 134 years of the New Zealand Police/Ngā Pirihimana o Aotearoa’s 137-year existence. Using data gathered from public records, official government reporting, and comparative studies, it reveals the current situation with regards to lethal risks from 1886 to 2019. The book identifies and presents two lethal risk hierarchies, the first for the period 1886-1999 and the second for the period 2000-2019. The hierarchies establish that the lethal risks faced come from: • Firearms • Assaults • And, potentially, Cutting/Stabbing attacks It determines that the nature of lethal risk has not changed, but rather the volume has reduced, meaning today’s officers are less likely to be harmed by lethal risk encounters than their predecessors were. This volume is an ideal starting point for researchers and practitioners interested in developing further scholarly research on lethal force and lethal risks faced by law enforcement officers and the organization they belong to.




Woven by Water


Book Description

"The Mana of the Maori is by water. No one, here, carrying the same thing that I'm carrying today." --Titi Tihu In living memory, before the Whanganui River became a tawny mass seeming to flow upside down, the river bed was clean stone and the water of the river "tasted like kowhai. The trees used to grow over the river and drop into the water, and the water tasted like kowhai." This is a book of many river people--a "hidden" prophet, living with over a thousand followers at a place now deserted; a Pakeha-Maori, making gunpowder using charcoal made from willows grown from cuttings taken from Napoleon's grave; a riverboat magnate, building a fiefdom on 'the Rhine of Maoriland'; a highly decorated soldier, fighting as a kupapa yet fighting for tino rangatiratanga; arsenic and flour poisoners--and always, the river itself.