Cinema and Social Change in West Africa
Author : Onookome Okome
Publisher :
Page : 140 pages
File Size : 42,81 MB
Release : 1995
Category : Performing Arts
ISBN :
Author : Onookome Okome
Publisher :
Page : 140 pages
File Size : 42,81 MB
Release : 1995
Category : Performing Arts
ISBN :
Author : James E. Genova
Publisher : Indiana University Press
Page : 223 pages
File Size : 35,39 MB
Release : 2013-09-25
Category : Performing Arts
ISBN : 025301011X
“Illuminates the enduring importance of political and economic dynamics not yet fully explored in the study of African cinema.” —Africa Cinema and Development in West Africa shows how the film industry in Francophone West African countries played an important role in executing strategies of nation building during the transition from French rule to the early postcolonial period. James E. Genova sees the construction of African identities and economic development as the major themes in the political literature and cultural production of the time. Focusing on film both as industry and aesthetic genre, he demonstrates its unique place in economic development and provides a comprehensive history of filmmaking in the region during the transition from colonies to sovereign states.
Author : Mahir Saul
Publisher : Ohio University Press
Page : 257 pages
File Size : 10,8 MB
Release : 2010-10-12
Category : Art
ISBN : 0821419315
Viewing African Cinema in the Twenty-first Century brings together a set of fascinating essays by international scholars on these contrasting cinema forms.
Author : Kenneth W. Harrow
Publisher : John Wiley & Sons
Page : 516 pages
File Size : 12,92 MB
Release : 2018-09-17
Category : Performing Arts
ISBN : 1119100054
An authoritative guide to African cinema with contributions from a team of experts on the topic A Companion to African Cinema offers an overview of critical approaches to African cinema. With contributions from an international panel of experts, the Companion approaches the topic through the lens of cultural studies, contemporary transformations in the world order, the rise of globalization, film production, distribution, and exhibition. This volume represents a new approach to African cinema criticism that once stressed the sociological and sociopolitical aspects of a film. The text explores a wide range of broad topics including: cinematic economics, video movies, life in cinematic urban Africa, reframing human rights, as well as more targeted topics such as the linguistic domestication of Indian films in the Hausa language and the importance of female African filmmakers and their successes in overcoming limitations caused by gender inequality. The book also highlights a comparative perspective of African videoscapes of Southern Nigeria, Ethiopia, and Côte d’Ivoire and explores the rise of Nairobi-based Female Filmmakers. This important resource: Puts the focus on critical analyses that take into account manifestations of the political changes brought by neocolonialism and the waning of the cold war Explores Examines the urgent questions raised by commercial video about globalization Addresses issues such as funding, the acquisition of adequate production technologies and apparatuses, and the development of adequately trained actors Written for film students and scholars, A Companion to African Cinema offers a look at new critical approaches to African cinema.
Author : Foluke Ogunleye
Publisher : Integritas Services
Page : 178 pages
File Size : 13,69 MB
Release : 2003
Category : Video recordings
ISBN : 9780797829312
This book considers the current state and status of the video film in different parts of Africa: Nigeria, Ghana, Lesotho, and Congo Kinshasa. It addresses technological, ethical and gender considerations, and issues of language and ethnicity, suggesting in the concluding chapters that the video film in Africa has become an art form that crosses borders, and an important means of communication within the continent. The editor thus argues it must be treated seriously as an art form and cultural industry in its own right, and as worthy of the scholarship such that this volume is conceived to encourage.
Author : Neele Siebers
Publisher : GRIN Verlag
Page : 37 pages
File Size : 50,93 MB
Release : 2010-03
Category : Social Science
ISBN : 3640551389
Seminar paper from the year 2008 in the subject Ethnology / Cultural Anthropology, grade: 1,0, University of Bayreuth, course: Religion and Media in selected West-African Countries, language: English, abstract: Since the 1990's West-African video films enjoy increasing popularity, especially those produced in Ghana and Nigeria. They are an important part of modern African popular culture and have often displaced Hollywood films. These films cover a wide spectrum of different genres. They range from comedy, romance and horror to religious films. Often the various genres are mixed but all of the films got something in common: They reflect the modern urban life in contemporary western Africa and are an account of the current process of social change in many societies. This paper mainly concentrates on religious films, especially those produced by charismatic Pentecostal Churches.
