Christian Kracht‘s Aesthetics


Book Description

The contributions to this volume are devoted to Christian Kracht's aesthetics under two main aspects: On the one hand, with regard to sometimes irritatingly twisted actualizations of that self-reference and reservation which, since Kant, is to be evaluated as a central mode of the aesthetic; on the other hand, with regard to interferences with areas that are usually perceived as extra-aesthetic, but which can be evaluated as ferments of contemporary aesthetics: Stagings in the field of the literary establishment, the aesthetic under media and market conditions, and in the focus of canonization and criticism. Kracht's Frankfurt Poetics Lectures, which were intensively commented on by the media, form the background to this discussion.




Christian Kracht's Aesthetics


Book Description

The contributions to this volume are devoted to Christian Kracht's Aesthetics under two main aspects: On the one hand, with regard to sometimes irritatingly twisted actualizations of that self-reference and reservation which, since Kant, is to be evaluated as a central mode of the aesthetic; on the other hand, with regard to interferences with areas that are usually perceived as extra-aesthetic, but which can be evaluated as ferments of contemporary aesthetics: Stagings in the field of the literary establishment, the aesthetic under media and market conditions, and in the focus of canonization and criticism. Kracht's Frankfurt Poetics Lectures, which were intensively commented on by the media, form the background to this discussion. This book is a translation of an original German edition. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). The editors (with the support of by Lucy Nixon and Andrea Hartmann) have subsequently revised the text further in an endeavour to refine the work stylistically.




The Portal of Beauty


Book Description

A famous Italian theologian's eloquent reflections on beauty and God. / "Beauty is an event: it happens when the Whole, the All, offers itself to us in the fragment, when the Infinite makes itself little." This is how Bruno Forte describes the long-held Christian tradition that sees God as the source of all beauty. In The Portal of Beauty Forte examines the deep, though not always obvious, contribution of theological thought from the minds of such luminaries as Augustine, Aquinas, Kierkegaard, Dostoevsky, Balthasar, and Evdokimov to our understanding and experience of beauty. / The Portal of Beauty is an erudite, moving, and deeply-felt study by the most famous Italian theologian in Italy on the nature of beauty and how it can lead us to a greater understanding of and communion with the divine.




The Foundations of Aesthetics


Book Description

This translation was made from the third edition of The Foundations of Aesthetics as prepared by the author (I ed. 1933. II ed. 1949. III ed. 1957. IV ed. in Works 1966). Some parts of the text were deleted from this translation such as references to examples which could not be understood by non-Polish readers (e.g. reminiscences about famous theatrical interpretations. theatrical productions dating back many years or references to literary characters which serve as specific examples in the consciousness of readers of Polish literature). Names and works of Polish authors cited in the text have been supplemented by brief information notes (the numbers referring to these footnotes have been differentiated by block parentheses). In the block parentheses in the author's footnotes the latest editions are given. Illustrations at the end of the book have been placed according to the order in which they would best serve to analyze the various topics. IX STANISLAW OSSOWSKI'S CONCEPTION OF SOCIAL SCIENCES The Foundation of Aesthetics is the first major work by Stanislaw Ossowski. Ossowski is well known to the English reader for his socio logical works, and especially for his book Class Structure in Social Consciousness and the majority of his works deal with various theoretical and methodological problems of sociology. It should be stressed here, that the book in the field of aesthetics constitutes a turning point in his biography. in the process of changing his focus of interest from logic to sociology.




The Case of Christian Kracht


Book Description

The bestselling, contemporary Swiss author Christian Kracht is as widely celebrated as he is a source of controversy. This introduction to his work suggests locating his writings in discourses that range beyond the labels that have been traditionally assigned to them, namely “postmodernism,” camp,” and “Popliteratur.” Instead, this volume considers Kracht’s work through the lenses of “authorship,” “irony,” and “globalism.” This volume argues that there is no fixed or uniform author represented in Kracht’s corpus, explores the ironic strategies involved in Kracht’s various authorial representations, and engages the cultural exchange inherent in Kracht’s work.




