Art in Cinema


Book Description

Fascinating documentation of one of the most important film societies in American history.




Thought Economics


Book Description

Including conversations with world leaders, Nobel prizewinners, business leaders, artists and Olympians, Vikas Shah quizzes the minds that matter on the big questions that concern us all.




Cinema and Society


Book Description

The book presents a rich collection of critical essays, ethnographic writings, memoirs, and reflections, portraying a well-rounded picture of cinema culture and historical change in Pakistan. The multiplicity of voices and approaches enhances the appeal of this collection, which is the first ever to delineate the diversity in the cinematic and extra-cinematic traditions of Pakistan, as well as in the histories of production, exhibition, and reception. The work also highlights aesthetic and affective politics in relation to nationalism; Islamization in policy and practice; the biopolitics of morality, ethnicity, gender, and sexuality; and the phenomenology of film exhibition and urban formation. The book incorporates rarely seen nostalgia items, such as pictures of studio shootings, as well as of film actors, film scenes, posters, and lobby cards.




The Cinematic Mode of Production


Book Description

A revolutionary reconceptualization of capital and perception during the twentieth century.




Cinema and Society in the British Empire, 1895-1940


Book Description

By 1940 going to the movies was the most popular form of public leisure in Britain's empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.




Cinema and the Great War


Book Description

Cinema and the Great War concentrates on one part of the art of the war: the cinema. Used as tool for propaganda during the war itself, by the mid 1920s cinema had begun to reflect the rejection of conflict prevalent in all the arts. Andrew Kelly explores the development of anti-war cinema in, Britain, America, Germany and France from the ground-breaking Lay Down your Arms, made by Bertha Von Suttner in 1914 and Lewis Milestone's bitter All Quiet on the Western Front through to Stanley Kubrick's magnificent Paths of Glory.




Cinema and Fascism


Book Description

"This study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly "Fascist." Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity. Cinema and Fascism investigates the complex relationship between the totalitarian regime and Italian cinema. It looks at the films themselves, the industry, and the role of cinema in daily life, and offers new insights into this important but neglected period in cinema history." -- Book cover.




The Aesthetics and Psychology of the Cinema


Book Description

Mitry was driven to explain the "why," "what if," and "how come" experiences that resulted after the "wow" experience in cinema. His theory uses psychology and phenomenology to understand how cinema can elevate the viewer from the everyday world.




Cinema and Community


Book Description

In the first book-length study of this topic, D.W. McKiernan examines the way mainstream commercial cinema represents society's complex relationship with the idea and practice of community in the context of rapidly changing social conditions. Films examined include Ae Fond Kiss, The Idiots and Monsoon Wedding.




Mexican Cinema


Book Description

Mexican filmmaking is traced from its early beginnings in 1896 to the present in this book. Of particular interest are the great changes from 1990 to 2004: the confluence of talented and dedicated filmmakers, important changes in Mexican cinematic infrastructure and significant social and cultural transformations. From Nicolas Echevarria's Cabeza de Vaca (1991), to the 1992 releases of Hellboy director Guillermo del Toro's Cronos and Alfonso Arau's Como agua para chocolate, to Alfonso Cuaron's Y tu mama tambien (2001), this work provides a close look at Mexican films that received international commercial success and critical acclaim and put Mexico on the cinematic world map. Arranged chronologically, this edition (originally published in 2005) covers the entire scope of Mexican cinema. The main films and their directors are discussed, together with the political, social and economic contexts of the times.