Classic Horror Films and the Literature That Inspired Them


Book Description

Classic horror films such as Dracula, Frankenstein and The Picture of Dorian Gray are based on famous novels. Less well known--even to avid horror fans--are the many other memorable films based on literary works. Beginning in the silent era and continuing to the present, numerous horror films found their inspiration in novels, novellas, short stories and poems, though many of these written works are long forgotten. This book examines 43 works of literature--from the famous to the obscure--that provided the basis for 62 horror films. Both the written works and the films are analyzed critically, with an emphasis on the symbiosis between the two. Background on the authors and their writings is provided.




Classics of the Horror Film


Book Description

Critical reviews of classic and otherwise noteworthy horror movies are organized according to single film and recurrent motif or theme




H.P. Lovecraft Goes to the Movies


Book Description

With more than 100 movies based on his writing, H.P. Lovecraft ranks among the most adapted authors in history--along with Edgar Allan Poe and Stephen King. His unnervingly scary tales appeal to both diehard fans of horror and readers with mainstream tastes, and H.P. Lovecraft Goes to the Movies presents the very best of his filmed stories. Additionally, this unique collection provides an enlightening historical introduction, short headnotes for each story calling out interesting trivia, and an appendix with credits for each screen version. THE STORIES INCLUDE: "The Colour out of Space": filmed twice, once as a vehicle for Boris Karloff called Die, Monster, Die! "The Dunwich Horror," also filmed two times, once with Dean Stockwell "Pickmans Model" and "Cool Air": both for Rod Serlings Night Gallery TV program "The Call of Cthulhu," which laid the foundation for the Cthulhu Mythos




Classics of the Horror Film


Book Description

The thrills which delight viewers of horror movies.




It Came From ...The Stories and Novels Behind Classic Horror, Fantasy and Science Fiction Films


Book Description

How many times have you said, the book was better? And how many times was that actually true? The cinema of the fantastic has benefitted from literary adaptations on a level unlike any other genre. With such brilliant authors as Mary Shelley, Robert Bloch, Pierre Boulle, Edgar Rice Burroughs and Robert Louis Stevenson to choose from, it's no surprise that fantastic film shares its pedigree with literary fiction. But do films never live up to their literary inspirations? Or are some movies just ... better than the books that inspired them? Join genre critics Jim Nemeth and Bob Madison for a rule-busting examination of 21 classic - and not so classic - horror, fantasy and science fiction films, and the classic - and not so classic - books that inspired them. It Came From...The Stories and Novels Behind Classic Horror, Fantasy and Science Fiction Films will delight legions of movie buffs along with devoted readers of cherished fantastic fiction.




Children of the Night


Book Description

There are six of them: heroines, heroes, wise elders, mad scientists, servants and monsters. One of the most fascinating and also endearing aspects of horror films is how they use these six clearly defined character types to portray good and evil. This was particularly true of the classics of the genre, where actors often appeared in the same type of role in many different films. The development of the archetypal characters reflected the way the genre reacted to social changes of the time. As the Great Depression yielded to the uncertainty of World War II, flawed but noble mad scientists such as Henry Frankenstein gave way to Dr. Nieman (The Ghost of Frankenstein) with his dreams of revenge and world conquest. This work details the development of the six archetypes in horror films and how they were portrayed in the many classics of the 1930s and 1940s.




Euro Horror


Book Description

Beginning in the 1950s, "Euro Horror" movies materialized in astonishing numbers from Italy, Spain, and France and popped up in the US at rural drive-ins and urban grindhouse theaters such as those that once dotted New York's Times Square. Gorier, sexier, and stranger than most American horror films of the time, they were embraced by hardcore fans and denounced by critics as the worst kind of cinematic trash. In this volume, Olney explores some of the most popular genres of Euro Horror cinema—including giallo films, named for the yellow covers of Italian pulp fiction, the S&M horror film, and cannibal and zombie films—and develops a theory that explains their renewed appeal to audiences today.




On Writing Horror


Book Description

The masters of horror have united to teach you the secrets of success in the scariest genre of all! In On Writing Horror, Second Edition, Stephen King, Joyce Carol Oates, Harlan Ellison, David Morrell, Jack Ketchum, and many others tell you everything you need to know to successfully write and publish horror novels and short stories. Edited by the Horror Writers Association (HWA), a worldwide organization of writers and publishing professionals dedicated to promoting dark literature, On Writing Horror includes exclusive information and guidance from 58 of the biggest names in horror writing to give you the inspiration you need to start scaring and exciting readers and editors. You'll discover comprehensive instruction such as: • The art of crafting visceral violence, from Jack Ketchum • Why horror classics like Dracula, The Exorcist, and Hell House are as scary as ever, from Robert Weinberg • Tips for avoiding one of the biggest death knells in horror writing—predicable clichés—from Ramsey Campbell • How to use character and setting to stretch the limits of credibility, from Mort Castle With On Writing Horror, you can unlock the mystery surrounding classic horror traditions, revel in the art and craft of writing horror, and find out exactly where the genre is going next. Learn from the best, and you could be the next best-selling author keeping readers up all night long.




Shock Value


Book Description

An enormously entertaining account of the gifted and eccentric directors who gave us the golden age of modern horror in the 1970s, bringing a new brand of politics and gritty realism to the genre. Much has been written about the storied New Hollywood of the 1970s, but at the same time as Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film-aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, The New York Times's critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age. By the late 1960s, horror was stuck in the past, confined mostly to drive-in theaters and exploitation houses, and shunned by critics. Shock Value tells the unlikely story of how the much-disparaged horror film became an ambitious art form while also conquering the multiplex. Directors such as Wes Craven, Roman Polanski, John Carpenter, and Brian De Palma- counterculture types operating largely outside the confines of Hollywood-revolutionized the genre, exploding taboos and bringing a gritty aesthetic, confrontational style, and political edge to horror. Zinoman recounts how these directors produced such classics as Rosemary's Baby, Carrie, The Texas Chainsaw Massacre, and Halloween, creating a template for horror that has been imitated relentlessly but whose originality has rarely been matched. This new kind of film dispensed with the old vampires and werewolves and instead assaulted audiences with portraits of serial killers, the dark side of suburbia, and a brand of nihilistic violence that had never been seen before. Shock Value tells the improbable stories behind the making of these movies, which were often directed by obsessive and insecure young men working on shoestring budgets, were funded by sketchy investors, and starred porn stars. But once The Exorcist became the highest grossing film in America, Hollywood took notice. The classic horror films of the 1970s have now spawned a billion-dollar industry, but they have also penetrated deep into the American consciousness. Quite literally, Zinoman reveals, these movies have taught us what to be afraid of. Drawing on interviews with hundreds of the most important artists in horror, Shock Value is an enthralling and personality-driven account of an overlooked but hugely influential golden age in American film.




Universal Horrors


Book Description

Revised and updated since its first publication in 1990, this acclaimed critical survey covers the classic chillers produced by Universal Studios during the golden age of hollywood horror, 1931 through 1946. Trekking boldly through haunts and horrors from The Frankenstein Monster, The Wolf Man, Count Dracula, and The Invisible Man, to The Mummy, Paula the Ape Woman, The Creeper, and The Inner Sanctum, the authors offer a definitive study of the 86 films produced during this era and present a general overview of the period. Coverage of the films includes complete cast lists, credits, storyline, behind-the-scenes information, production history, critical analysis, and commentary from the cast and crew (much of it drawn from interviews by Tom Weaver, whom USA Today calls "the king of the monster hunters"). Unique to this edition are a new selection of photographs and poster reproductions and an appendix listing additional films of interest.