Spirit of the Arts


Book Description

A contribution to the field of theological aesthetics, this book explores the arts in and around the Pentecostal and charismatic renewal movements. It proposes a pneumatological model for creativity and the arts, and discusses different art forms from the perspective of that model. Pentecostals and other charismatic Christians have not sufficiently worked out matters of aesthetics, or teased out the great religious possibilities of engaging with the arts. With the flourishing of Pentecostal culture comes the potential for an equally flourishing artistic life. As this book demonstrates, renewal movements have participated in the arts but have not systematized their findings in ways that express their theological commitments—until now. The book examines how to approach art in ways that are communal, dialogical, and theologically cultivating.




Redeeming Beauty


Book Description

Redeeming Beauty explores the richness of orthodox Christian tradition, both Western and Eastern, in matters of 'sacral aesthetics' - a term used to denote the foundations, production and experience of religiously relevant beauty. Aidan Nichols investigates five principal themes: the foundation of beauty in the natural order through divine creative action; explicitly 'evangelical' beauty as a quality of biblical revelation and notably at its climax in Christ; the legitimacy of making and venerating artworks; qualities of the self in relation to objective presentation of the religiously beautiful; and the difficulties of practising a sacral aesthetic, whether as producer or consumer, in an epoch when the visual arts themselves have left behind not only Church but for the greater part the public as well. The thought of theologians such as Augustine, Aquinas, Balthasar, Ratzinger, Bulgakov, Maritain and others are explored.




Faith and Beauty


Book Description

'Aesthetics' and 'theological aesthetics' usually imply a focus on questions about the arts and how faith or religion relates to the arts; only the final pages of this work take up that problem. The central theme of this book is that of beauty. Farley employs a new typology of western texts on beauty and a theological analysis of the image of God and redemption to counter the centuries-long tendency to ignore or marginalize beauty and the aesthetic as part of the life of faith. Studying the interpretation of beauty in ancient Greece, eighteenth-century England, the work of Jonathan Edwards, and nineteenth and twentieth-century philosophies of human self-transcendence, the author explores whether Christian existence, the life of faith, and the ethical exclude or require an aesthetic dimension in the sense of beauty. The work will be of particular interest to those interested in Christian theology, ethics, and religion and the arts.




Protestant Aesthetics and the Arts


Book Description

The Reformation was one of the defining cultural turning points in Western history, even if there is a longstanding stereotype that Protestants did away with art and material culture. Rather than reject art and aestheticism, Protestants developed their own aesthetic values, which Protestant Aesthetics and the Arts addresses as it identifies and explains the link between theological aesthetics and the arts within a Protestant framework across five-hundred years of history. Featuring essays from an international gathering of leading experts working across a diverse set of disciplines, Protestant Aesthetics and the Arts is the first study of its kind, containing essays that address Protestantism and the fine arts (visual art, music, literature, and architecture), and historical and contemporary Protestant theological perspectives on the subject of beauty and imagination. Contributors challenge accepted preconceptions relating to the boundaries of theological aesthetics and religiously determined art; disrupt traditional understandings of periodization and disciplinarity; and seek to open rich avenues for new fields of research. Building on renewed interest in Protestantism in the study of religion and modernity and the return to aesthetics in Christian theological inquiry, this volume will be of significant interest to scholars of Theology, Aesthetics, Art and Architectural History, Literary Criticism, and Religious History.




Distant Kinship


Book Description

This study of Joseph Conrad's influential work "Heart of Darkness" presents for the first time the German-language reception of this reference text in the debate on postcolonialism. The spectrum ranges from Conrad's contemporaries (like Kafka) to many canonical authors of the 20th century (including Thomas Mann, Ernst Jünger, Christa Wolf) to the most recent names in literature (i.e. Christian Kracht und Lukas Bärfuss). Beyond the readings of their works, the study contributes to the study of cultural transfers as well as to Conrad philology, and it expands the theory of intertextuality with parameters that capture the complex factor of power in postcolonial relations.