Circle in the Square Theatre


Book Description

Based on years of research as well as interviews conducted with Circle in the Square's major contributing artists, this book records the entire history of this distinguished theatre from its nightclub origins to its current status as a Tony Award-winning Broadway institution. Over the course of seven decades, Circle in the Square theatre profoundly changed ideas of what American theatre could be. Founded by Theodore Mann and Jose Quintero in an abandoned Off-Broadway nightclub just after WWII, it was a catalyst for the Off-Broadway movement. The building had a unique arena-shaped performance space that became Circle in the Square theatre, New York's first Off-Broadway arena stage and currently Broadway's only arena stage. The theatre was precedent-setting in many other regards, including operating as a non-profit, contracting with trade unions, establishing a school, and serving as a home for blacklisted artists. It sparked a resurgence of interest in playwright Eugene O'Neill's canon, and was famous for landmark revivals and American premieres of his plays. The theatre also fostered the careers of such luminaries as Geraldine Page, Colleen Dewhurst, George C. Scott, Jason Robards, James Earl Jones, Cecily Tyson, Dustin Hoffman, Irene Papas, Alan Arkin, Philip Bosco, Al Pacino, Amy Irving, Pamela Payton-Wright, Vanessa Redgrave, Julie Christie, John Malkovich, Lynn Redgrave, and Annette Bening.




Journeys in the Night


Book Description

Through the decades, Theodore Mann has kept Circle in the Square alive by leaping from the precipice of one hit to another, taking on every task from stoking a dilapidated furnace to directing Tony Award-winning productions. In the process Mann has helped restore the reputation of one of our greatest playwrights, Eugene O'Neill, first with a landmark revival of The Iceman Cometh and then with the American premiere of Long Day's Journey Into Night. Mann's own long journey has been inextricably linked with O'Neill, and he presents here some extremely significant, previously unreported aspects of the O'Neill saga." "Here is Theodore Mann's own account of the theatrical and cultural revolution that is Circle in the Square. If you ever wondered how off-Broadway came to be (and how it ever managed to survive), this is the tale to read."--BOOK JACKET. (Blackwell).




Lombardi


Book Description

THE STORY: Sport produces great human drama and there is no greater sports icon to bring to theatrical life than Hall of Fame football coach Vince Lombardi, unquestionably one of the most inspirational and quotable personalities of all time. Though




Hughie


Book Description

THE STORY: Originally produced on Broadway, revived to sellout houses in 1996 starring Al Pacino, HUGHIE was one of O'Neill's last works. It was originally intended as part of a series of short plays, but it became the lone survivor when O'Neill de




Bus Stop


Book Description

Cherie was a chanteuse. She said, “I call m'self Cherie. Thass all the name ya need -- like Hidegarde. I won a amateur contest down in Joplin, Missouri, and that got me a job in a night club in Kanz City. But working in a night club ain't all roses..." Bo Decker had his picture taken by Life magazine because he was a champion professional rodeo rider. Bo had heard about women only he'd hardly ever seen one. Bo was a large, beautiful hunk of man -- but green as new grass when it came to Cherie. Bo and Cherie got together when they were stranded at a bus stop one night. Their story is one of high humor -- a mixture of brag, heartache, bluster, and the funniest tough love affair ever put on stage, screen, or between the covers of a book. It is filled with comedy, compassion and tenderness.




Metamorphoses


Book Description

This play is based on David R. Slavitt's translation of The Metamorphoses of Ovid - Monologues.




Coastal Disturbances


Book Description

On a private New England beach, gale winds of romance engulf young and attractive Holly Dancer and her handsome, strapping Leo the lifeguard, as a galaxy of marvelously eccentric characters look on. There's Ariel, the bare survivor of a messy divorce, and her high-spirited 10-year old, Winston; Ariel's college roommate Faith, now (at long last!) pregnant; Faith's adopted daughter, Miranda; and M.J. and Hamilton, who after decades of marriage and nine children still have not settled their differences over Hamilton's past indiscretions. Meanwhile, Holly and Leo flirt and fall in love amid the ebb and flow of summer life swirling around them...Jacket.




Plaza Suite


Book Description

A portrait of three couples successively occupying a suite at the Plaza. A suburban couple take the suite while their house is being painted and it turns out to be the one in which they honeymooned 23 (or was it 24?) years before and was yesterday the anniversary, or is it today? This tale of marriage in tatters is followed by the exploits of a Hollywood producer who, after three marriages, is looking for fresh fields. He calls a childhood sweetheart, now a suburban housewife, for a little sexual diversion. Over the years she has idolized him from afar and is now more than the match he bargained for. The last couple is a mother and father fighting about the best way to get their daughter out of the bathroom and down to the ballroom where guests await her or as Mother yells, "I want you to come out of that bathroom and get married!"--Publisher's description.




Lady Day at Emerson's Bar & Grill


Book Description

"Deals with one of the last appearances of Billie Holiday." -- p.7 | May include musicians.




Fun Home


Book Description

A fresh and brilliantly told memoir from a cult favorite comic artist, marked by gothic twists, a family funeral home, sexual angst, and great books. This breakout book by Alison Bechdel is a darkly funny family tale, pitch-perfectly illustrated with Bechdel's sweetly gothic drawings. Like Marjane Satrapi's Persepolis, it's a story exhilaratingly suited to graphic memoir form. Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned "fun home," as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic -- and redemptive.