Clash


Book Description

There's a new kid in town! From the moment Natasha sets foot in class, it's clear she's one of the coolest kids in sixth grade. Everyone wants to be her friend, including Olive...but things might not be so easy. Olive tries her best to befriend Nat, but it seems like the only thing they have in common is that they both want to hang out with Olive's friends! Watching as Natasha gets closer with some of her best buds, Olive can't help but worry that they're starting to like Nat more than they like her...and who could blame them? Nat is just that cool...and Olive is, well, just Olive.




In Defense of Ska


Book Description

In a mix of interviews, essays, personal stories, historical snapshots, obscure anecdotes, and think pieces, this second expanded edition dissects, analyzes and celebrates ska in exactly the way fans have been craving for decades. With the addition of 4 new sections, Aaron adds to the already extensive compendium that was the first edition: The Importance of Christian Ska; After ska died in the '90s, the music went underground and returned to its roots; The ska roots of Fall Out Boy lead singer Patrick Stump; How Katrina created a vibrant ska scene in New Orleans. Aaron expands on the original edition with exciting interviews with Patrick Stump from Fall Out Boy who he interviewed on his podcast of the same name. In Defense of Ska: Ska Now More Than Ever is the much-needed response to years of ska-mockery. Now the time to take to the streets and fight music snobbery, or at least crank up the ska without being teased ruthlessly, has come. This book will enlist ska-lovers as soldiers in the ska army and challenge ska-haters' prejudices to the core.




Clash!


Book Description

“If you fear that cultural, political, and class differences are tearing America apart, read this important book.” —Jonathan Haidt, Ph.D., author of The Righteous Mind Who will rule in the twenty-first century: allegedly more disciplined Asians, or allegedly more creative Westerners? Can women rocket up the corporate ladder without knocking off the men? How can poor kids get ahead when schools favor the rich? As our planet gets smaller, cultural conflicts are becoming fiercer. Rather than lamenting our multicultural worlds, Hazel Rose Markus and Alana Conner reveal how we can leverage our differences to mend the rifts in our workplaces, schools, and relationships, as well as on the global stage. Provocative, witty, and painstakingly researched, Clash! not only explains who we are, it also envisions who we could become.




Culture Clash


Book Description

The most thought provoking book ever written on dog behavior and training Generations of dogs have been labeled training-lemons for requiring actual motivation when all along they were perfectly normal. Numerous other completely and utterly normal dogs have been branded as canine misfits simply because they grew up to act like dogs. Barking, chewing, sniffing, licking, jumping up and occasionally, (just like people), having arguments, is as normal and natural for dogs as wagging tails and burying bones. However, all dogs need to be taught how to modify their normal and natural behaviors to adjust to human culture. Sadly, all to often, when the dog's way of life conflicts with human rules and standards, many dogs are discarded and summarily put to death. That's quite the Culture Clash. Simply, the best dog book I have ever read! The Culture Clash is utterly unique, fascinating to the extreme and literally overflowing with oodles of useful, how-to information. Jean Donaldson's refreshing new perspective on the relationship between people and dogs had redefined the state of the art of dog-friendly dog training. Dr. Ian Dunbar, Founder of the Association of Pet Dog Trainers




Tragedy Queens


Book Description

Archetypes are real. Muses are real. Writers are the channels of these spirits & if that sounds like witchcraft that's because it is. These stories gave me chills. Sylvia Plath & Lana Del Rey course through the veins of these dark, sexy, mind-bending, fantastical, romantic, & haunting tales. Authors from different genres came together in their love & passion for these muses. The Blacklist: Kathryn Louise Crazy Mary: Patricia Grisafi Pipedreams: Devora Gray And All the World Drops Dead: Max Booth III Without Him (and Him, and Him) There is No Me: Laura Diaz de Arce Going About 99: Christine Stoddard The Lazarus Wife: Tiffany Morris Stag Loop: Brendan Vidito SP World: Lorraine Schein A Ghost of My Own Making: Ashley Inguanta Loose Ends: A Movie: Tiffany Scandal Girls in the Garden of Holy Suffering: Lisa Marie Basile The Gods in the Blood: Gabino Iglesias The Land of Other: Farah Rose Smith Sad Girl: Monique Quintana Corinne: JC Drake Sphinx Tears: Cara DiGirolamo Rituals of Gorgons: Larissa Glasser The Wife: Victoria Dalpe Dayglo Reflection: Manuel Chavarria Catman's Heart: Laura Lee Bahr Panic Bird: Selene MacLeod Because of Their Different Deaths: Stephanie Wytovich