Author : Odile Goerg
Publisher : Oxford University Press, USA
Page : 213 pages
File Size : 35,45 MB
Release : 2020-03
Category : History
ISBN : 0190089075
Many studies focus on film in Africa. Few, however, study cinema as a leisure activity: one that has influenced several generations and opened up spaces to dream, discuss or contest. Movie theatres offered a break from the daily routine, as places of escape and of education. Cinema was also potentially subversive, offering an alternative to colonial discourse. Tropical Dream Palaces seeks to trace this history in a West African context: of broadening horizons on the one hand, and of censorship and control on the other. It fills a historiographic void, following cinema's arrival in the region in the early twentieth century up until the Independence era, and also looking further afield to Central Africa and its different models. Goerg addresses questions of film distribution in colonial times; of screening venues, their implantation, spread and different categories; while also focusing on audiences, their gender or age; the acquisition of a film culture; and the impact of screening foreign images. Her book draws on extremely varied sources to paint a broad picture of this cinematographic landscape: archives, the accounts of African and European spectators or administrators, novels, autobiographies, the local press, interviews and iconography.
Author : Kenneth W. Harrow
Publisher : Taylor & Francis
Page : 274 pages
File Size : 13,74 MB
Release : 2023-09-19
Category : Social Science
ISBN : 1000938131
This book traces the developments in African films that were made from the 1990s to the present within the evolving frame of what came to be called ‘World Cinema’ and, eventually, ‘Global Cinema.’ Kenneth W. Harrow explores how, from the time video and then digital technologies were introduced in the 1990s, and then again, when streaming platforms assumed major roles in producing and distributing film between the 2010s and 2020s, African cinema underwent enormous changes. He highlights how the introduction of the continent’s first successful commercial cinema, Nollywood, shifted the focus from engagé films, with social or political messages, to entertainment movies, but also auteur cinema. Harrow explores how this transformation liberated African filmmakers and resulted in an incredible, enduring flow of creative, inventive, and thoughtful filmmaking. This book presents a number of those critical films that mark that trajectory, projecting a new sense of African film spaces and temporalities, while also highlighting how African films continue to find independent pathways. This book will be of interest to students and scholars of African cinema and world cinema, as well as researchers specifically examining African cinemas and their relationship to globalization.
Author : Valentina Vitali
Publisher : Bloomsbury Publishing
Page : 208 pages
File Size : 40,40 MB
Release : 2019-07-25
Category : Performing Arts
ISBN : 1839020849
Why do we think of clusters of films as 'national cinema'? Why has the relationship between the nation and film become so widely and uncritically accepted? 'Theorising National Cinema' is a major contribution to work on national cinema, by many of the leading scholars in the field. It addresses the knotty and complex relationship between cinema and national identity, showing that the nationality of a cinema production company, and the films that its made, have not always been seen as pertinent. The volume begins by reviewing and rethinking the concept of national cinema in an age of globalisation, and it goes on to chart the parallel developments of national film industries and the idea of a nation state in countries as diverse as Japan, South Korea, Russia, France and Italy. The issues of a 'national cinema' for nation states of contested status, with disputed borders or displaced peoples, is discussed in relation to film-making in Taiwan, Ireland and Palestine. The contributors also consider the future of national cinema in an age of trans-national cultural flows, exploring issues of national identity and cinema in Latin America, Asia, the Middle-East, India, Africa and Europe. 'Theorising National Cinema' also includes a valuable bibliography of works on national cinema.
Author : Cristina Boscolo
Publisher : BRILL
Page : 367 pages
File Size : 34,87 MB
Release : 2009-01-01
Category : Literary Criticism
ISBN : 9042026812
A poetic ‘voice’ scans the rhythm of academic research, telling of the encounter with odún; then the voice falls silent. What is then raised is the dust of a forgotten academic debate on the nature of theatre and drama, and the following divergent standpoints of critical discourses bent on empowering their own vision, and defining themselves, rather, as counterdiscourses. This, the first part of the book: a metacritical discourse, on the geopolitics (the inherent power imbalances) of academic writing and its effects on odún, the performances dedicated to the gods, ancestors, and heroes of Yorùbá history. But odún: where is it? and what is it? And the ‘voice’? The many critical discourses have not really answered these questions. In effect, odún is many things. To enable the reader to see these, the study proceeds with an ‘intermezzo’: a frame of reference that sets odún, the festival, in its own historico-cultural ecoenvironment, identifying the strategies that inform the performance and constitute its aesthetic. It is a ‘classical’ yet, for odún, an innovative procedure. This interdisciplinary background equips the reader with the knowledge necessary to watch the performance, to witness its beauty, and to understand the ‘half words’ odún utters. And now the performance can begin. The ‘voice’ emerges one last time, to introduce the second section, which presents two case studies. The reader is led, day by day, through the celebrations –odún edì, Morèmi’s story, and its realization in performance; then confrontation by the masks of the ancestors duing odún egúngún (particularly as held in Ibadan). The meaning of odún becomes clearer and clearer. Odún is poetry, dances, masks, food, prayer. It is play (eré) and belief (ìgbàgbó). It is interaction between the players (both performers and spectators). It is also politics and power. It contains secrets and sacrifices. It is a reality with its own dimension and, above all, as the quintessential site of knowledge, it possesses the power to transform. In short, it is a challenge – a challenge that the present book and its voices take up.