Chronicles and Memorials of the Reign of Richard I, Vol. 1


Book Description

Excerpt from Chronicles and Memorials of the Reign of Richard I, Vol. 1: Itinerarium Peregrinorum Et Gesta Regis Ricardi; Auctore, Ut Videtur, Ricardo, Canonico Sanctae Trinitatis Londoniensis There are periods in the history of all nations, which are neither seed times of great principles nor harvests of great results. They are the seasons during which the institutions of earlier policy are spreading wide and striking deep below the surface of society, its spirit working into the heart and life of the people, and its fruits growing and ripening before the beginning of a new development. These periods may be longer or shorter, as the growth of principles is retarded or fos tered: accordingly as rulers force their propagation by repressing them, or moderate it by training and guid ance. If they are longer they have a series of heroes of a type of character peculiar to themselves. If they are shorter they have at least the old age of the men who have established the principles, and the youth and training of those who are to work out the further steps of progress. But any how they are richer in materials for the student of national and personal character, than in topics for the constitutional historian. The former will find abundant details of adventure and elucidations of manners: the latter, unless he is well supplied with records, in which he may trace the workings of the insti tutions, that are not less a part of the nation's life because they are uninteresting to the superficial reader, can only guess here and there at what is going on amongst those whose lives are not written, and is tempted to indulge in the visions of a speculative philosophy of history. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Chronicle of the Third Crusade


Book Description

Published in 1997, this is a translation of the Intnerarium Peregrinorum et Gesta Regis Ricardi, 'The Itenerary of the Pilgrims and the deeds of King Richard,’ based on the edition produced in 1864 by William Stubbs as volume 1 of his chronicles and memorials of the reign of King Richard I. This Chronicle is the most comprehensive and complete account of the Third Crusade, covering virtually all the events of the crusade in roughly chronological order, and adding priceless details such as descriptions of King Richard the Lionhearts personel appearance, shipping, French fashions and discussion of the international conventions of war. It is of great interest to medieval historians in general, not only historians of the crusade. The translation is accompanied by an introduction and exhaustive notes which explain the manuscript tradition and the sources of the text and which compare this chronicle with the works of other contemporary writers on the crusade, Christian and Muslim. The translation has been produced specifically for university students taking courses on the Crusades, but it will appeal to anyone with an interest in the Third Crusade and the history of the Middle Ages.







Saracens and the Making of English Identity


Book Description

This book explores the ways in which discourses of religious, racial, and national identity blur and engage each other in the medieval West. Specifically, the book studies depictions of Muslims in England during the 1330s and argues that these depictions, although historically inaccurate, served to enhance and advance assertions of English national identity at this time. The book examines Saracen characters in a manuscript renowned for the variety of its texts, and discusses hagiographic legends, elaborations of chronicle entries, and popular romances about Charlemagne, Arthur, and various English knights. In these texts, Saracens engage issues such as the demarcation of communal borders, the place of gender norms and religion in communities' self-definitions, and the roles of violence and history in assertions of group identity. Texts involving Saracens thus serve both to assert an English identity, and to explore the challenges involved in making such an assertion in the early fourteenth century when the English language was regaining its cultural prestige, when the English people were increasingly at odds with their French cousins, and when English, Welsh, and Scottish sovereignty were pressing matters.










Bloodied Banners


Book Description

Groundbreaking reassessment of the role played by armour, weapons and heraldry in medieval warfare, showing their cultural as well as military significance. `A penetrating investigation of medieval martial display... The reader is struck by its originality, and by its sophisticated and critical interpretative engagement with historical and literary sources. Particularly notable is the author's subtle exploration of the function of armour: not only its practical role, but as a form of display... A refreshingly different approach to the world of the medieval combatant and his place within that "host of many colours" that was a medieval army, it adds a new dimension to our understanding of medieval warfare.' Dr ANDREW AYTON, Senior Lecturer in History, University of Hull The medieval battlefield was a place of spectacle and splendour. The fully-armed knight, bedecked in his vivid heraldic colours, mounted on his great charger, riding out beneath his brightly-painted banner, is a stock image of war and the warrior in the middle ages. Yet too often the significance of such display has been ignored or dismissed as the empty preening of a militaristic social elite. Drawing on a broad range of source material and using innovative historical approaches, this book completely re-evaluates the way that such men and their weapons were viewed, showing that martial display was a vital part of the way in which war was waged in the middle ages. It maintains that heraldry and livery served not only to advertise a warrior's family and social ties, but also announced his presence on the battlefield and right to wage war. It also considers the physiological and psychological effect of wearing armour, both on the wearer and those facing him in combat, arguing that the need for display in battle was deeper than any medieval cultural construct and was based in the fundamental biological drives of threat and warning. ROBERT W. JONES gained his PhD from Cardiff University.