We Are The Clash


Book Description

“An ambitious look at the last days of the Clash . . . as much a political history of the 1980s as it is a look at an influential band in its final years.”—Publishers Weekly The Clash was a paradox of revolutionary conviction, musical ambition, and commercial drive. We Are The Clash is a gripping tale of the band’s struggle to reinvent itself as George Orwell’s 1984 loomed. This bold campaign crashed headlong into a wall of internal contradictions and rising right-wing power. While the world teetered on the edge of the nuclear abyss, British miners waged a life-or-death strike, and tens of thousands died from US guns in Central America, Clash cofounders Joe Strummer, Paul Simonon, and Bernard Rhodes waged a desperate last stand after ejecting guitarist Mick Jones and drummer Topper Headon. The band shattered just as its controversial final album, Cut the Crap, was emerging. Andersen and Heibutzki weave together extensive archival research and in-depth original interviews with virtually all of the key players involved to tell a moving story of idealism undone by human frailty amid a climatic turning point for our world. “The Clash’s final chapter, after guitarist Mick Jones’ 1983 departure, has largely been forgotten—until this book, in which authors Mark Andersen and Ralph Heibutzki argue that the punk pioneers were still creating vital music to the very end.”—Rolling Stone, an RS Picks/New Books “Focuses on a very different moment in the band’s history: the point at which the group splintered in the early 1980s, and its members grappled with an onset of reactionary governments around the world.”—Vol. 1 Brooklyn “One of the most rewarding music books you’ll come across this year.”—Johns Hopkins Magazine




The Elvis Machine


Book Description

The Elvis Machine is a book of poems inspired by living, loving, and hate-fucking in Memphis, Tennessee--a city still kissed with the 1950s. Forged in a dumpster fire of toxic Elvises, these poems are pornographic bad romances, psychedelic love dirges, and threnodies for sex, drugs, and rock'n'roll. They'll make you laugh off the pain as much as you'll cry, cringe, and feel exposed in this 'No Boys Allowed' clubhouse of feminine rage and healing. "Kim Vodicka is the sexier Stephen Wright of poetry, with incisive one-liners so sharp and mind-blowingly funny that you forget how hard you were laughing before you started crying, then started laughing again." -John Skipp, author of The Art of Horrible People "Vodicka's poetry is a seasick-sweet treasure trove of marvel. Her verses leave you yearning for the kind of love and life you know is bad for you, but you can't stop reading." -Elle Nash, author of Animals Eat Each Other "Here is the uncanny valley girl, the B-movie queen, Kim Vodicka, delivering a prize fight of the sexes in poetry where every line is a punch line. This book is the seminal display of misogyny's trauma, an unflinching exposé of toxic relationships, and an exquisitely honest portrayal of a woman's most intimate bits. Vodicka peels us to the core. This is what raw feels like." -Jeanette Powers, author of Dandylion Riot and founder of Stubborn Mule Press "The Elvis Machine is foaming at the mouth all over your pillow. Vodicka takes our balls and wears them like a teething necklace. Her wordplay is as bloody as it is brilliant. This is a love story dissected and displayed of its most vulnerable parts. Once again, she has managed to rock all my sensibilities." -Kelsey Marie Harris, author of The Jolly Queef




Shithead Laureate


Book Description

Hello. I am Homeless. Soon your head will be my home. No... Your head is already my home. My thoughts are inside of you as you read this. Therefore, I am inside of you now. Living inside you. Walking around in my boxer briefs. Scratching my balls. Rearranging the mental furniture inside your head. Opening the space up in case I feel like entertaining. I plan on entertaining. Thank you for letting me live inside your head. Thank you for giving me a warm place to stay. At least for now. I am Homeless. Hello. Hello...




When Stories Clash


Book Description

In the stories that people tell about conflict, the relationship narrative is commonly shaped to fit the conflict story. But there are always other relationship stories that can be told. This edition shows how to find and grow a counter story to the conflict story and to help people make choices about which story they want to perform.




Hexis


Book Description

I'm not relentless. "Relentless" makes it sound like there's something called "relent" and that I'm lacking it. In that sense, I'm not relentless, but perhaps I'm unrelenting. I could relent if I wanted to. But he always has to die. I mean "always" in two senses: at all times and all of the time. I can't kill him all of the time. That would take too long. But all of the times I did, I did. I'd do it again. I could relent if I wanted to, but instead I'd do it again. If he's different, then he's the same and if he's the same, he's got to go. If he were different and not the same, then there would be two things and I'd only have to kill one of them. If only I only had to kill one of him. What a life I would live, if only I only had to kill him the one time. But death doesn't always do him in.