Clarendon and Whitlock Compar'd


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Clarendon and Whitlock compar'd. To which is ... added a Comparison between the History of the Rebellion and other Histories of the Civil War, proving ... that the Editors of the Lord Clarendon's History, have hardly left one fact, or one character on the Parliament side fairly represented; that the Characters are all Satire, or panegyrick ... By the author of the Critical History of England [J. Oldmixon], etc


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Neoclassical History and English Culture


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This book looks at neo-classicism as a context for understanding early-modern English historical writing, and traces the implications of neo-classical history for English political culture at large. By paying close attention to historical genres and audiences, it reassesses both the famous and lesser-known historians of this era, dramatizing them as engaged in a struggle to preserve ancient models of historical composition in the face of a rapidly modernizing society characterized by party politics, print, Christianity, and antiquarian erudition.













Clarendon and the Rhetoric of Historical Form


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Clarendon and the Rhetoric of Historical Form is the first major evaluation from a literary point of view of the writings of Edward Hyde, the first Earl of Clarendon and the most important English historiographer of the seventeenth century. As an early reformer in the Long Parliament, as an adviser to Charles I and Charles II, as the major architect of the Restoration on the Royalist side, and as Lord Chancellor of England from 1660 to 1667, Clarendon played a crucial role in determining the course of English history during and after the tumultuous years of the civil wars. As a historian and a literary stylist, he produced the History of the Rebellion, generally regarded as the greatest historical work written in England during the seventeenth century. Martine Watson Brownley evaluates Clarendon's literary abilities and achievements, focusing on his prose style, narrative form, and thematic structure on biographical influences on his writing; and on his literary background and associations. She also places Clarendon in the context of the development of English literary historiography during the seventeenth century. Various political and literary changes—for example, the antiquarian movement, the civil wars, and alterations in English prose and narrative styles—made the seventeenth century a particularly crucial era in the evolution of an English historiography that would lead to historical works which were also classics of literature. Brownley demonstrates that, through his experiments in style and structure in the History of the Rebellion, and particularly through the imaginative overview which he evolved for and in his work, Clarendon made the most significant advances in English literary historiography before the late eighteenth-century triumvirate of Gibbon, Robertson, and Hume. Clarendon and the Rhetoric of Historical Form will be valuable to scholars interested in historiography, prose and narrative style, and seventeenth-century literature and history.